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Quantum Training for Theatre - Online Qualification programme for teachers

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The Artistic Director of the World Theatre Training Institute, Dr Jurij Alschitz, is inaugurating a high quality training programme for theatre educators worldwide, introducing quantum pedagogy in theory and practice, with the aim of fundamentally renewing and re-evaluating theatre education by bridging the gap between science and art. Teaching becomes a creative act and the teacher an artist.

The programme consists of 22 weekly online live sessions including training by the Institute's teaching team.

The participants themselves are taught according to the principles of quantum pedagogy with a holistic concept of theatre. They will learn different methods such as The Art of Assignment | Training as Method | Directing Rules for the Theatre Educator | Reverse Perspective Method | Method of Explosion with the perspective of developing their own school and becoming a master themselves.

A training certificate will be awarded by the World Institute for Theatre Education AKT-ZENT | Research Centre of the International Theatre Institute.

16 October 2022 to 26 March 2023 from 15-18:00 UTC+2 | Berlin time

!! early bird price until 15 August: €800

Level:

Duration: 
6 months
Date: 
October, 2022 to March, 2023
Price: 
€920
Qualification: 
certificate
Awarded by: 
World Theatre Training Institute AKT-ZENT research centre of the International Theatre Institute

Host & Provider:

Address: 

World Theatre Training Institute AKT-ZENT
Böckhstraße 39 | 10967 Berlin

Contact: 

Welcome to connect for any questions.

summer.film.academy lusatia

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The summer.film.academy is a trinational residency program in which we encourage filmmakers for two weeks to shoot, learn and try out.The residency will be at Kühlhaus Görlitz and in other locations in Czechia and Poland. Filmmakers from all departments will educate themselves, develop ideas, and produce films.

The main venue, will take place in the German/Polish twin city Görlitz/Zgrzelec.We have 3 parallel program tracks and an international agenda. The program should suit the needs of a diverse range of participants with different levels of expertise and experience:

There will be 2 Masterclasses (one for documentary and fictional film each) for professional filmmakers and a separate German program for New Talents. The first week consits various workshops and the seond is focused on shooting your films.

 

MasterClass

Our English-speaking master classes are targeted towards experienced filmmakers and will be taught by seasoned and renown professionals.
We invite selected lecturers with connection to the region or from nearby Poland and Czechia.  We will be offering hands-on creative work samples and case studies.The program will focus on script and story development for documentaries and fictional films. 

Lecturers are (among others)

Jagoda Szelc (POL) „MONUMENT“
Grit Lemke (GUNDERMANN REVIER ; nominated for the German Grimme Preiss 2020)
Constanze Klaue (currently in production of„ Mit der Faust in die Welt schlagen“)
Lukas Rietzschel (local and best selling author)
Alexandra Weselowski
Jonas Römmig

In the second week participants of the Masterclass can work on their projects or participate in the general supporting program or in the projects of the New Talents.

 
New Talents

A startup program in Production, Directing, Camera, Edit, Sound, Acting.
We start with instructions, practical exercises and talk circles in the first week. In the second week participants will be able to put knowledge into practice. Under the guidance of professionals in Camera, Sound, Edit and with the help of feedback rounds they will be producing fictional films, documentaries and music videos.

Furthermore

Our other programmes include a concept for young people that will take place in cooperation with the Fabmobil. An excerpt from their diverse offer:The Fabmobil connects young smartphone professionals with work-experienced and partly retired technology experts in intergenerational offers – in this way, a long-term and intergenerational learning process can be created. The mobile character of the project creates a closer network of the cultural and educational venues spread throughout the region. 

For day visitors and people with an affinity for art and technology, we have also prepared two theme days in the second week on the use of artificial intelligence, the Anthropocene and socio-political engagement. 

As a crowning finale to the first week, we are also hosting the music festival Rashomon Festival with two floors and
20 acts. We are happy about the close cooperation with the Zukunftsvisionen-Festival and the Meta Solis e.V.. 

For more details visit our website: www.sommerfilmakademie.org
 

 

Prizes:

 

*** 60% Student dicount! ***

Masterlass:

490,00 Eur for 7 days
700,00 Eur for 14 days

 

New Talents:

280,00 Eur for 7 days
500,00 Eur for 14 days

 

Inclusions

we provide the camping ground and facilities, you provide the tent or camper or van – beds (approx. 40 EUR/night) in housed accommodations are available in additional costs (for details please contact us)

Meals (breakfast, lunch and dinner) and beverages (coffee, tea, water)

Workshops 

special low rate for extracurricular program (music festival, reading etc.)

personal support for your film production project

use of film equipment (FABMOBIL, camera, light, audio etc.) 

