Open Call: Texts for Interdisciplinary Publication
Billboards, Belief, Semiotics, and Manufactured Paradise
Paradise has always been an image problem. From gold-ground mosaics that flatten time into shimmer, to Renaissance gardens that diagram blessed order, to cloudy Baroque ceilings that split open the roof, art has repeatedly treated heaven as a visual regime, a set of cues that trained the eye toward longing.
Nearly a century into the capitalist project, paradise appears again, not as fresco but as advertisement. Heaven slipped off the church ceiling and onto the interstate, lit from within, laminated, twenty feet tall. Then it slipped again into our phones, compressed, personalized, and infinitely refreshed.