USA
SPE Media Fest
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Type:
Eligibility:
The SPE (Society for Photographic Education) Media Festival (originally the SPE Women's Film Festival) has featured innovative and provocative short documentaries, animation and fiction by, for and about women and minorities since 1995. The 2020 festival will be screened in Houston, TX, on Friday and Saturday, March 6&7, at the 2020 SPE National Conference.
Narrative, documentary, animated and experimental shorts under 30 minutes, that address issues of concern to women, minorities, global or LGBTQ communities are eligible. All rights must be cleared. All selected films will be screened live at the conference. Filmmakers may also choose (or decline) to be included in the on-line festival on a password-protected site from June 2020-May 2021. The theme of the conference is 20/20 VISION. Preference will be given to films/videos that reflect the conference theme.
Entry Fee:
- Yes
Scholarships Available for Dancewave's Arts Educator Training
Category:
Supported this year by the National Endowment for the Arts, Dancewave's unique training opportunity is applicable to recent graduates, educators, and professionals seeking innovative techniques for working with youth.
Using Dancewave's unique Culture Model as a platform, participants learn how to:
- Support Students' Individuality and Ownership of Learning
- Cultivate Leadership, Artistic Expression, and Wellness
- Facilitate Effective/Affirmative Feedback
- Integrate Restorative Practices
- Measure Success through SEL Metrics
Strategies for Young Artist Citizens - Arts Educator Training Workshop
2-day Workshop: August 27 & 28, 2019 | 9:00am-4:00pm
Held at the New Dancewave Center - 182 4th Ave in Gowanus, Brooklyn
Subsidized Registration Fee: $275
(Includes breakfast and lunch, workshops, master classes, and training materials)
SCHOLARSHIP OPPORTUNITIES
With funding this year from the National Endowment for the Arts, Dancewave will offer 4 full scholarships to select candidates:
- 2 Department of Education Employees
- 1 Newly Graduated Arts Education Student
- 1 Innovative Youth Educator Candidate
Entry Fee:
- No
Viridian Artists presents The 30th Annual International Juried Exhibition July 16-August 10, 2019
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Type:
Eligibility:
Viridian Artists is proud to present:
The 30th Annual International Juried Exhibition
Entry Fee: Ends June 13, 2019 (11:59pm) = $45/ 3 works, $5 each additional work.
Juror: Vernita Nemec, independent curator in New York City and the Director of Viridian Artists. As an artist herself, Vernita was a pioneer of the downtown art scene. She has nurtured and promoted work by under known artist throughout her career.
Previously, Nemec served as Director of Artists Talk On Art, interviewing art world luminaries, and as an independent curator at Henry Street Settlement Art Center. She has been curating extensive groups exhibitions of art from recycled materials and trash, entitled “Art from Detritus” for which she received a Kaufmann Foundation Grant and a Puffin Foundation Grant.
Cash Awards For !st, 2nd and 3rd Prize Winners: All winners will be part of a group show in our Chelsea gallery space, and also will be listed on Viridian's website.
The show will be exhibited from July 16-August 10, 2019, with an opening reception on Thursday, July 18th, 6-8pm
Size and Specifications:
The exhibition will consist of two-dimensional and three- dimensional art works in all media. The size limitation for wall-hung work is 60 inches high by 60 inches wide (including frame.) Free-standing work may not exceed 30 inches wide by 30 inches deep by 96 inches high. Modular work or installations may be larger.
Entry Fee:
- Yes
Peekskill Film Festival
Category:
Eligibility:
Founded in 2015, the Peekskill Film Festival (PFF) screens a first-rate mix of features, shorts, documentaries, and animation. In addition to screening the best and brightest in indie film, the PFF hosts workshops with Emmy-Award winning artists and filmmakers, parties, panel discussions, and an entire day dedicated to student film -- all centered in the historic Hudson Valley Paramount Theater, a beautifully restored, 1,100 seat, 1930’s jewel located in the heart of Peekskill’s arts and restaurant district.
Come for a single movie, a day, or the whole weekend. We welcome you to Peekskill, our diverse and glorious Hudson River city, a thriving arts community just under an hour from NYC.
The PFF is pleased to showcase NY filmmakers in our "New York State of Mind" block on Saturday, where all films featured are proudly made in the Empire State.
Diverse voices from the world over are welcome. We especially encourage underrepresented voices, films, and subjects including women, POC, and the LGBTQ+ community.
A portion of proceeds and all sponsorships benefit the cultural programming of The Field Library. The PFF and its filmmakers strive to provide scholarship and and filmmaking opportunities for underprivileged filmmakers.
