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Call for Submissions

Intercultural Indigenous Choreographers Creation Lab

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Overview

This three-week lab for intercultural Indigenous choreographers and dancers focuses on re-embodiment and Indigenous voice. Departing from the belief that the body is the site of emotional, cultural, political, and spiritual history, the lab supports the exploration and creative development of personal voice and physical vocabulary. The program will explore the intersections of identity, movement, and creation.

The IICC Lab is led by Alejandro Ronceria, a Canadian choreographer of Colombian descent and a pioneer in Indigenous dance globally. Participants for the lab will be selected from diverse Indigenous backgrounds. Three Indigenous choreographers and 12 professional Indigenous dancers will be accepted.

What does the program offer?

Choreographers will have the opportunity to challenge and develop their creative concepts, and engage in one-to-one mentorship in choreography as well as deep dramaturgical exploration. Each choreographer will collaborate with four dancers, and will have access to a composer and lighting designer to develop and workshop their concept.

Through exploration of voice and the process of re-embodiment including daily movement work, choreographers and dancers will experiment with developing and re-defining their own body histories and language. Working with Alejandro Ronceria as well as creative collaborators including a composer and lighting designer, choreographers and dancers will present a short work in progress.

The IICC lab will also provide integrated opportunities for critical feedback, and creative dialogue circles with fellow choreographers and dancers.

Who should apply?

This program is open to Indigenous Canadian and Indigenous international choreographers / dancers.

We welcome applications from emerging and mid-level choreographers interested in examining lived experience, personal narratives, and cultural histories as well as developing personal choreographic work.

Professional Indigenous dancers working in diverse forms are also encouraged to apply.

Dates: June 03 - June 21, 2019

Fees & Financial Assistance

Program Fee (Shared room)

$3 756.18 +GST

*Indigenous artists accepted to the program will be eligible for up to 100% scholarship to cover the Program Fee (Shared Room)

The program fee includes tuition, a shared room, and the Full Flex Meal Plan at Banff Centre. Travel to and from Banff Centre is the responsibility of participants.

Deadline: 
03/20/2019
Fee Detail: 
$35
Contact & Links: 

Animating Our Stories | Indigenous Writing and Digital Illustration

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Overview

This program will ignite Indigenous authors and artists focusing on young readers to delve into new ways of storytelling using digital illustration techniques. Through guidance from experienced faculty including recognized Indigenous authors, an illustrator, and a digital animator, participants will learn to lift a story off the page, texturize it, and animate elements of it to life.

Animating Our Stories is a space where storytellers, content producers, and digital media artists will collaborate to fuse modern presentation techniques with the art of storytelling. Participants will explore technology as they learn to illuminate the audience experience of their already vividly imagined stories.

What does the program offer?

Animating our Stories uses storytelling as a form of artistic expression through new technology. The program will develop participants’ ability to learn and expand their storytelling techniques for young audiences. Participants will focus on creating immersive and educational worlds – a key element in storytelling for youth.

The program will offer opportunities to work with editor faculty, and with an illustrator to highlight parts of participants’ stories to focus on for animation. Participants will work with digital media to determine what elements of their stories could be enhanced by animation. 

Who should apply?

Enrolment to this program is for individuals of Indigenous descent (status, non-status, Inuit, and Metis) only. This program is an ideal fit for emerging to established Indigenous writers and illustrators of narrative fiction and/or poetry for young readers. Applicants should be writers in any young reader genre with a strong interest in digital storytelling techniques, although previous experience with digital media is not necessary.

Successful applicants should plan to arrive at the program with a completed work or work in progress to be brought to life through technology.

Dates: May 21 - June 10, 2019

Deadline: 
03/20/2019
Fee Detail: 
$35
Contact & Links: 

Industrialised: Art in Manufacturing in the Gallery

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Industrialised: Art in Manufacturing in the Gallery

Exhibition at Blackburn Museum & Gallery

Open Call to Exhibit Work

The Opportunity

This open call invites artists to submit work to be shown at Blackburn Museum and Art Gallery, in an exhibition launching as part of the National Festival of Making programme. Industrialised: Art in Manufacturing in the Gallery is a sister project to the Art in Manufacturing commissioning programme and will further explore the themes represented in this festival project.

About ‘Art in Manufacturing’

There is art at play in Lancashire’s countless, largely invisible factories: hundreds of people embark each day on creative tasks, working with remarkable attention to detail to produce the beautiful, the delicious and the complex, from the most delicate to the most durable products on earth.

