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Chili Bowl Workspace Residency

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The Chili Bowl Workspace Residency is an opportunity for potters who want to create their own work and participate in WSW’s Chili Bowl Fiesta, an annual fundraiser and our biggest community event of the year.

Each February, WSW sells over 1,000 bowls, mugs, and tumblers at the Chili Bowl Fiesta to support the operations of our ceramics studio. Pots are made throughout the year by resident artists, staff, interns, local artists, and our weekly clay study group. Every purchase of a pot comes with a helping of chili and cornbread donated by regional restaurants, plus we have raffles, music, and dancing! It’s a great event that allows our community to come together over handmade pottery and local food.

For the residency, we invite applications from artists in any stage of their careers and aim to provide artists with the time and space to live and work creatively. Awardees make 50 glazed or 100 bisqued bowls for the Chili Bowl Fiesta and also have time and space to create their own body of work.

Artists receive a thorough studio orientation and are expected to work independently, although studio staff is available to provide assistance. Deep technical assistance can be arranged for an additional fee. Artists are required to provide the expendable materials for their own project and can use WSW’s studio materials for the Chili Bowl pots. WSW maintains an inventory of supplies and materials that artists may purchase while in residence.

As of 2019, all workspace residencies are fully subsidized! This means that while artists are still responsible for their own travel, materials, meals, and other personal incidentals while in residence, WSW provides housing and studio space at no cost.

Deadline: 
10/15/2019

Entry Fee:

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Ora Schneider Regional Residency Grant

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The Ora Schneider Regional Grant is a month-long residency for artists residing in Greene, Columbia, Delaware, Dutchess, Ulster, Sullivan, and Orange counties. Gail Schneider Matlin—a gifted artist, former WSW board member, and daughter of Ora Schneider—funds these residencies to honor her mother’s long-time commitment to our community’s cultural life.

WSW awards this residency to two artists, who may choose to work in any of our studio disciplines. Priority will be given to artists with experience and a working knowledge of etching, intaglio, or monoprint; letterpress; papermaking; screenprinting; photography; or ceramics.

This grant includes a $1500 stipend and 24/7 studio access. We understand that applicants may not be close enough for a daily commute, so free onsite housing can also be arranged.

Key details:

Application open: June 1
Application due: October 15, midnight EST
Notification date: January 31
Residency length: 1 month
Residency occurs: the year after application, September through June

Deadline: 
10/15/2019

Entry Fee:

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Open call for artists for online exhibition: Digital U

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For this year’s Digital U micro-commission, Art Gene welcomes applications from artists and creatives to exhibit projects that explore the collision of art and the environment in the digital age, selected by Digital U returning Guest Curator Alejandro Ball. 

Six artists will be given the opportunity to exhibit on Art Gene’s online exhibition space Digital U-Hang. The exhibitions will be posted online between October 2019 – March 2020 and will remain online as part of Art Gene’s archive of projects.

Digital Uis Art Gene’s online exhibition series. Guest Curator Alejandro Ball returns to curate Digital U: Extreme Views for the second year, to select artists and creatives whose thought-provoking work explores new or subversive ways through which to respond to environmental challenges, whether digital or natural. Work should be in a digital format, or use digital medium such as film, animation, video and sound to explore the collision of art and nature.

Visit out website for full brief. 

Deadline: 
09/30/2019

Entry Fee:

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Parent Residency Grant

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The Parent Grant is a four-week residency for an artist with at least one dependent child under the age of 18. Artists may choose to work in any of our studio disciplines: intaglio, letterpress, papermaking, screenprinting, photography, or ceramics.

This grant includes a $1450 childcare stipend, up to $250 for travel costs, free onsite housing, and 24/7 studio access. WSW can also provide technical advice and production assistance.

The $1450 childcare stipend can be used at the artist’s discretion, though a childcare plan must be submitted with the application. Possible childcare scenarios include:

Bringing a caregiver or co-parent (must be 18+) to stay at WSW for the residency period

Finding a childcare facility near WSW

Locating individuals near WSW who can provide childcare

Paying for childcare at your family’s home base

If you plan to bring your child/children and are in need of childcare, WSW recommends using care.com to locate area providers. WSW cannot assist applicants in finding childcare options.

If your child/children are coming with you, WSW can provide a two-bedroom apartment (with one single bed, one double, and one single pull-out couch) that has a bathroom and an open kitchen/living area. The maximum occupancy is four. Please note that, for safety reasons and to maintain a focused working environment, children cannot be in the studios where artists are working.

