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Banff International Curatorial Institute Fellowship Winter 2020

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Dates: January 06 - March 27, 2020

Program Overview

The Banff International Curatorial Institute (BICI) Fellowship program supports established curators, arts writers, cultural critics, researchers, and artists in focusing deeply on the development of their work. The program allows for self-directed research over an extended period of 12 weeks, within the creative and intellectually stimulating environment of Visual Arts at Banff Centre. Up to four participants will be selected by an international jury for this unique, fully scholarshipped program.

In addition to focusing on their own practice, participants will engage with other artists-in-residence in Visual Arts programs to grow their networks and expand their research. They will visit studios, join reading groups, share knowledge through presenting research in progress, as well as engage with each other and Banff Centre’s curatorial and artistic staff.

What does the program offer?

The BICI Fellowship allows visual arts professionals to develop work and pursue critical research. Scheduled programming is light to allow for self-directed project development as well as opportunities to connect and collaborate.

Participants may work on the continuation of an existing project, the early development of a substantial new project, create work towards a confirmed external publication or exhibition, or conduct research involving BICI publications and Banff Centre’s permanent collection and archives. Projects and research that are timely, socially relevant, and of high artistic merit will be considered.  

Participants can attend talks and presentations by faculty and guests of Visual Arts programs and Walter Phillips Gallery, and expand networks by connecting with artistsfrom around the world. Participants will also have a private office or studio space, accessible 24 hours a day. In addition, the program offers funding to cover tuition, accommodation, and an on-campus meal plan. 

Who should apply?

The BICI Fellowship is open to mid- to- senior-level curators, arts writers, cultural critics, researchers, and artists exploring original topics within visual arts. Artists working in practice/material-based studio research are welcome to apply.

Applicants should have an established exhibition/publication record, have completed formal training in visual arts at the post-secondary level, or have equivalent experience and recognition from their peers. 

Application fee: $65

*Financial Aid up to 100% covering tuition, light flex meal plan, and single on-campus accommodation is available (travel and other expenses are not eligible).

Deadline: 
04/September/2019

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Fee Detail: 
$65
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Banff Artist in Residence Winter 2020 | Visual Arts

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Dates: January 06 - February 07, 2020

Overview
The Banff Artist in Residence program is designed for visual artists to focus on their own practice in a supportive learning environment. Participants are encouraged to explore new ideas, create, self-direct their research and time, and cultivate new directions in their work — all while surrounded by a community of peers within Banff Centre’s spectacular mountain setting.
 
The program encourages experimentation and risk-taking, via access to shared production facilities and knowledgeable staff who are available to provide technical support and assistance.* Participants may attend talks, exhibitions, and performances by world-renowned visiting artists as well as receive studio visits from program guest faculty. In addition, participants have the opportunity to build connections, create networks, collaborate, and share their work with other artists-in-residence and the public.

What does the program offer?
The Banff Artist in Residence program allows participants to delve deeply into their practice while away from the constraints of everyday life. Participants are provided with a studio, accessible 24 hours a day, as well as access to our extensive facilities. 

What length of residency is available?
This program is designed for participation over the entire program period. Variable dates will not be considered.

Who should apply?
This residency is for visual artists with an exhibition/publication record, who have completed formal training in visual arts at the post-secondary level, or equivalent experience and recognition from their peers. 

Collaborative groups are welcome to apply.

Application fee: $65 for individuals or groups.*

Indigenous Applicants: $35

*Individual group members must pay an additional registration fee of $35 on acceptance.

*Financial Aid up to 100% is available to cover tuition (meal plans and accommodations are not eligible)

Deadline: 
04/September/2019

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Fee Detail: 
$65
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Get your music video on the big screen!

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AMVFest celebrates the best music videos in the world across the big screens of Austin and beyond!

Since launching in 2015, AMVFest has become the biggest music video festival on the globe.

The 5th annual Austin Music Video Festival screens and awards local, national, and international music videos!

We accept work from any location regardless of language, budget, or popularity.

Deadline: 
07/September/2019

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Fee Detail: 
25+
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Open Call: Space118 Contemporaries Residency 2020

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SPACE118 CONTEMPORARIES RESIDENCY PROGRAM:2020

 

Space 118 is delighted to announce its Open Call for artists and writers for their 2020 Residency Program, “Space 118 Contemporaries 2020”.

Space118 will nominate two artists and one writer for an eight week residency at Space118. The residency will be held in three slots, of two months eachMarch-April, June-July, and September-October 2020. The writers and artists can choose the slot convenient to them. The artist will also receive a stipend and accommodation during their residency.

The Space118 Contemporaries residency provides emerging artists and writers from across India with an opportunity for exchange and dialogue. It aims to provide young artists and writers,  a forum for experimentation and interaction with the larger creative community, and attempts to create a network of diverse artists across mediums and disciplines.