Duration: 
3.7. 2022-17.7.2022
Date: 
July, 2022
Price: 
150-700
Contact: 

lausitz@sommerfilmakademie.org

Performance Art Workshop: SITE EFFECT - PAS #78

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SITE EFFECT

An 8-day learning program on site-specific and time-specific Performance Art practice in collaboration with STRE!FEN Performance Art Festival in Görlitz (Germany) and Zgorzelec (Poland). Led by the PAS | Team: BBB Johannes Deimling, Laurence Beaudoin Morin and Monika Deimling.

For the third time PAS is collaborating with the STRE!FEN Performance Art Festival in Görlitz and Zgorzelec. After two successful PAS studies in 2020 and 2021 we continue the bonds and exchange that we have established to deepen site-specific performance art research.

Click here to see the process publication of PAS #74 | “SITE SEEING” in 2021

Click here to see the festival catalog of STRE!FEN 2021

The main topic of the collaboration between PAS | Performance Art Studies and STRE!FEN is the site-specific approach to performance art practice, theory and philosophy. Since the start of this collaboration each PAS | Study is researching urban spaces on both sides of the German-Polish border urban spaces that would create a resonance through performance art.

With “SITE-EFFECT” we want to examine the possibilities of urban sites and spaces through performance that would influence the surrounding of a chosen site. The aim is to extend the impact of an action in urban spaces that can be understood as a trigger to provoke artistic side effects.

The city is the ‘classroom’

The focus of PAS #78 | “SITE EFFECT” is the site-specific and time-specific approach of performance art practice, theory and philosophy. The border cities Görlitz (Germany) and Zgorzelec (Poland) will be our classroom and the center of attention for the site-specific artistic research which will lead to public performances at different spots in the cities – on both sides of the border. We will explore and discover the border cities by bike and by foot and research its historic, political, architectural and social potential for performance art purpose.

Site-specific performance art

“If you work site-specific, you need to be very specific with the site” (BBB Johannes Deimling)

The term site-specific describes artistic production in close relation with a physical site. Since its appearance in performance art the term “site-specific performance” has influenced and inspired performance art practice and theory until today.

One could state that each performance work is site-specific since it is always happening in a spatial context and corresponding in one way or the other with the surrounding in which it appears. This thought is supported by the fact that our human body is not able to leave space since it surrounds us the moment we start growing in the uterus.

But the term “site-specific” describes not only a form or state of being but more a working method, a research practice which resonates in so many fields alongside the arts: ecology, humanity, history, politics, time, etc. The spatial context, the site-specific aspect of artistic production, presentation and perception is a reservoir of diverse and – it seems – endless artistic potential to create site related artworks.

The site-specific research is strongly connected to time. A performance will look different in a context of time that goes as far as the site-specific research. It is not only the context to the current situation, but also very profound aspects like day and night or summer and winter or any other connection that time can build in cooperation with a space. The dialogue between site and time will generate vivid artistic research that will create strong and responding performance art works.

STRE!FEN

The German word “Streifen” means stripe, but also to touch, to graze, to roam, to swipe and combines a lot of other sensual meanings. STRE!FEN stands in its meanings firstly for the abstract form, which can be space, border and connection at the same time, secondly for the light, gentle touch and thirdly for the unintentional but exploratory movement. A special space. A special contact. A special movement.

The various meanings of the word “Streifen/streifen” will be the method of our artistic research. Görlitz and Zgorzelec are used as an art space, we work in the social, cultural and political context of the city, we deal with local conditions and structures, architecture, history and above all – with the people.

The border between Görlitz and Zgorzelec is marked by a river (Neiße) a moving stripe which is a contact point, gentle and careful, sometimes unintentional, a sensing, exploring and a first perception of another existence. How do we meet each other?  How do we go on? Are we curious about each other?