Deadline: 
10/15/2019

Entry Fee:

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Open Call: Space118 Contemporaries Residency 2020

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SPACE118 CONTEMPORARIES RESIDENCY PROGRAM:2020

 

Space 118 is delighted to announce its Open Call for artists and writers for their 2020 Residency Program, “Space 118 Contemporaries 2020”.

Space118 will nominate two artists and one writer for an eight week residency at Space118. The residency will be held in three slots, of two months eachMarch-April, June-July, and September-October 2020. The writers and artists can choose the slot convenient to them. The artist will also receive a stipend and accommodation during their residency.

The Space118 Contemporaries residency provides emerging artists and writers from across India with an opportunity for exchange and dialogue. It aims to provide young artists and writers,  a forum for experimentation and interaction with the larger creative community, and attempts to create a network of diverse artists across mediums and disciplines.

To mark the 10 years of Space118, we have decided to launch the Space118 Contemporaries 2020, which will be one of the  new age programmes in our roster. Functioning as a unique residency model that closely curates artists at the start of their professional careers. The Space118 Contemporaries 2020 is populated with artists’ visits and interactions, studio visits and curated exhibition walkthroughs for the winner to have a gamut of art-related experiences and exposure. The aim of the Space118 Contemporaries is to provide infrastructure, inspiration and mentorship to emerging artists and art practices in Mumbai city.

The Space118 Contemporaries 2020 residency ends with an Open Day, where resident artists show their works in progress and interact with audiences. The Open Studio day is a great learning opportunity for young artists to showcase their own practice and get valuable feedback and criticism from their peers, colleagues, senior art practitioners, art critics and the public at large.

The artists will be chosen by a select jury that comprises of Shilpa Gupta, Mortimer Chatterjee and Anurag Khanna.

The writers will be selected by jury members: Anupa Mehta and Nancy Adajania.

Shilpa Gupta,  (b. 1976, India) studied at Sir J. J. School of Art (Sculpture). She has had solo shows at Contemporary Arts Center in Cincinnati, OK Center for Contemporary Art in Linz and Arnolfini in Bristol and has participated in biennales in Venice, Berlin, Kochi, Lyon, Gwangju, Havana, Yokohama, Liverpool amongst others. Her work has been shown in Moma, Tate Modern, Centre Pompidou, Solomon R. Guggenheim Museum, New Museum and Mori Museum.

Mortimer Chatterjee, (b. 1975, UK) received his Masters in the History of Indian Art and Architecture from the School of Oriental and African Studies, London. He moved to Mumbai in 2001 while working for British auction house Bowring’s. In 2003, he began Chatterjee & Lal along with his wife. Based in Colaba’s art district of Mumbai, the gallery’s program is now focused both on the work of emerging artists and historical material. In the last ten years the gallery has been witness to groundbreaking shows by artists, such as Rashid Rana, Nikhil Chopra and Hetain Patel. Mortimer’s recent academic projects have included a co-authored publication on the art collection of the Tata Institute of Fundamental Research along with an exhibition of that collection at the National Gallery of Modern Art, Mumbai. He has also been the art consultant for the Taj Group of Hotels for more than 12 years.

Anurag Khanna, was awarded the title of “Young Collector of the Year” by Forbes Art Award India in 2014, the self-taught art enthusiast is one of the few Indian art collectors who collects video art extensively. Anurag has earned the reputation of being quite a risk taker and has become one of the few collectors in India, who has dedicated a significant portion of his collection to experimental practices and video art. Given his relative distance from the artworld in cities like Mumbai and Delhi, his vision seems that much more impressive.

Anupa Mehta, (b. 1965, India) a veteran of the Indian art community, with over two decades of experience in providing strategic inputs to arts projects requiring support vis-a-vis planning, programming, marketing and fund-raising.  She has gestated several institutional and private arts programs and events, and her roster of clients is prestigious and diverse. Anupa is an author, an arts consultant and a Narrative Therapist. A graduate in English Literature, Anupa holds a Masters degree in Narrative Therapy & Community work from the University of Melbourne. She is certified in counseling protocol from Spring Counseling, Mumbai, and has trained in story-telling with an emphasis on cross-cultural psychology, with Jungian writer and analyst, Dr. Clarissa Pinkola Estes. Anupa has been a journalist, a magazine and book editor, a columnist, and a gallery owner. She has authored INDIA 20, a book of interviews with Contemporary Indian artists, a novel, The Waiting Room (Penguin, 2007), and a book of short stories titled Unseasonal Rain (Estrade 2014; 2019). .

