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United Kingdom

the MASS; SYSTEMATISED (February)

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the Mass is a monthly online collection of discursive art, articles, opinions, prompts, thoughts, and questions, gathered in response to global issues.

 

Released on the last day of each month, the Mass aims to provide a space for reflection, criticism, and a platform for art as activism

the Mass is a non-monetised publication (we are not down with the capitalist agenda), and is free to access by all

Everyone is welcome to submit to the Mass: artists, thinkers, writers, worriers – people with opinions prepared to be critical. All we ask that submissions are offered in a spirit of openness.

the Mass is co-edited by Henry McPherson and Maria Sappho

 

 

Deadline: 
02/25/2020

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We are a non-monetised publication. No money comes in – we do not sell anything, and we do not advertise. All our costs (web hosting, email, storage) are provided as donations in-kind by the editors, who give their time freely. We do not offer payment for
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Call for Artists - Average Art #45 (April 2020)

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Average Art is an industry focused art magazine. Our goal is to draw attention to self representing artists. We are now taking entries for the April edition of Average Art Magazine.
 

Deadline: 
03/22/2020

Entry Fee:

Fee Detail: 
Free
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Routes into Music Facilitation

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We’re offering three brand new opportunities to work with Brighter Sound as a music facilitator across our programme of work for children and young people.

The placements – one leading to a formal qualification and two paid traineeships – will offer practical, hands-on experience of music delivery in a workshop setting, shadowing experienced facilitators who are specialists in musically inclusive practice.

The roles are aimed at musicians who are committed to the development of their skills as a creative practitioner. The ideal candidates will be passionate about unlocking the creativity of children and young people through music making, and nurturing musical, social and personal progression.

You can read an overview of each of the positions below. 

1. Certificate for Music Educators Qualification

  • A comprehensive training programme leading to a professional, level 4 qualification in music education. Includes online training modules, 1-2-1 mentoring, and work placements to put learning into practice
  • Tuition fees, additional training and travel bursaries (of over £1000) covered by Brighter Sound
  • Accredited – assessed through observations and a portfolio of coursework
  • Flexible schedule (between 12-24 months)

2. Children & Young People Programme Trainee

  • Paid, on-the-job training, shadowing experienced Brighter Sound facilitators
  • Includes bespoke training sessions, and requirement to complete reflective diaries and blogs
  • Non-accredited
  • Over 6 months (March 2020– August 2020)
  • Across a variety of programmes with different ages, abilities and disciplines
  • Flexible session dates

3. Sing City Trainee

  • Paid, on-the-job training, shadowing experienced Brighter Sound facilitators
  • Includes bespoke training sessions, and requirement to complete reflective diaries and blogs
  • Non-accredited
  • Over 12 months (March 2020 – March 2021)
  • Part of Sing City – Brighter Sound’s songwriting project for 13-18’s
  • Weekly on Wednesday evenings

Further information

As part of the application form you will be asked to tell us why you are interested in applying for that particular role. Therefore we encourage you to only apply for the position that most interests you.

The deadline for all three placements is Sun 9 Feb 2020, 11pm.

If you have any questions about these opportunities please contact Lucy Wallace at lucy@brightersound.com or 0161 830 3899.

Supported by Youth Music as part of the Alliance for a Musically Inclusive England, and made possible by funding from the National Lottery via Arts Council England.

Deadline: 
02/09/2020

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AUTOMATED

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AUTOMATED

Automated is a digital art exhibition exploring the notion of Automation.

Defined as 'To operate machines or computers that reduce the workload traditionally taken by a human to produce.' Automation can be seen in effect on different levels, as anything made on a computer is defined as automated art, but different technologies, software or tools can vary the workload massively.

Our intention is to present a showreel of new media artists, focusing on digital rather than analogue, featuring artists that use data as their material.

This exhibition will display works of art from the latest mediums of technology, enveloping different digital cultures ranging from gif. art, glitch art, graphic art and generative art - to name a few.

There is a growing world of 'digital art' and it expands past Hockney and his iPad.

Curated by Samuel Morgan

NB: Submission is free. If you are selected, we will ask for a £20 contribution and some of your time. Please read ‘how to submit’ and our FAQs for full details.

Deadline: 23:59 on Sun 22 March 2020.

Deadline: 
03/22/2020

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OPEN CALL TO ACTORS: [INSERT FEELING HERE] immersive art experience

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OPEN CALL TO ACTORS: Looking for actors to collaborate on a unique immersive art exhibition for two nights only on 26 & 27 February in the Old Biscuit Factory in Bermondsey.

The performance is part of a unique immersive art exhibition [INSERT FEELING HERE], an artist reflection on chasing our own emotions, the highs and the lows and making space for everything in between. The aim of the event is to make people feel and experience art becoming part of the creation process rather than observers. The audience will dive into the minds of 11 artists and get immersed into their practice.

We are looking for the following:

- Actors to encourage the audience to interact with immersions and ensure the flow of people from one immersion to the other.
- Actors to act as nurses in a lab room immersion designed to make the audience reflect on emotions, the brain and art
- An actor to impersonate Sigmund Freud in an immersion designed to make the audience reflect on how they feel

There will be a lot of scope for self expression and co-creation as part of the project.

 

Deadline: 
02/15/2020

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Mother Art Prize 2020

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Procreate Project is back with the 3rd edition of the Mother Art Prize 2020, the only international open call for self-identifying women and non-binary visual artists with caring responsibilities. 

Its aim is to promote and support artists who are mothers/parents as well as drive the attention of the wider public to a broad-spectrum of themes that would otherwise be overlooked and devalued. 

The prize is aimed at artists working in one or more of the following media: painting, drawing, mixed-media, photography, digital art, sculpture, ceramics, installation, textile, sound and video and there are no theme restrictions.

The judging panel is composed by:

  • Niamh Coghlan, Richard Saltoun Gallery Director 
  • Pauline Desouza, Director of the Diversity Art Forum
  • Elvira Dyangani Ose, Director of The Showroom and Lecturer in Visual Cultures at Goldsmiths University
  • Eva Langret, Artistic Director Frieze London
  • Claire Mander, Chair of Steering Committee of UK Friends of the National Museum of Women in the Arts and Director of theCoLAB
  • Frances Morris, Director of Tate Modern
Prizes: 

Exposure: Group show for up to 20 selected artists at Elephant West, Elephant Magazine’s pioneering project space in west London [6-29 of November 2020]; feature in the Procreate Project online shop and in the Elephant Magazine. 

Winner’s Award: £500 Cash Prize + 2-week solo exhibition at The Showroom in summer 2021

International Award: Up to 4 weeks residency at the White House Dagenham [In partnership with Create London] + £500 worth of art materials sponsored by Colart

Online Award: Online Exhibition with Richard Saltoun [Sept 2020] + 2 mentoring sessions with Sylvie Gormezano, Director at Picture this productions and Chair of the Association of Women Art Dealers (AWAD)

Deadline: 
03/13/2020

Entry Fee:

Fee Detail: 
£15
Contact & Links: 

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