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International Art Competition Skies

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Contemporary Art Room Gallery is proud to announce their 2nd "Skies" Online Art Competition for the month of September 2020. This is an international competition and artists from around the world are welcome to submit their work. All entries must include the sky as the primary focus. The gallery seeks artworks with any perspective of the sky, including clouds, night and day sky, dusk and dawn, storms, stars, moon and planets. All visual art mediums are acceptable (painting, photography, drawing, sculpture, digital, prints, fiber art, collage or installation art) except sound and video art. $15 entry fee. Deadline: September 10, 2020. 

Prizes Details: 

All winning artists will receive a digital award certificate, First, second and third place will be largely displayed with an article  about the artist and  their work. Winning artwork (First place) will be on the poster of the show. Depending on the number and quality of all submissions received, Merit awards and Honorable Mention awards may also be presented.
All accepted works will be displayed with the artist name, title of work, and a link back to their website, or email address if they do not have a website. All Accepted artists will receive extensive online publicity and promotion on our website.

Deadline: 
09/10/2020

Entry Fee:

Fee Detail: 
$15
Contact & Links: 

Ars Electronica .ART Gallery

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.art Domains and Ars Electronica Launch an Online Exhibition for the 2020 Edition of the Festival

In response to the global pandemic and its impact, the leading new media arts festival Ars Electronica has partnered with .art Domains to inaugurate Ars Electronica .ART Gallery, the online arm of the festival this year. It will be the first time in the festival’s history that an online showcase accompanies the physical event. 

Ars Electronica .ART Gallery will invite its visitors to explore two sections: Ars Electronica .ART Global Gallery and Ars Electronica .ART Pavilions. The Global Gallery section is open to all applicants through an Open Call, which offers digital artists a unique opportunity to be part of the festival by submitting their work to be exhibited in this section. Ars Electronica .ART Pavilions will feature special projects presented by Ars Electronica's selection of curators.

The current situation has set the stage for an unprecedented shift toward the online. Rising to these challenging times, the team behind .art Domains has developed .art Digital Twin. Ars Electronica .ART Gallery is highlighting the variety of projects that are possible within the online format and offer participating artists the opportunity to certify their works with this new tool.

The .art Digital Twin captures the artwork information in quality and volume that wouldn't be possible with a "traditional" offline certificate. Using the DNS (domain name system) stability as its foundation allows for Ethereum integration and existing blockchain solutions to be additionally used. The .art Digital Twin empowers artists to attach and store an unprecedented number of data and files about an artwork, allowing for new levels of data sharing in an online exhibition format. Together with Ars Electronica, the team behind .art Domains hopes to improve the current conditions for digital art certification. 

Submissions are now open for the Ars Electronica .ART Global Gallery

Open Сall application deadline: 01/09/2020

Ars Electronica .ART Gallery will be presented from 9th Sept – 23rd September 2020

Deadline: 
09/01/2020

Entry Fee:

Fee Detail: 
20 USD - You will get a digital twin for free!
Contact & Links: 

Open Call for Submissions | 5th Annual Global Fine Art Awards - Deadline extended!

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Art organizations and individuals are invited to submit nominations for the 5th Annual Global Fine Art Awards program (GFAA), now through June 15, 2018. To qualify for 2018 awards, the exhibition or installation must begin between August 1, 2017 and July 31, 2018.

About the GFAA Program

Global Fine Art Awards (GFAA) is the first annual award program ever created to recognize the best curated art and design exhibitions and installations around the world.  The research and judging criteria are innovation and excellence in exhibition design, historical context, educational value, and public appeal. This year is the fifth edition.

Art Research Process

Throughout the year, the GFAA Art Research Committee searches to identify the best exhibitions and installations across the globe.  The basis for the research and selection of nominees is ongoing and thorough review of over 50 sources of art editorial and critique. More than 2,000 exhibitions are vetted during the process.

Open Call Process

In addition to the research-based nominations, GFAA accepts open calls from museums, biennials, fairs, galleries and other art organizations. Individual patrons may nominate as well.

Submissions for the 2018 GFAA awards are made online https://globalfineartawards.submittable.com/submit

Deadline: June 15, 2018.  Administration Fee: $180 per submission.

Selection and Voting

In August, the Nominating Committee convenes to review the list of all potential nominees, and deliberates to select a proposed slate.

In September, the Judges review the proposed slate, then make additions and deletions to create the official list of nominees.  The 2018 nominees will be announced in early October.  The Judges first vote for the top contenders in each award category to select the award Finalists.  A final round of judging and deliberation is done to select the winners- one in each award category.

GFAA will announce the Nominees via international press release, and on the GFAA website in October 2018.  The Winners are announced live in NYC at the award ceremony in March 2019.