Schedule:
14 August 2022: official start 10:00, place to be announced
14 – 20 August 2022: practical studies and research in both border cities
20 August 2022: final presentation (throughout the whole day at different locations in the cities)
21 August 2022: reflection, brunch and closing day, departure (15:00)

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Duration: 
14. – 21. August 2022
Date: 
August, 2022
Price: 
Regular fee: € 310 (Price does NOT include travel and accommodation costs) Early bird price: € 250 for registrations until 1. July 2022.
Qualification: 
Certificate and the medal of performance

Ritual Performance - Dionysus and The Bacchae

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Course for actors, performers, directors, teachers with Dimitris Tsiamis

"Art and ritual, from the depths of antiquity, are inextricably linked. In contemporary theatre we observe a re-approach of the ritual through performances that seek a more substantial connection with the Other and the Unknown, focusing on the transformative and transcendental character of the artistic experience."
Dimitris Tsiamis

How familiar are we and how well do we know Dionysus, the God of Theater? Dionysus, the youngest and most famous Olympian god, the God with the dozens of names (Bacchus, Bromios, Eleuthereus, etc.) and the countless appearances (God of wine and ecstasy, god of fruitfulness and vegetation, etc.) is also the most enigmatic. Which versions of Dionysus do we meet in Euripides’ Bacchae and how much does the tragedy help us to understand him? To what extent could the understanding of Dionysus mean a deeper understanding of Theater?

In Euripides’ Bacchae, the arrival of Dionysus does not project a world “like a fairy tale” but a primitive world in which the forms of every creative and destructive element are revealed. Dionysus asks us to acknowledge his divine existence and to follow him even if we have not understood him. He introduces us to his ceremonies and cults so as the City can benefit from them. He punishes the political power – the tyrants – who do not honor him.

Continuing the line of online courses on the relationship between Ritual and Theater the aim of the course is to introduce the participants to the myth and spirit of Dionysus, as well as to Euripides tragedy of the Bacchae that – more than any other Greek tragedy – has been for a long time the focus of an intense interpretative argument. We will approach the Bacchae of Euripides through the principles of Ritual Performance practice and we will investigate practically – as a ritual – the arrival of Dionysus, his entry on stage and his first and so decisive monologue in the play, which announces the mysterious and contradictory elements of his nature.

Level:

Duration: 
4 / 7 / 11 / 14 April 2022 always from 16:00 – 19:00 UTC+2 | Berlin time
Date: 
April, 2022
Price: 
90 €
Qualification: 
certificate
Awarded by: 
World Theatre Training Institute AKT-ZENT research centre of the International Theatre Institute

The mastery of professional directing

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Five Essentials for Directing

Five intensive meetings of two days each, online

We talk about the art of directing and the craft of directing. In summation, we will get the mastery of professional directing.

Jurij Alschitz, who has staged a multitude of performances all over the world, will combine the classical school of craftsmanship with innovative techniques in this course. Your own mastery can be seen when you can confidently deal with a wide range of options and start experimenting on a professional basis.

Directors ask actors to trust them. As artists we should not be afraid to take risks, but as directors we have an enormous responsibility – towards art and towards our actors. The greatest happiness is to create works together – and this process lies in the hands of the director. When it happens, we speak of mastery. There is no recipe for this, but there are professional ways to get there. This course invites you to do so, with 5 topics for 5 meetings over two days each. You can attend one or all of them:

Meeting one. Energy – a matter of life (18/19 May)

Meeting two. Composition – the road of life (25/26 May)

Meeting three. The space of events (1/2 June)

Meeting four. The director’s text analysis (8/9 June)

Meeting Five. The supreme discipline: The director’s work with actors (15/16 June)

details

Level:

Duration: 
18 May - 16 June 2022
Date: 
May, 2022 to June, 2022
Price: 
360 €
Qualification: 
certificate
Awarded by: 
World Theatre Training Institute AKT-ZENT research centre of the International Theatre Institute

Japanse bookbinding workshop

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This workshop is about the fundamental principles of bookbinding. You’ll learn how to work with paper, getting to know all its peculiarities, from folding to stitching. In the end, you will have your own self-made book.

Date: 11th of August 2019 (Sunday)
Timetable: 3 to 5 pm
Location: Planet Flow 
Blockdammweg 1, 10317 Berlin

Max. number of participants: 10

Price: 25,00€
(Price includes all materials)

This workshop is organized by PEP - the Photographic Exploration Project --> www.pep.photography

For any question or information please send an email to: photographicexplorationproject@gmail.com

Level:

Duration: 
2 hours
Date: 
August, 2019
Price: 
25 euros
Address: 

Planet Flow 
Blockdammweg 1, 10317 Berlin

Contact: 

photographicexplorationproject@gmail.com

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