In 2016 these manufacturers first opened their doors to our artists, laying bare their industry secrets and specialist machinery, their materials, staff and heritage skills in an unprecedented collaboration. Working shoulder to shoulder with factory floor staff, unearthing dead poets or delving deep into the factory records, our artists produced surprising and politically charged works which explored the unheralded skills, processes and history of our factories. Their responses to their residencies were as varied as the manufacturers they worked with: industrial workspaces were transfigured into celestial sculpture, the lives of employees were upholstered, Rudolph von Laban inspired choreography moved a team of bakers, a choral performance rang through the chambers of the Cathedral, and a waste-plastic floor installation invaded a city-centre shop.

Art in Manufacturing has continued as an annual programme, and is now embarking on its 3rd year of commissions to be showcased at the National Festival of Making. This programme is a collaboration between The National Festival of Making & Super Slow Way, and provides a unique platform for artists to make brand new work with both large and small scale manufacturers. The AIM programme facilitates exploration of heritage and contemporary making in collaboration with workforce communities; giving artists access to specialist machinery, manufacturing and crafting techniques. Artists are paired with a factory in Lancashire to produce artistic outcomes using the materials, products and/or processes used within the factory. The artistic works are shown each year as a headline feature of the NFM festival programme.

Over 40,000 people attend the event visiting placing work in both the public realm and venues in Blackburn town centre. To date, the programme has commissioned 17 artists to make new work and worked with over 20 manufacturers including Liz West, Martyn Ware, James Bloomfield, Dawinder Bansal, Lazerian, Jamie Holman, Hannah Fox, Nicola Ellis and Ruth Jones. Outcomes of residencies have included sculpture, film, dance, sound, print and installation that have been featured in the media including DesignBoom, BBC Breakfast News, Corridor 8, The Big Issue. You can find out more about all the artists, partner manufacturers and residencies by visiting Season One and Season Two on the festival website.

Art In Manufacturing Season 1

Art In Manufacturing Season 2

About ‘The National Festival of Making’

The first National Festival of Making took place in Blackburn, Lancashire in 2017. The Festival celebrates our brilliant UK making industry, from kitchen table makers to master manufacturers and in May 2018 we welcomed 40,000 visitors to Lancashire for a wonderful explosion of making activities. The third National Festival of Making will take place on the 15th & 16th June, 2019. This is an opportunity to see, make and do for residents and visitors to Blackburn town centre as The Festival of Making takes over the streets with music, art, performance, tours, talks, markets, street food and above all, an eclectic mix of making experiences for everyone. The festival aims to bring people together at this free 2 day festival and use making and creativity as a vehicle to help more people access high quality art and culture.

About the ‘Industrialised’ Exhibition

In Season Three we are introducing a gallery show of works to be exhibited in Blackburn Museum and Art Gallery to celebrate work inspired by or made in / or alongside industry. We wish to extend the reach of the programme, audiences and the number of artists engaged in the programme. Opening at the festival weekend to an audience of 40,000, the exhibition will remain on public view for a period of 3 months. This is an opportunity for individual artists at any stage in their careers, to contribute work to an exciting, high profile group exhibition that will initiate a dialogue that explores what making means in a historic, contemporary and future context.

We are opening up this opportunity to artists through an open call; to further explore the themes represented in Art in Manufacturing programme. Submission is open to new works developed in line with the brief or existing works that reflect the themes below.

We are accepting submissions across all disciplines but please consider that pieces should be suitable for exhibition in a gallery context. We are interested in contemporary work that reflects one, or more of the following themes:

  • Factories and manufacturing; the fabrication, industrial processes and making methods used within them
  • Blackburn and Pennine Lancashire’s place in British manufacturing heritage and/or industrial revolution
  • Making in a heritage context - craftsmanship and traditional making
  • The changing face and future of manufacturing, advanced technologies and new digital works
  • Artworks that have been fabricated using industrial processes, machinery, techniques or making methods.
  • Manufacturing workforce histories, stories and lifestyles
  • Work that has engaged communities collaboratively in making, to create new work

Things to consider before submitting works:

Works will be exhibited in a gallery setting - we are not placing a limit on the size of submissions, however we are limited by the number of pieces over 1.5 metres sq that can be accepted, or by large installation pieces

Works should be presented / framed / mounted to a high specification

There are no entry or submission fees for applications or exhibiting; however transportation costs / delivery for successful submissions will be at the cost of the artist. We will however endeavour to make collection from areas the team work in, and support artists where possible in the transportation of works

Submission guidelines

Submission must be provided in a Word / Pages / PDF document.

Please ensure that all information our selection panel should read, are in this document and not in the body of your email, as judges will only be provided with your submission document.