OUR CREDO: Through informative workshops, and networking opportunities, The PFF will facilitate educational and career-oriented programming for students of film and filmmakers. The festival hopes to introduce, involve and immerse youth from underserved communities to a world where they, too, can contribute and create.
Our Purpose:
Give up and coming filmmakers, writers, actors and producers a chance for their work to be shown in a festival setting,
Provide exposure to award- winning films and performers who reflect the diversity of the city of Peekskill,
Promote film literacy through workshops and lectures, providing participants a chance to see important, overlooked, and often excluded works of film.
Start dialogues. Create. Network!
Festival Specifics:
Tickets: $15. Discounted weekend passes available
For up-to-date information, visit peekskillfilmfestival.org
Awards & Prizes
Awards ceremony will take place at our legendary afterparty on Saturday, July 27th!
Awards include:
Best Feature
Best Short
Best Documentary
Best Student
Best Animation
Best Director
Best Cinematography
NY State of Mind Award
Best of Fest
Audience Favorite
Rules & Terms
The PFF does not require premiere screening rights; we also take no responsibility for stipulations of your distribution agreements or copyrights for prior television, film, internet or festival showings.
Legally, clearance for copyrighted material included in your film must be obtained before public screening. The PFF does not check for, nor take responsibility for the inclusion of uncleared materials in film submissions or selections. Filmmakers are responsible for securing festival clearance rights for music, stock footage or any other material, to avoid potential rights infringements.
In most cases we accept digital submissions ONLY. However, wee are happy to return your films with a self- addressed, stamped envelope with the appropriate postage. The PFF is in no way liable, nor responsible, for the return of your film.
Entry Fee:
- Yes
BIG INK Large-Scale Woodblock Printing at Cultural Arts Center, Columbus, OH
Category:
Type:
Eligibility:
Deadline to submit a proposal: Midnight, June 24, 2019
Event Location: 139 W Main St, Columbus, OH 43215
Event Date(s): September 7-8, 2019
Event Time: 10 am - 5 pm
Public Time: 11 am - 4 pm
Link to Submit: https://www.bigink.org/apply/
Event Synopsis:
BIG INK, a nationally recognized print arts organization, is traveling to the Cultural Arts Center in 2019. The Cultural Arts Center has invited BIG INK to host a two-day event where prints will be pulled from large-scale woodblock plates. We are seeking image proposals from emerging, mid-career, and established visual artists who would like to carve a woodblock, at least 24" x 36" inches in dimension, to print at the event. No prior printmaking experience is required. Any artist that has an interest in print media and wants to achieve a deeper understanding of woodblock carving is welcome to apply.
Upon completing the application and being accepted, artists will have two months prior to the event to carve their design. BIG INK has created how-to videos that guide participants through the carving process. The series draws from invaluable technical observations made by BIG INK's directors and past participating artists. The artists' sole responsibility is to bring a fully carved and ready to print woodblock on their assigned printing day. All consumable materials including paper, ink, cleaning supplies and equipment are included with participation.
The event itself is an excellent way to network with other participants, plug into a growing creative community, and produce high-quality work that can later be used for sale and exhibition.
About BIG INK:
BIG INK's mission is to inspire a greater public appreciation for large-scale woodblock printmaking and extend its practice. Founded in 2012, BIG INK was originally the brainchild of Lyell Castonguay and Carand Burnet. Castonguay, whose personal woodblock work is often monumental in scale, wanted to organize a community of large-scale woodblock artists. Castonguay and Burnet began to host informal gatherings at print studios around their local area. These happenings evolved into the collaborative working model BIG INK utilizes today. BIG INK establishes a temporary print shop on site at affiliate organizations, most often at museums, universities, art centers, studios, and galleries. Artists are selected through a call-for-entry process to attend these events and print original woodblocks at least 24” x 36” in dimension. Since the program’s inception, hundreds of artists have participated in BIG INK events across the country.
About the Cultural Arts Center:
The Cultural Arts Center is housed in a renovated building that connects us to the earliest plans and places in Columbus' history. From the 1860's until the mid 1970's the building was designed and operated as the Ohio State Arsenal. The Ohio State Arsenal was officially dedicated as the Columbus Cultural Arts Center on Monday, June 11, 1978. The center offers gallery spaces and classes centered on making art, directed at adult audiences, and promoting the highest standards of expression. The staff is composed of working artists who were committed to their own studio practices and came to their teaching from this perspective. The teaching philosophy is workshop-based and represents a long tradition of hands-on studio experience.
