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Post-Digital Materiality



Saturday, November 7, 2020

Post-Digital Materiality

7/11/2020 - 22/11/2020

1a space proudly presents Post-Digital Materiality, a joint exhibition by Do One Im, Keith Lam, O2 LAB, Otto Li, Seok-Jun Ha, Show Kawabata and Takuto Usami.


[Curator’s statement]

Throughout history, artists have explored different technologies that have provided them with new tools for expression. Whereas early computer-generated and digital art in the mid-late twentieth century focused on ‘making digital things real’ and ‘making real things digital’, artworks in the post-digital era appear to blur the conventional divide between digital/analogue, virtual/real, and human-made/machine-made.

Amongst the diverse kinds of digital technologies, digital fabrication methods, such as 3D printing, CNC (Computer Numerically Controlled) machining, and 3D scanning, offer opportunities for artists to conceive of physical objects that could not be made by traditional means. This has resulted in the emergence of new aesthetics and raised the issue of how the digital becomes translated into the physical in a manner that goes beyond mere replication.

Post-Digital Materiality features the works of four individual artists and two artist teams that explore new aesthetic possibilities and concepts afforded by digital fabrication technologies in the post-digital era. The way in which these artists have used technologies in the presented works varies widely. However, all have in common the use of standard or improvised digital fabrication methods to turn ideas and stories into physical entities: the visualization of the unimaginable which would be impossible to construct without the new technologies, the re-interpretation of the old media through new media, the physical mapping of data, and the re-interpretation of relationship between human labour and technologies. Regardless of their versatile approaches, the artists provide socio-cultural commentaries on the use of technology and ask the viewer to reflect upon its impacts on our society at various levels.


[Exhibition details]

7th - 22nd November 2020

Time: Tuesday to Sunday 11 am – 7 pm (closed on Monday)

Venue: 1a space, Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kowloon, Hong Kong

Enquiry: 25290087/

=Opening Reception=

6th November 2020 (Friday) 6:30pm

=Artist Talk=

14th November 2020 (Saturday) 3-5pm

=Curator-led Guided Tour=

21st November 2020 (Saturday) 3-4pm


[About Curator and Participating Artists]


Min Jeong Song

Min Jeong Song is an assistant professor in the Department of Cultural and Creative Arts at the Education University of Hong Kong. Her current research interests include the convergence of craft and digital technology in art and design, STEAM education, and maker culture.


=Participating Artists=

Do One Im

Do One Im is a sculptor and media artist based in Seoul, Korea. He was an artist in residence in Space Can Beijing in 2014, and has participated in numerous group and solo shows, including the 2017 Seoul City Architecture Biennale. Im holds an MFA degree from Seoul National University.

Keith Lam

Keith Lam is a new media artist based in Hong Kong. He is a co-founder of an art team from Hong Kong and Taiwan, Dimension Plus, and he is a founder of composite space, Openground. Lam has won awards at PRIX Ars Electronica, Japan Media Art Festival, and the Young Artist Award. He has taught at the City University of Hong Kong, and he consults and guest-lectures at various institutes.


Founded in 2018, O2 LAB is a collaborative project between a Taiwanese engineer and educator, Hank Ou, and a Japanese artist and designer Yuka Otani. Together they explore new perspectives on combining art and digital technology. O2 LAB’s recent exhibitions include Maker Faire Tokyo, Synthetic Media Art, and Nakanojo Biennale.

Otto Li

Tin Lun, Otto Li graduated from the Department of Fine Arts (BA and MFA) at the Chinese University of Hong Kong. As an artist, he has worked with sculpture, virtual modeling, digital images and interactive installation. He owes his interest in exploring connections between virtuality and reality to his years of working as a concept artist in a CG animation company.

Seok-Jun Ha

After majoring in communication design at the Parsons School of Design in the United States and working as a member of the Strategic Marketing Team at Samsung Electronics Co. Ltd., Seok-Jun Ha obtained an MFA degree from the Korea National University of Arts as a media art major. He received the grand prize in the ‘New Hero’ competition organized by the monthly Public Art Magazine in 2015 and he showed new works at the Cheongju Craft Biennale 2017, and the Seoul Media City Biennale 2018 in Korea.