To mark the 10 years of Space118, we have decided to launch the Space118 Contemporaries 2020, which will be one of the  new age programmes in our roster. Functioning as a unique residency model that closely curates artists at the start of their professional careers. The Space118 Contemporaries 2020 is populated with artists’ visits and interactions, studio visits and curated exhibition walkthroughs for the winner to have a gamut of art-related experiences and exposure. The aim of the Space118 Contemporaries is to provide infrastructure, inspiration and mentorship to emerging artists and art practices in Mumbai city.

The Space118 Contemporaries 2020 residency ends with an Open Day, where resident artists show their works in progress and interact with audiences. The Open Studio day is a great learning opportunity for young artists to showcase their own practice and get valuable feedback and criticism from their peers, colleagues, senior art practitioners, art critics and the public at large.

The artists will be chosen by a select jury that comprises of Shilpa Gupta, Mortimer Chatterjee and Anurag Khanna.

The writers will be selected by jury members: Anupa Mehta and Nancy Adajania.

Shilpa Gupta,  (b. 1976, India) studied at Sir J. J. School of Art (Sculpture). She has had solo shows at Contemporary Arts Center in Cincinnati, OK Center for Contemporary Art in Linz and Arnolfini in Bristol and has participated in biennales in Venice, Berlin, Kochi, Lyon, Gwangju, Havana, Yokohama, Liverpool amongst others. Her work has been shown in Moma, Tate Modern, Centre Pompidou, Solomon R. Guggenheim Museum, New Museum and Mori Museum.

Mortimer Chatterjee, (b. 1975, UK) received his Masters in the History of Indian Art and Architecture from the School of Oriental and African Studies, London. He moved to Mumbai in 2001 while working for British auction house Bowring’s. In 2003, he began Chatterjee & Lal along with his wife. Based in Colaba’s art district of Mumbai, the gallery’s program is now focused both on the work of emerging artists and historical material. In the last ten years the gallery has been witness to groundbreaking shows by artists, such as Rashid Rana, Nikhil Chopra and Hetain Patel. Mortimer’s recent academic projects have included a co-authored publication on the art collection of the Tata Institute of Fundamental Research along with an exhibition of that collection at the National Gallery of Modern Art, Mumbai. He has also been the art consultant for the Taj Group of Hotels for more than 12 years.

Anurag Khanna, was awarded the title of “Young Collector of the Year” by Forbes Art Award India in 2014, the self-taught art enthusiast is one of the few Indian art collectors who collects video art extensively. Anurag has earned the reputation of being quite a risk taker and has become one of the few collectors in India, who has dedicated a significant portion of his collection to experimental practices and video art. Given his relative distance from the artworld in cities like Mumbai and Delhi, his vision seems that much more impressive.

Anupa Mehta, (b. 1965, India) a veteran of the Indian art community, with over two decades of experience in providing strategic inputs to arts projects requiring support vis-a-vis planning, programming, marketing and fund-raising.  She has gestated several institutional and private arts programs and events, and her roster of clients is prestigious and diverse. Anupa is an author, an arts consultant and a Narrative Therapist. A graduate in English Literature, Anupa holds a Masters degree in Narrative Therapy & Community work from the University of Melbourne. She is certified in counseling protocol from Spring Counseling, Mumbai, and has trained in story-telling with an emphasis on cross-cultural psychology, with Jungian writer and analyst, Dr. Clarissa Pinkola Estes. Anupa has been a journalist, a magazine and book editor, a columnist, and a gallery owner. She has authored INDIA 20, a book of interviews with Contemporary Indian artists, a novel, The Waiting Room (Penguin, 2007), and a book of short stories titled Unseasonal Rain (Estrade 2014; 2019). .

Nancy Adajania,  (b.  1971, India) is a cultural theorist, art critic and independent curator to start with an introduction to her extensive work. Adajania has written and lectured extensively on contemporary Indian art, especially new media art and its political and cultural contexts, at international venues such as Documenta 11, Kassel; the Zentrum für Kunst und Medientechnologie (ZKM), Karlsruhe; the Neuer Berliner Kunstverein and the Transmediale, Berlin; the Danish Contemporary Art Foundation, Copenhagen; Lottringer 13, Munich, among others. She was the first coordinator of the newly founded crafts research department of the National Centre for the Performing Arts (NCPA), Bombay during 1994–1995, Adajania organised a cycle of symposia and workshops that explored the tension between contemporary art emerging from an urban milieu and the present-day manifestation of the traditional crafts. She was the Editor-in-Chief for Art India from 2000-2002, during which Adajania developed a discursive space singlehandedly, in an Asian context, for emergent new-media and interactive public art practices and social projects on a global level

Deadline: 
25/August/2019

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Open Call: Space118 Fine Arts Grant

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SPACE118 FINE ART GRANT : 2019-2020

Space118 aims to provide emerging independent artists and art writers with a platform to showcase their work and grow within a diverse art community in India. We wish to be a part of creating the future of the next best artist and talent pool in the country.