The 2017 edition recognized 85 nominees from 28 countries, 60 cities and 6 continents. A total of 33 finalists, and 13 winners were selected by GFAA Judges.

Two additional awards, Youniversal and YOU-2, are determined by online and social media public voting. All Nominees are eligible to win these coveted awards.

The 13 Award Categories

  • Contemporary or Post-War – solo artist
  • Contemporary or Post-War – theme or group
  • Impressionist or Modern – solo artist
  • Impressionist or Modern – theme or group
  • Renaissance, Baroque, Old Masters or Dynasties – solo artist
  • Renaissance, Baroque, Old Masters or Dynasties – theme or group
  • Ancient Art
  • Public Art
  • Design
  • Photography
  • Fringe
  • Global Planet (NEW in 2017)
  • Global Humanity (NEW in 2017)

GFAA Judges

 The 2018 GFAA Jury is comprised of these highly-esteemed art professionals:

  • Savita Apte, Art historian and lecturer specializing in Modern and Contemporary South Asian Art
  • Dr. James M. Bradburne, Director General of the Pinacoteca di Brera and the Biblioteca Braidense, Milan
  • Gina Costa, Art historian and curator, previously at the Metropolitan Museum of Art and the Art Institute of Chicago
  • Dr. Oscar Guardiola-Rivera, Professor of Art, Philosophy and Law, University of London
  • Dr. Joe Lin-Hill, Deputy Director of the Albright-Knox Art Gallery
  • Dean Phelus, American Alliance of Museum's Senior Director of Leadership Programs

GFAA Research and Nominating Committee

  • Research Chair Kimberly Lin– BA in Art History in modern and contemporary art from the UC Berkeley; Degree in fashion design from Fashion Institute of Design and Merchandising; Post War Contemporary Art program, Sotheby’s London
  • Nominating Committee Chair Betsie Piussan– MBA from NYU; BA Stanford University, studied at l’Université de Paris and l’Ecole du Louvre, Design Certificate NY School of Interior Design
  • Peter Trippi– Editor-in-Chief, Fine Art Connoisseur magazine; GFAA Judge Emeritus
  • Salwa Mikdadi– Associate Professor of Art History, NYU Abu Dhabi
  • Patricia Lannes– Founder of Cultures and Literacies through Art for the 21st Century; Chair, Global Latino Network AAM
  • Renee Farina– Biennale di Firenze (Florence) International Selection Committee; Gallery owner; formerly of Christie’s Masters, Modern and Contemporary Departments, NYC, former GFAA Research Committee Chair

Key dates and information

  • Open call: Web-based submissions will be accepted now through Jun 15, 2018, 11:59 p.m. Eastern
  • Upload information here to apply (https://globalfineartawards.submittable.com/submit)
  • To qualify for 2018 awards, the exhibition or installation must begin between August 1, 2017 and July 31, 2018.
  • (note: traveling exhibitions may enter the competition, with acknowledgement shared with partner institutions).
  • Selected submissions will receive notification of their status by September 30, 2018.
  • GFAA will issue an international press release announcing the Nominees in October 2018.
  • GFAA will celebrate all Nominees and announce the Winners in March 2019 at a black-tie Ceremony and Gala.
  • Application fee: $180

What Selected Nominees receive

All Nominees and Finalists will be featured in extensive marketing, social media, public relations and permanently on the GFAA website. Additionally, GFAA will create a uniquely curated video for each of the Finalists, which will be presented at the Award Ceremony, on the website and social media channels.  All Nominees and Finalists are invited as our guests to the Award Ceremony in March, 2019, when the Winners will be revealed live at the red carpet gala.

Congratulations to the 2017 GFAA Winners

Global Planet

Andy Goldsworthy / lifetime / global; England

Global Humanity

Shirin Neshat: The Home of My Eyes / Museo Correr / Venice, Italy

Best Contemporary / Post-War -Solo Artist

Yayoi Kusama: Infinity Mirrors / Hirshhorn Museum and Sculpture Garden / Washington DC, USA

Best Contemporary / Post-War -Solo Artist

Abstract Expressionism / Royal Academy, Guggenheim Bilbao / London, England; Bilbao, Spain

Best Impressionist and Modern (1838-WWII) – Solo Artist

Medardo Rosso: Experiments in Light and Form / Pulitzer Arts Foundation / St. Louis, USA

Best Impressionist and Modern (1838-WWII) – Group or Theme

Revolution: Russian Art 1917-1932 / Royal Academy of Arts / London, England

Best Renaissance, Baroque, Old Masters and Dynasties (1200 - 1838) – Solo Artist

Raphael: The Drawings / Ashmolean Museum / Oxford, England

Best Renaissance, Baroque, Old Masters and Dynasties (1200 - 1838) – Group or Theme