Show Kawabata and Takuto Usami

Show Kawabata and Takuto Usami are a duo of artists based in Tokyo, Japan. The ongoing focus of their work is that which is removed from and by people. In recent years, their works have been shown across the world at festivals and in galleries. The artists have received the Aesthetica Art Prize, UK, and the YouFab Global Creative Awards, Japan.


[Supported by]

Hong Kong Arts Development Council

The Education University of Hong Kong, The Department of Cultural and Creative Arts



Venue: 1a space (Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kowloon, Hong Kong )




Friday, October 23, 2020


【About the Exhibition】

The etymological origin for the Chinese word “fo2 bun6” (伙伴), or “partner”, traces back to the ancient military system. While “fo2” (火) refers to a unit of ten militants, it also doubles to mean “fire”. Indeed, the military was organised by the fire – the leader of a unit, “fo2 zoeng2” (火長, literally meaning “ chief of the fire”), was in charge of cooking all meals which the team would share together. Therefore, those within one “fo2” were called “fo2 bun6” (火伴), or “partners of fire". This word was later adapted to generally mean "partners" (同伴) and was developed to be written as "伙伴” (fo2 bun6). Now, it refers to people who collaborate as part of the same organisation or activity, sharing the same practices and experiences.

Starting from 15th August 2019, Tsung Tsin Christian Academy and 1a space have joined to launch a one-year programme "Arts-in-School Partnership Scheme" initiated by the Hong Kong Arts Development Council. 1a space commissioned two artists, Kevin Ling and Debe Sham, to collaborate and explore how art knowledge can intervene secondary school students and the community through different workshops. “Hiddenfromview” – Arts-in-School Partnership Scheme Exhibition will anchor on the concept of outlining and recording space, and will allow glimpses into the interaction and transformation which the participating artists and students have undergone in the past year.


【Exhibition Details】

Exhibition Period: 23/10 (Fri) - 18/11 (Wed)
Opening hours: Tuesdays to Sundays 11am-7pm (Closed on Mondays)
Address: G/F, 122 To Kwa Wan Road, Kowloon (3-min walking distance away from Cattle Depot Artist Village, located opposite of "German Pool Tokwawan Showroom")


【About the Participating Artists】

Debe Sham
Debe Sham (born in Hong Kong) is a sculptor, researcher and educator. She received her B.A. and M.V.A. at The Academy of Visual Arts, Hong Kong Baptist University. She has been studied at M. A. Program in Philosophy of the Chinese University of Hong Kong. She is currently a Doctor of Philosophy (PhD) degrees student. Sham has joined The AVA, HKBU and The Fine Art Department, CUHK as a part-time lecturer since 2016 and 2018 respectively. Before joining the Curatorial Panel of 1a space, she was a visiting artist and research fellow at Lingnan University and Yale University. Her research interest covers a wide range of topics such as interactivity as a means of generating dialogue between art and its audience; the ambiguity of interpersonal communication in different social situations; and the history and culture of toys, games and playgrounds. Sham's site-specific sculptures and installations have grown out of the artistic exploration of the role of public art.

Ling Chung-wan Kevin
Ling Chung-wan Kevin (b. Hong Kong 1994) graduated from the Academy of Visual Arts, Hong Kong Baptist University in 2017, he was awarded the Tuna Prize at the AVA BA Graduation Exhibition 2017, shortlisted Hong Kong Human Right Prize 2018. Through community-based research and material exploration to create the simplest resonance. Alternate perspective towards urban elements can be found in Ling's work. His works concern about the relationship and connection in the community and a sense of curiosity.


For more details, please go to our Facebook event page:


Address: G/F, 122 To Kwa Wan Road, Kowloon (3-min walking distance away from Cattle Depot Artist Village, located opposite of "German Pool Tokwawan Showroom")

Beyond Matter



Sunday, September 6, 2020

1a space proudly presents Beyond Matter, a solo exhibition by Louis Nixon.

Beyond Matter, an exhibition of recent work by Hong Kong based British artist Louis Nixon. New paintings and films question the physicality and nature of rocks in an installation that explores cosmic time and the origins of the universe, through rocks that float, fall and move.