In this document include a small image of each work (please limit your submission to 3 pieces) with a descriptor of the work underneath. This should be no more than 150 words per work including:

  • Dimensions of each submission
  • Medium
  • Special requirements for hang / installation

Please additionally attach each image as a jpeg into the email body, to a maximum of 10mb so we can view your work at it’s full quality.

  • Please also:
  • Include your name / email/ telephone number and website (if applicable) on your submission
  • Name all your submission files with your own name and ‘Industrialised submission’

If you have any access requirements relating to submitting works, please contact the curator who will be happy to discuss alternative methods of submitting work for the exhibition.

Timeline

  1. Open call dates: 4th February - 15th April
  2. Selection: 16th - 19th April
  3. Confirmation of selected works by email: By 26th April
  4. Delivery / collections of works: 27th May - 7th June
  5. Installation dates: 10th -14th June
  6. Festival dates / opening weekend: 15th - 16th June
  7. Exhibition close  /de-install: TBC: between 8th and 18th September
  8. Return of works: 19th - 29th September

Communications

 

 

Deadline: 
04/15/2019
Contact & Links: 

MA Art and Social Practice at Middlesex University

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The MA Art and Social Practice at Middlesex University is for artists who want their work to make a difference.

Applicants are invited from any creative discipline to develop practice and critical thinking in social engagement through the arts. You will work beyond the institution, building on your own interests, networks and communities, while part of a highly supportive environment that offers one-to-one and group interaction, debate, group visits and opportunities for participation in external events.

Both one-year full-time and two-year part-time options are available, during which time you will have access to studio space and an extensive range of workshop facilities on the university’s state of the art campus.

Next Open Evening Wednesday 15th March 2019

 

Deadline: 
03/31/2019
Contact & Links: 

Monochrome

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J. Mane Gallery invites submissions for its Monochrome online juried art exhibition for the month of March 2019.  

Monochrome means one color, so in relation to art, a monochrome artwork is one that includes only one color.

Throughout the centuries artists used different shades of brown or black to create monochrome pictures on paper. The medium they would use would simply be more or less diluted to achieve the required shades.  The play of light and dark enabled the artist to define form and create a picture.

We invite you to submit work that best represents a monochromatic palette.  All artists over the age of 18, regardless of location or experience, are encouraged to submit their best art and photography.

Dates and Deadlines 

Deadline for Entries: February 25, 2019

Opening of Online Exhibition: March 3, 2019

Online Exhibition Closed & Archived: April 15, 2019 (remains on website under "Gallery Archives”)

Entry Fees

An entry fee of $20 for up to 5 images.

No more than a total of 5 images will be accepted in any one submission. An artist may enter more than once.

Payment is required at the time of entry.

ENTRY FEES ARE NON-REFUNDABLE

IMAGE LABELING: Image should be labeled as Title_FirstName_LastName_Medium_Size.jpeg. Example: Untitled_J_Mane_Acrylic_20x30.jpg.

Acceptable Mediums & Sizes

Painting, drawing, pastels, inks, pencil, encaustic, photography, mixed media and digital art.

Awards

Cash awards may be given to the top three (3) winners.

The First Place winner will be the Featured Artists on the website for the duration of the exhibition. Winners will receive extensive online publicity and promotion.

Depending on the number and quality of all submissions received, Honorable Mention awards may also be given.

Winning artists will receive a digital award certificate.

The artists will be promoted on the website, in online press releases to hundreds of outlets, in online event calendars, art news websites, and through the gallery’s extensive social media outlets.

Links to the artist's website will be listed on the exhibition page and should result in increased traffic to the artist's website.

J. Mane Gallery's objective is to promote the artists, worldwide, to art professionals, galleries, collectors and buyers.

J. Mane Gallery utilizes the Submittable platform to receive, process and jury all competition entries.

Artists who submit an entry and images to J. Mane Gallery must agree to J. Mane Gallery's Terms Of Service, and Competition Rules.

Deadline: 
02/25/2019
Fee Detail: 
$20.00 for 5 entries
Contact & Links: 

Butterbiggens Prize

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The Butterbiggens Prize is an experiment to see if a art foundation can be productive on a micro scale. We provide tiny grants for artists in the form of fast food gift certificates.

A showcase for contemporary emerging artists, Every month a UK painter will be nominated, and receive a small financial award, as well as an online interview and profile.

Micro Fellowship for UK painters, juried by a group of Scottish Art Students.

If you include multiple photos one should be an installation shot, We would like to get a sense of scale. Include dimensions and medium, CV is optional.

Please put all files on one pdf.

Please also indicate where you saw this listing.

There is no fee to submit.

Deadline: 
03/01/2019
Contact & Links: 

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