Genova jobs | Art Jobs

Genova

Viviana Dal Lago

Share

Country:

City:

Panic Attack
I have been suffering from panic attacks for many years, after a bad experience as a child, I continue to suffer from it even after many years.

The photographic series consisting of 5 photographs, represent the various phases of the panic attack (which at least I personally experience).

Thanks to this photographic series I was also able to better understand my problem and to make other people perceive my condition as well.

Panic attack- n 1- Analogic photography. Kiev 88. Ilford HP5 400 - tremors in the arms and legs;
Panic attack n 2- Analogic photography. Double exposure. Kiev 88. Ilford HP5 400- tremors in the arms and legs;
Panic attack n 3- Analogic photography. Double exposure. Kiev 88. Ilford HP5 400- increasingly strong tachycardia;
Panic attack n 4 -Analogic photography. Double exposure. Kiev 88. Ilford HP5 400- asphyxiation or hyperventilation;
Panic attack n 5 - Analogic photography. Double exposure. Kiev 88. Ilford HP5 400- fear of dying;

Viviana Dal Lago

Share

Country:

City:

Panic Attack
I have been suffering from panic attacks for many years, after a bad experience as a child, I continue to suffer from it even after many years.

The photographic series consisting of 5 photographs, represent the various phases of the panic attack (which at least I personally experience).

Thanks to this photographic series I was also able to better understand my problem and to make other people perceive my condition as well.

Panic attack- n 1- Analogic photography. Kiev 88. Ilford HP5 400 tremors in the arms and legs;
Panic attack n 2- Analogic photography. Double exposure. Kiev 88. Ilford HP5 400 tremors in the arms and legs;
Panic attack n 3- Analogic photography. Double exposure. Kiev 88. Ilford HP5 400 increasingly strong tachycardia;
Panic attack n 4 -Analogic photography. Double exposure. Kiev 88. Ilford HP5 400 asphyxiation or hyperventilation;
Panic attack n 5 - Analogic photography. Double exposure. Kiev 88. Ilford HP5 400 fear of dying;

Viviana Dal Lago

Share

Country:

City:

Panic attack. Analogic photography. Double exposure. Kiev 88. Ilford HP5 400

This photographic series is about a personal problem of mine on anxiety problems and panic attacks that I have been carrying on for many years now. Thanks to photography I was able to explain the various phases that I live in this horrible experience.

 

Emotionally impaired -chest tightness or discomfort;
I feel a little pain, -tremors in the arms and legs;
I have no chance. -increasingly strong tachycardia;
It happens when you are broken, -asphyxiation or hyperventilation;
I'm alive but paralyzed -fear of dying;

Viviana Dal Lago

Share

Country:

City:

Panic attack.

Analogic photography. Double exposure. Kiev 88. Ilford HP5 400

This photographic series was made during a personal search for the expression of my discomfort.
I was never able to put into words what I felt (still feel) with my panic attacks, but one evening, after developing the film on the reel, I noticed my involuntary tale. Each of these photographs speaks of a precise moment of the panic attack, of when it begins and how it ends.
As I said before, I have a hard time expressing what I feel in words, but the pictures speak for themselves, they will have a small description of the stage of the panic attack.

Stage 1 asphyxiation or hyperventilation; I am alive but paralyzed  
Stage 2 increasingly strong tachycardia; A bad feeling.
Stage 3 tremors in the arms and legs; I feel a little pain, it happens when you are broken,
Stage 4 chest tightness or discomfort; Emotionally impaired
Stage 3 fear of dying; I have no chance. 
Bio: 

My name is Viviana Dal Lago, I studied at the Academy of Fine Arts in Genoa, and I am currently studying the infinite expressions that analogue photography can give, they are constantly changing.

Paolo Repetto

Share

Country:

City:

The children of the invasion A revised contemporary version of the science fiction novel: The MidwichCuckoos, 1957. By "classic" we commonly mean a novel of high literary quality, which has opened new avenues and inspired many imitators, and which can be read and reread years later with not diminished delight. "Children of the invasion" is undoubtedly all of these things. But a "classic" is above all a novel that always reveals new meanings over time, lends itself to new interpretations, gradually leaving a glimpse of a richer intertwining of consonances, intuitions, anticipations. Today, when we think of Midwich women, all "visited" in the same night by an invisible fertilizing angel, Sacred History comes to mind on the one hand, but on the other hand we cannot miss the reference to certain extreme positions of feminism, to certain advanced researches of "posthuman, transhuman" genetic engineering. And that group of children and then boys with disturbing eyes, who all move together, and all act in the same way, how many times have we seen them in the squares, in the discos, in the stadiums of our cities? Many years before young people became a problem, the "classic" Wyndham had already known how to delineate the mysterious, disruptive, alien, futuristic force.
The children of the invasion A revised contemporary version of the science fiction novel: The MidwichCuckoos, 1957. By "classic" we commonly mean a novel of high literary quality, which has opened new avenues and inspired many imitators, and which can be read and reread years later with not diminished delight. "Children of the invasion" is undoubtedly all of these things. But a "classic" is above all a novel that always reveals new meanings over time, lends itself to new interpretations, gradually leaving a glimpse of a richer intertwining of consonances, intuitions, anticipations. Today, when we think of Midwich women, all "visited" in the same night by an invisible fertilizing angel, Sacred History comes to mind on the one hand, but on the other hand we cannot miss the reference to certain extreme positions of feminism, to certain advanced researches of "posthuman, transhuman" genetic engineering. And that group of children and then boys with disturbing eyes, who all move together, and all act in the same way, how many times have we seen them in the squares, in the discos, in the stadiums of our cities? Many years before young people became a problem, the "classic" Wyndham had already known how to delineate the mysterious, disruptive, alien, futuristic force.
Subscribe to Genova