Participant Benefits:
BIG INK events are a constructive way to collaborate in a creatively inspiring space while gaining an in-depth knowledge of how to create a large-scale woodblock print. The program is designed for printmakers who understand basic woodblock principles but want to expand their expertise and working scale. The program is also designed for those not yet trained in woodblock but whose visual aesthetic would lend itself to the medium. This includes illustrators, sculptors, designers, and painters who use bold contrast, strong outlines, and patterning. Participating in an event often inspires artists to incorporate more print work in their studio practice.
BIG INK's role is to make the production of a large-scale woodblock accessible and easy to understand. We make the experience rewarding and informative by imparting our knowledge of preferred materials and techniques. We do so through a tutorial series comprised of over 20 videos. Step-by-step instructions guide BIG INK participants with preferred materials and methods including plywood types, image transferring, carving, creating textures, fixing mistakes, tool maintenance, incorporating power tools, and more. BIG INK remains in contact providing guidance and technical support when needed. At the conclusion of the event, BIG INK photographs each participant's finished print. We add this image to the bigink.org online archive. These images are used to help curate BIG INK themed exhibits at national and international art venues.
How Many Prints Are Produced?
BIG INK assists in the creation of three impressions from each participant's woodblock. We pride ourselves on producing high-quality impressions despite that events typically happen in a community setting. Work is printed using oil-based inks on archival paper and the quality is comparable to what you would receive working at a private studio.
What happens to the prints produced at the event?
We request ownership of one print for our archive in order to photograph your work and use it for curatorial projects. At some point, we hope to donate these prints to a museum. The archive consists of over 300 prints and growing. The other two prints remain in the artists' possession.
What do I submit with my image proposal?
We ask for basic contact info, a short artist statement/bio, anticipated dimensions of your woodblock and most importantly a JPG that represents what you intend to carve. You are welcome to submit an image from your portfolio or a new design. Upload your image in black & white via the application on our apply page. Please note your proposal image doesn't have to be completed on a large scale and can be drafted in your preferred medium. Black sharpie, pen & ink, and dark pencil gives us the clearest impression of your concept. Avoid the use of gray tones when possible. Refer to this album of past proposals for inspiration and reference. Images must be solely created by the applicant.
What material should I use to carve my woodblock?
Artists are responsible for purchasing 1/2" cherry ply, 1/2" MDF or 3/8" Shina. Purchase links to materials will be provided to accepted participants.
How big can I work?
Images must be at least 24” x 36” in dimension but no larger than 40” x 96” in dimension.
Fees:
It is free to submit a proposal; accepted artists pay $300 dollars to participate. This covers all consumable materials for the event including printing ink, paper, cleaning supplies, equipment and photography. The artist is only required to bring a fully carved block.
Scholarships:
We are unable to offer scholarships at this time. Past participants have been able to cover funding through local and state grants, The Awesome Foundation or crowd funding platforms like Kickstarter.
Other Commonly Asked Questions:
Q: Can two artists collaborate on a proposal? A: Yes, list both names on the application.
Q: Can I submit an existing image with my proposal? A: Yes
Q: If accepted can I change my proposal image after the fact? A: Yes, as long as it falls within the same aesthetic.
Q: Does my proposal image have to be a certain size? A: Your proposal image can be small. It doesn't have to be the same size as your woodblock.
Q: Am I expected to attend both printing days? A: No, but you’re welcome to.
Q: How many prints does each artist produce? A: Three, one of which is archived in the BIG INK portfolio.
Q: Can I bring my own paper and print more? A: Because we work with many artists at one time we standardize for time's sake. There isn't enough time to print more than three impressions of your woodblock at the event.
Q: What type of paper do we use? A: Masa
Q: What type of ink do we use? A: Oil-based relief ink, bring an apron and wear work clothes.
Q: Do I have to bring any other materials besides my carved block? A: No
Q: Can we print in color? A: Because we work with many artists at one time we standardize for time's sake. There isn't enough time and space for color printing.
Q: How do we transport the finished prints? A: BIG INK provides newsprint to wrap the work.
Q: Do you have recommendations on where to stay? A: We use Airbnb and quality hotels are usually located a short drive away or within walking distance.
Q: What is the best way to transport the finished block if I'm flying? A: You may be able to ship your block directly to the venue. Contact us directly to confirm. When shipping your block please include a return label in the package. This makes shipping your block back home simple.