Remembering Antiquity: The Ancient World through Medieval Eyes / The J. Paul Getty Museum, Getty Center / Los Angeles

Best Ancient Art (BC -  approx 1200)

Age of Empires: Chinese Art of the Qin and Han Dynasties (221 B.C-A.D 220) / The Metropolitan Museum of Art / NYC

Best Public or Outdoor Installation/Exhibition

The Garden - End of Times; Beginning of Times / ARoS Aarhus Kunstmuseum / Aarhus, Denmark

Best Design

Frank Lloyd Wright at 150: Unpacking the Archive / Museum of Modern Art / NYC, USA

Best Photography

Perpetual Revolution: The Image and Social Change / International Center of Photography (ICP) / NYC, USA

Best Fringe / Alternative Exhibition

The Islamic Treasures of Africa. From Timbuktu to Zanzibar / Institut du Monde Arabe / Paris, France

Honorable mention:

Farideh Lashai: When I Count, There Are Only You… But When I Look, There Is Only a Shadow / Museo del Prado and The British Museum / Madrid, Spain; London, England

Youniversal

A World of Emotions: Ancient Greece, 700 BC - 200 AD / Onassis Cultural Center New York / NYC, USA

Honorable mention:

Lawrence Alma-Tadema / Fries Museum, Belvedere Museum, Leighton House Museum / Leeuwarden, Netherlands / Vienna, Austria / London, England

YOU-2

Lawrence Alma-Tadema / Fries Museum, Belvedere Museum, Leighton House Museum / Leeuwarden, Netherlands / Vienna, Austria / London, England

GFAA is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purpose of GFAA must be payable to “Fractured Atlas” only. All contributions are tax-deductible to the extent permitted by law. Fractured Atlas, a 501(c)(3) public charity, provides a fiscal sponsorship program to help arts organizations raise money from charitable sources.

2017 Corporate Sponsors

ARIS Title Insurance Corporation, Crowell & Moring LLP, K&L Gates LLP, Liberty International Underwriters, Louis Xlll Cognac, Pryor Cashman LLP, Wiggin and Dana LLP

Media, Arts, Educational and Cultural Partners 
The Armory Show, Alserkal Avenue (Dubai), American Alliance of Museums (AAM), Association of Art Museum Directors (AAMD), De la Cruz Collection (Miami), DSL Collection (Paris), Edward Tyler Nahem Gallery, Family Office Elite magazine, Fine Art Connoisseur magazine, Fractured Atlas, Galerie Lelong & Co., Gladstone Gallery, Hauser & Wirth, Alison Jacques Gallery (London), Leighton House Museum, Leila Heller Gallery (New York and Dubai), Mapme, Marlborough Gallery, National Arts Club, Onassis Foundation USA, Paddle8, Traveling Exhibits Network, Vastari, White Rabbit Collection (Sydney), world red eye productions

 

Deadline: 
06/15/2018
Fee Detail: 
180.00

Music & Movement - Call for artists - Wake up screaming #8

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Wake up screaming #8 is now open for submissions on the theme “Music & Movement”. Deadline: 14th March, released New Moon - 17th March. 

Further details: wakeupscreaming.com/music-and-movement/

Music to heal, sounds to celebrate, to dance, grieve, commune, evoke frenzy, to initiate, to journey, and music as a tool for exploring and knowing the self.

This month we are reigniting our musical fires by asking questions like: What is music, Where does it exist, what does it represent? We want to dig around in the emotional aspects of music and sound, how it imprints upon and penetrates our being. We want to investigate movement in relationship to sound, in terms of bodily motion, travel, emotional movement, dance.

Why do organised noises intrigue us so? Is it because at the ground level, we are creating order from chaos using building blocks that are neither speakable nor tangible? Music and movement are creative forms that are most representative of the universe, laden with patterns and processes, full of language, yet not spoken or understood in the conventional sense.

WE ARE LOOKING FOR:
Visual pieces, illustration, painting, drawings, animation, music, sound, video, multimedia, films, installations, movement, dance, noise, soundscapes, songs, collaboration, creative writing, poetry and short articles < 600 words.

We are not necessarily looking for sound-based contributions, although we will publish some music and sound. We are also looking for work in other mediums that are somehow inspired by or linked to music, how is music inspiring your visual art? How can we bring together music with other forms?

Please view our submission guidelines and previous editions before submitting your work.

About Wake up screaming: 

Wake Up Screaming releases a new edition with each New Moon, providing the editor and contributing artists with four week periods to explore and respond to themes relating to consciousness, waking up and approaching creativity as a means of personal development.

Deadline: 
03/14/2018
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