We are happy to announce and mark the 10 years of Space118 with the launch of the Space 118 Fine Arts Grant, 2019-20. The Grant will be provided to only ONE selected artist for a eight week  residency from 1st November, 2019- 8th January, 2020 at Space118. This would include a production grant of upto one lakh rupees along with travel and accommodation. The recipient also gets a eight week exhibition in January and February, 2020, which is scheduled during the Mumbai Gallery Weekend in Mumbai.

Residencies form the core of Space118’s work. We support and facilitate the professional development of cultural practitioners at all levels of their career, from emerging to established art professionals. We provide residents with a platform to incubate their ideas and showcase them to their international peers and the general public. It aims to provide young artists a forum for experimentation and interaction with the larger creative community, and attempts to create a network of diverse artists across mediums and disciplines.

Based near the arts district in the heart of Mumbai in a warehousing compound, the property includes flexible space for living and working. Our residency programme focuses on critical issues in contemporary art as well as everyday life. Our programmes bring together practitioners from around  India and the world exploring common ideas and practices. We have worked with a range of partner institutions to create residency opportunities for cultural practitioners abroad.

This will be one of the pioneering programmes in our roster, functioning as a unique residency model that closely curates artists at the start of their professional careers. The Space118 Fine Arts Grant programme is populated with artists’ visits and interactions, studio visits and curated exhibition walkthroughs for the winner to have a gamut of art-related experiences and exposure. The aim of theSpace118 Fine Arts Grant programme is to provide infrastructure, inspiration and mentorship to emerging artists and art practices.

The recipient for 2019-20 will be chosen by a jury that comprises of prominent members of the industry including Shilpa Gupta, Mortimer Chatterjee and Anurag Khanna.

Shilpa Gupta,  (b. 1976, India) studied at Sir J. J. School of Art (Sculpture). She has had solo shows at Contemporary Arts Center in Cincinnati, OK Center for Contemporary Art in Linz and Arnolfini in Bristol and has participated in biennales in Venice, Berlin, Kochi, Lyon, Gwangju, Havana, Yokohama, Liverpool amongst others. Her work has been shown in Moma, Tate Modern, Centre Pompidou, Solomon R. Guggenheim Museum, New Museum and Mori Museum.

Mortimer Chatterjee (b. 1975, UK) received his Masters in the History of Indian Art and Architecture from the School of Oriental and African Studies, London. He moved to Mumbai in 2001 while working for British auction house Bowring’s. In 2003, he began Chatterjee & Lal along with his wife, Tara Lal. Based in Colaba’s art district of Mumbai, the gallery’s program is now focused both on the work of emerging artists and historical material. In the last ten years the gallery has been witness to groundbreaking shows by artists, such as Rashid Rana, Nikhil Chopra and Hetain Patel. Mortimer’s recent academic projects have included a co-authored publication on the art collection of the Tata Institute of Fundamental Research along with an exhibition of that collection at the National Gallery of Modern Art, Mumbai. He has also been the art consultant for the Taj Group of Hotels for more than 12 years.

Anurag Khanna,  was awarded the title of “Young Collector of the Year” by Forbes Art Award India in 2014, the self-taught art enthusiast is one of the few Indian art collectors who collects video art extensively. Anurag has earned the reputation of being a risk taker and has become one of the few collectors in India, who has dedicated a significant portion of his collection to experimental practices and video art. Given his relative distance from the artworld in cities like Mumbai and Delhi, his vision seems that much more impressive.

Deadline: 
25/August/2019

Entry Fee:

Contact & Links: 

Sculpture in the City - Tenth Edition

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Sculpture in the City is an award-winning urban sculpture park which launches in June. A cultural initiative delivered by the City of London in partnership with 13 local businesses, it is sited in the EC3 (insurance district) area of the City, around the iconic towers of the Gherkin, the Cheesegrater, Lloyd’s building as well as inside Leadenhall Market. The call for submissions for the tenth edition of Sculpture in the City is now open for preexisting works that can be exhibited outdoors from May 2020 to May 2021. Deadline for applications is 22nd September 2019.

The works submitted for consideration need to be suitable for outdoor display and available for display May 2020 to May 2021.  

Deadline for submissions 22nd September 2019

‘Art in a corporate setting has a bad rep. Show me a bank reception and I will show you a daffy, nondescript bronze selected mainly for being studiously uncontroversial. Sculpture in the City, however, is a different affair. Returning for its ninth edition, this large-scale open-air exhibition transforms the Square Mile into a giant sculpture park. And the best bit is that the art on show is genuinely worth seeing. […] All works 21 works are a pleasingly disruptive addition to the slick City landscape.’  Rosemary Waugh, Time Out

 

 

Deadline: 
22/September/2019

Entry Fee:

Fee Detail: 
n/a
Contact & Links: 

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