Q: Can I create an edition of prints after the event? A: Yes
Q: Can BIG INK create an edition of prints for me? A: Yes, for a fee.
Q: Can I cut the block in half to facilitate transport to and from the venue? A: We recommend it for images over 6 feet long. We will abut the pieces together on the press before printing.
Artist Testimonials:
"Being a professional sculptor, carving a woodcut was something that appealed to my sensibilities but was also something I'd never done. BIG INK's step by step videos was helpful in guiding me through the process. BIG INK answered my technical questions quickly and gave me feedback on my image when I emailed photos. I'm now taking what I learned as a BIG INK participant and integrating it back into my 3-D work." Kerry O. Furlani
"BIG INK encouraged all the participants to work together to execute their prints. The event inspired me to continue exploring scale and surface in my practice and opened up a new channel of communication with a great group of artists." Enrique Figueredo
Entry Fee:
- Yes
BIG INK Large-Scale Woodblock Printing at the Morean Art Center, St. Petersburg, FL
Category:
Type:
Eligibility:
Deadline to submit a proposal: Midnight, July 22, 2019
Event Location: 719 Central Ave, St. Petersburg, FL 33701
Event Date(s): September 28-29, 2019
Event Time: 10 am - 5 pm
Public Time: 11 am - 4 pm
Link to Submit: https://www.bigink.org/apply/
Event Synopsis:
BIG INK, a nationally recognized print arts organization, is traveling to the Morean Arts Center in 2019. Morean has invited BIG INK to host a two-day event where prints will be pulled from large-scale woodblock plates. We are seeking image proposals from emerging, mid-career, and established visual artists who would like to carve a woodblock, at least 24" x 36" inches in dimension, to print at the event. No prior printmaking experience is required. Any artist that has an interest in print media and wants to achieve a deeper understanding of woodblock carving is welcome to apply.
Upon completing the application and being accepted, artists will have two months prior to the event to carve their design. BIG INK has created how-to videos that guide participants through the carving process. The series draws from invaluable technical observations made by BIG INK's directors and past participating artists. The artists' sole responsibility is to bring a fully carved and ready to print woodblock on their assigned printing day. All consumable materials including paper, ink, cleaning supplies and equipment are included with participation.
The event itself is an excellent way to network with other participants, plug into a growing creative community, and produce high-quality work that can later be used for sale and exhibition.
About BIG INK:
BIG INK's mission is to inspire a greater public appreciation for large-scale woodblock printmaking and extend its practice. Founded in 2012, BIG INK was originally the brainchild of Lyell Castonguay and Carand Burnet. Castonguay, whose personal woodblock work is often monumental in scale, wanted to organize a community of large-scale woodblock artists. Castonguay and Burnet began to host informal gatherings at print studios around their local area. These happenings evolved into the collaborative working model BIG INK utilizes today. BIG INK establishes a temporary print shop on site at affiliate organizations, most often at museums, universities, art centers, studios, and galleries. Artists are selected through a call-for-entry process to attend these events and print original woodblocks at least 24” x 36” in dimension. Since the program’s inception, hundreds of artists have participated in BIG INK events across the country.
About the Morean Arts Center:
For the past one hundred years, the organization known today as the Morean Arts Center has been a resource and a destination for artists and art lovers. The Morean Arts Center’s story began in the early 20th century when a group of local artists in need of a place to work, teach and display their work connected with the Florida Winter Art School.
The Art Club of St. Petersburg elected George F. Bartlett as the club’s first president. The club and its gallery – the first art gallery south of Atlanta – settled into space provided by the Florida Winter Art School in their building on Beach Drive. In the century that followed, the city’s population grew from approximately 7,000 to over 250,000 today. The Morean Arts Center, from those informal beginnings in 1917, has mirrored that growth and become an integral part of one of the country’s top arts destinations.
Participant Benefits:
BIG INK events are a constructive way to collaborate in a creatively inspiring space while gaining an in-depth knowledge of how to create a large-scale woodblock print. The program is designed for printmakers who understand basic woodblock principles but want to expand their expertise and working scale. The program is also designed for those not yet trained in woodblock but whose visual aesthetic would lend itself to the medium. This includes illustrators, sculptors, designers, and painters who use bold contrast, strong outlines, and patterning. Participating in an event often inspires artists to incorporate more print work in their studio practice.