Nancy Adajania,  (b.  1971, India) is a cultural theorist, art critic and independent curator to start with an introduction to her extensive work. Adajania has written and lectured extensively on contemporary Indian art, especially new media art and its political and cultural contexts, at international venues such as Documenta 11, Kassel; the Zentrum für Kunst und Medientechnologie (ZKM), Karlsruhe; the Neuer Berliner Kunstverein and the Transmediale, Berlin; the Danish Contemporary Art Foundation, Copenhagen; Lottringer 13, Munich, among others. She was the first coordinator of the newly founded crafts research department of the National Centre for the Performing Arts (NCPA), Bombay during 1994–1995, Adajania organised a cycle of symposia and workshops that explored the tension between contemporary art emerging from an urban milieu and the present-day manifestation of the traditional crafts. She was the Editor-in-Chief for Art India from 2000-2002, during which Adajania developed a discursive space singlehandedly, in an Asian context, for emergent new-media and interactive public art practices and social projects on a global level

Deadline: 
08/25/2019

Entry Fee:

Contact & Links: 

Open Call: Space118 Fine Arts Grant

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SPACE118 FINE ART GRANT : 2019-2020

Space118 aims to provide emerging independent artists and art writers with a platform to showcase their work and grow within a diverse art community in India. We wish to be a part of creating the future of the next best artist and talent pool in the country.

We are happy to announce and mark the 10 years of Space118 with the launch of the Space 118 Fine Arts Grant, 2019-20. The Grant will be provided to only ONE selected artist for a eight week  residency from 1st November, 2019- 8th January, 2020 at Space118. This would include a production grant of upto one lakh rupees along with travel and accommodation. The recipient also gets a eight week exhibition in January and February, 2020, which is scheduled during the Mumbai Gallery Weekend in Mumbai.

Residencies form the core of Space118’s work. We support and facilitate the professional development of cultural practitioners at all levels of their career, from emerging to established art professionals. We provide residents with a platform to incubate their ideas and showcase them to their international peers and the general public. It aims to provide young artists a forum for experimentation and interaction with the larger creative community, and attempts to create a network of diverse artists across mediums and disciplines.

Based near the arts district in the heart of Mumbai in a warehousing compound, the property includes flexible space for living and working. Our residency programme focuses on critical issues in contemporary art as well as everyday life. Our programmes bring together practitioners from around  India and the world exploring common ideas and practices. We have worked with a range of partner institutions to create residency opportunities for cultural practitioners abroad.

This will be one of the pioneering programmes in our roster, functioning as a unique residency model that closely curates artists at the start of their professional careers. The Space118 Fine Arts Grant programme is populated with artists’ visits and interactions, studio visits and curated exhibition walkthroughs for the winner to have a gamut of art-related experiences and exposure. The aim of theSpace118 Fine Arts Grant programme is to provide infrastructure, inspiration and mentorship to emerging artists and art practices.

The recipient for 2019-20 will be chosen by a jury that comprises of prominent members of the industry including Shilpa Gupta, Mortimer Chatterjee and Anurag Khanna.

Shilpa Gupta,  (b. 1976, India) studied at Sir J. J. School of Art (Sculpture). She has had solo shows at Contemporary Arts Center in Cincinnati, OK Center for Contemporary Art in Linz and Arnolfini in Bristol and has participated in biennales in Venice, Berlin, Kochi, Lyon, Gwangju, Havana, Yokohama, Liverpool amongst others. Her work has been shown in Moma, Tate Modern, Centre Pompidou, Solomon R. Guggenheim Museum, New Museum and Mori Museum.

Mortimer Chatterjee (b. 1975, UK) received his Masters in the History of Indian Art and Architecture from the School of Oriental and African Studies, London. He moved to Mumbai in 2001 while working for British auction house Bowring’s. In 2003, he began Chatterjee & Lal along with his wife, Tara Lal. Based in Colaba’s art district of Mumbai, the gallery’s program is now focused both on the work of emerging artists and historical material. In the last ten years the gallery has been witness to groundbreaking shows by artists, such as Rashid Rana, Nikhil Chopra and Hetain Patel. Mortimer’s recent academic projects have included a co-authored publication on the art collection of the Tata Institute of Fundamental Research along with an exhibition of that collection at the National Gallery of Modern Art, Mumbai. He has also been the art consultant for the Taj Group of Hotels for more than 12 years.

Anurag Khanna,  was awarded the title of “Young Collector of the Year” by Forbes Art Award India in 2014, the self-taught art enthusiast is one of the few Indian art collectors who collects video art extensively. Anurag has earned the reputation of being a risk taker and has become one of the few collectors in India, who has dedicated a significant portion of his collection to experimental practices and video art. Given his relative distance from the artworld in cities like Mumbai and Delhi, his vision seems that much more impressive.

Deadline: 
08/25/2019

Entry Fee:

Contact & Links: 

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