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Constructed Visions III

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Constructed Visions III is a national juried exhibition seeking artisans (object makers) of 3D or 2D contemporary fine craft or sculpture that highlight process-driven methods. The artistic product may be functional or nonfunctional, but the process, technique, and material must align with the intent or content of the piece. The St. Louis Artists’ Guild seeks artwork in wood, metal, paper, fiber, glass, clay, jewelry, encaustics, and printmaking as well as non-traditional materials.

Constructed Visions III is a national juried exhibition seeking artisans (object makers) of 3D or 2D contemporary fine craft or sculpture that highlight process-driven methods. The artistic product may be functional or nonfunctional, but the process, technique, and material must align with the intent or content of the piece. The St. Louis Artists’ Guild seeks artwork in wood, metal, paper, fiber, glass, clay, jewelry, encaustics, and printmaking as well as non-traditional materials.

Juror: Casey Whittier

Casey Whittier received her BFA from the Kansas City Art Institute and MFA from the University of Colorado Boulder. Her work is often born from one of the following experiences: an indescribable feeling of excitement; a nagging contradiction of desire; a need to share something that she cannot yet explain; an obsession; a question or series of questions; a desire to respond to or reflect on a thought, feeling, or event; recognition of something poignant or absurd; misunderstandings. 

Utilizing a variety of forming methods in glass and clay, Whittier reinterprets objects from her daily experience, unites the landscapes of her reality with the landscapes of daydreams, exploits the visceral qualities of the materials, and ponders the power of shared experience. The physical impressions that come through rolling, tearing, squishing, dipping, pushing, pinching, molding, casting, and scratching become representations of touch, of thought, of time spent.

Whittier is an advocate for community engagement through the arts. She teaches ceramics social practice at the Kansas City Art Institute. Whittier works from her home studio and serves as Vice President for Artaxis.org.  Her work can be found at www.caseywhittier.com and www.palmpetals.com. 

Prizes: 

Cash prizes totaling $1000 will be awarded by the juror.

Deadline: 
05/01/2020

Entry Fee:

Fee Detail: 
Non-Members $35 and Members $24
Contact & Links: 

Clearly Human IV

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The St. Louis Artists’ Guild is proud to host Clearly Human IV, an all-media group exhibition of artwork focused on the human figure. Clearly Human IV gives a comprehensive look at the many ways of representing the human figure, from traditional to contemporary, realistic to fanciful, beautiful to unsettling. The exhibit seeks a diverse view of the humanity representing subjects varying greatly in gender, age, ethnicity, and nationality. The artists are encouraged to use the figure to explore a wide variety of themes, including definitions of beauty, perceptions of history, relationships with nature, and moments of everyday life.

Deadline: 
02/21/2020

Entry Fee:

Fee Detail: 
$35 Non-Member, $24 Member
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An Idea of Order

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Juried Exhibition - An Idea of Order

The title of this exhibit is inspired by the poem "An Idea of Order at Key West" by Wallace Stevens. Artists have employed mathematics to bring visual harmony to our surroundings with tools such as the golden ratio, perspective and grid systems. From the intricate symmetry of Islamic tile design, to the measured drawings of Agnes Martin, mathematics can create visual harmony and give a sense of order to what appears to be chaotic.

An Idea of Order seeks work in all media that employs systematic, structure, number, pattern, and shape as an inherent component of expression. Artworks that are concerned with the logic of shape, quantity and arrangement as organizing principles are appropriate, as well as works that are related to sequence, timing and movement.

About the Juror: Joe Chesla

The artwork of this internationally exhibited artist reveals the hidden beauty of natural order and organic process by omitting parts that are superfluous. What remains is a collaboration between Artist and Nature. His aesthetic blends craftsmanship and technical expertise with the eastern sensibilities of balance, harmony, simplicity, and economy of material.

Combining wood and skillfully crafted metal parts, Chesla creates unique, yet oddly familiar sculptures, which seem to tell part of a larger story. At a glance his sculptures may appear to be random or found “parts” but are, in
fact, deliberate and precise creations. Chesla challenges conventional aesthetics, daring us to see art in his sculptural hybrids of nature and industrialization. Chesla also creates mineral infused “rust” and “salt” prints. Exposing specially treated fibrous paper to the natural processes of oxidization creates the one of a kind “prints”.

Joe Chesla received his MFA from Utah State University and has exhibited internationally. He worked as a proprietor at The Walker Art Center in Kansas City, and as head proprietor at Kemper Museum of Art in Kansas City. Chesla is also the recipient of numerous awards including Utah State University Arts Grant and Utah Arts Council Grant, John Morgan Fellowship, and the George B and Marie Eccles Caine Art Scholarship. He is a Professor at St. Louis Community College— Meramec, and heads the sculpture department where he coordinates the sculpture program.

Deadline: 
09/27/2019

Entry Fee:

Fee Detail: 
Non-Members $35, Members $24
Contact & Links: 
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