BIG INK's role is to make the production of a large-scale woodblock accessible and easy to understand. We make the experience rewarding and informative by imparting our knowledge of preferred materials and techniques. We do so through a tutorial series comprised of over 20 videos. Step-by-step instructions guide BIG INK participants with preferred materials and methods including plywood types, image transferring, carving, creating textures, fixing mistakes, tool maintenance, incorporating power tools, and more. BIG INK remains in contact providing guidance and technical support when needed. At the conclusion of the event, BIG INK photographs each participant's finished print. We add this image to the bigink.org online archive. These images are used to help curate BIG INK themed exhibits at national and international art venues.
How Many Prints Are Produced?
BIG INK assists in the creation of three impressions from each participant's woodblock. We pride ourselves on producing high-quality impressions despite that events typically happen in a community setting. Work is printed using oil-based inks on archival paper and the quality is comparable to what you would receive working at a private studio.
What happens to the prints produced at the event?
We request ownership of one print for our archive in order to photograph your work and use it for curatorial projects. At some point, we hope to donate these prints to a museum. The archive consists of over 300 prints and growing. The other two prints remain in the artists' possession.
What do I submit with my image proposal?
We ask for basic contact info, a short artist statement/bio, anticipated dimensions of your woodblock and most importantly a JPG that represents what you intend to carve. You are welcome to submit an image from your portfolio or a new design. Upload your image in black & white via the application on our apply page. Please note your proposal image doesn't have to be completed on a large scale and can be drafted in your preferred medium. Black sharpie, pen & ink, and dark pencil gives us the clearest impression of your concept. Avoid the use of gray tones when possible. Refer to this album of past proposals for inspiration and reference. Images must be solely created by the applicant.
What material should I use to carve my woodblock?
Artists are responsible for purchasing 1/2" cherry ply, 1/2" MDF or 3/8" Shina. Purchase links to materials will be provided to accepted participants.
How big can I work?
Images must be at least 24” x 36” in dimension but no larger than 40” x 96” in dimension.
Fees:
It is free to submit a proposal; accepted artists pay $300 dollars to participate. This covers all consumable materials for the event including printing ink, paper, cleaning supplies, equipment and photography. The artist is only required to bring a fully carved block.
Scholarships:
We are unable to offer scholarships at this time. Past participants have been able to cover funding through local and state grants, The Awesome Foundation or crowd funding platforms like Kickstarter.
Other Commonly Asked Questions:
Q: Can two artists collaborate on a proposal? A: Yes, list both names on the application.
Q: Can I submit an existing image with my proposal? A: Yes
Q: If accepted can I change my proposal image after the fact? A: Yes, as long as it falls within the same aesthetic.
Q: Does my proposal image have to be a certain size? A: Your proposal image can be small. It doesn't have to be the same size as your woodblock.
Q: Am I expected to attend both printing days? A: No, but you’re welcome to.
Q: How many prints does each artist produce? A: Three, one of which is archived in the BIG INK portfolio.
Q: Can I bring my own paper and print more? A: Because we work with many artists at one time we standardize for time's sake. There isn't enough time to print more than three impressions of your woodblock at the event.
Q: What type of paper do we use? A: Masa
Q: What type of ink do we use? A: Oil-based relief ink, bring an apron and wear work clothes.
Q: Do I have to bring any other materials besides my carved block? A: No
Q: Can we print in color? A: Because we work with many artists at one time we standardize for time's sake. There isn't enough time and space for color printing.
Q: How do we transport the finished prints? A: BIG INK provides newsprint to wrap the work.
Q: Do you have recommendations on where to stay? A: We use Airbnb and quality hotels are usually located a short drive away or within walking distance.
Q: What is the best way to transport the finished block if I'm flying? A: You may be able to ship your block directly to the venue. Contact us directly to confirm. When shipping your block please include a return label in the package. This makes shipping your block back home simple.
Q: Can I create an edition of prints after the event? A: Yes
Q: Can BIG INK create an edition of prints for me? A: Yes, for a fee.
Q: Can I cut the block in half to facilitate transport to and from the venue? A: We recommend it for images over 6 feet long. We will abut the pieces together on the press before printing.
Artist Testimonials:
"Being a professional sculptor, carving a woodcut was something that appealed to my sensibilities but was also something I'd never done. BIG INK's step by step videos was helpful in guiding me through the process. BIG INK answered my technical questions quickly and gave me feedback on my image when I emailed photos. I'm now taking what I learned as a BIG INK participant and integrating it back into my 3-D work." Kerry O. Furlani
"BIG INK encouraged all the participants to work together to execute their prints. The event inspired me to continue exploring scale and surface in my practice and opened up a new channel of communication with a great group of artists." Enrique Figueredo
Entry Fee:
- Yes
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