Beyond Matter
Exhibition period: 6th - 27th September 2020
Time: Tuesdays to Sundays 11 am – 7 pm (closed on Mondays)
Venue: 1a space, Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kowloon, Hong Kong

▣ Private View (By Invitation only)
5th September 2020 (Saturday) 11am

▣ Opening reception
5th September 2020 (Saturday) 6:30pm

▣ Artist Talk
9th September 2020 (Wednesday) 6:30pm

▣ Artist-led Guided tour
19th September 2020 (Saturday) 6:30pm

** Cattle Depot Artist Village is temporarily closed due to COVID-19. The exhibition will be shown by virtual exhibition until further notice on the opening hours. Details of the public programmes will also be announced later. Please stay tuned to 1a space's website and social media pages!
Artist’s statement
Nixon has been working with rocks since 2010, exploring their unique qualities through painting, film, photography, sound and kinetic sculpture. Building upon previous work on mountains and minerals, Nixon has become increasingly fascinated by rocks, their shape, size, texture, colour, the sounds they make and how they appear and behave in the world. Beyond Matter is an exhibition and installation of new work in film and painting, which explores the physicality and nature of rocks from three perspectives and through three separate but inter-related works. Falling (2020) is a looped digital film of a falling rock captured from a car dashcam. Moving (2016-20) is a digital video work of a large hand made kinetic rock which moves on its own accord. Floating (2018-20) is a series of paintings from a collection of rocks and materials extracted from the landscape.

Louis Nixon (b.1965) is a British artist living and working in Hong Kong. Nixon studied painting at Chelsea School of Art and postgraduate sculpture at the Slade School of Fine Art in London. Before joining HKBU as the Director of the Academy of Visual Arts in 2018 he was Head of the School of Fine Art and the Associate Dean for Research at Kingston School of Art, London. His practice encompasses painting, sculpture, installation and experimental film, often presented as multi-media installations in galleries and public spaces.
Nixon founded the collective Space Explorations in 1990 and as artist, director and curator, participated in large-scale interventions in response to specific sites. Nixon’s work is underpinned by an ongoing engagement with an expanded sculptural practice including kinetic sculptures, sound works, films and paintings, which combine a manipulation of technology with the creation of new modes of presentation. His work has been exhibited internationally in Armenia, Australia, Chile, China, Italy, Poland, Serbia, and the United Kingdom.


1a space (Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kowloon, Hong Kong)

REDUX A group exhibition by the Hong Kong Art School/RMIT University Master of Fine Art 2020 Graduates Exhibition



Friday, July 10, 2020

To art & cultural editors,                                                                                                                                     7th July,2020

Press release

For immediate release


A group exhibition by the Hong Kong Art School/RMIT University Master of Fine Art 2020 Graduates Exhibition

10th – 30th July 2020, 1a space

1a space proudly presents REDUX- A group exhibition by the Hong Kong Art School/RMIT University Master of Fine Art 2020 Graduates Exhibition.

Lockdown. 2020 is a year of lockdown. Travel is suspended. Face-to-face interaction is suspended. Daily activity is suspended. Humankinds are suspended in a particular vacuum of space and time. Artistic activity, however, is not and could not be so. We are suspended in our own concepts of space and time and, through that, to contemplate our own existence. Solitude, solidarity and contemplation. Artists often manifest these concepts through their works. In the time of lockdown and solitude, we bring together five very different artistic souls to 1a space at the Cattle Depot Artist Village. Redux. To bring together, to bring back, to revive and activate the souls, the space and the seeing. These keywords connect the curatorial concept and the exhibits and help us witnessing what this particular time means to these artists through their works.

REDUX presents five emerging visual artists from various cultural backgrounds across different geographical destinations; whereas Hong Kong is the melting pot for these artists to congregate and co-create new sets of languages of objecthood, imagery, sound and space for our viewers to contemplate. The works presented in the exhibition deal with a multitude of concepts and ideas including performative self and identity, entropic disorder and alchemy, traveling through image and sound, home and dislocation, and woman-made nature. These concepts and ideas seem disperse and distant and yet they all bring together a transformative process and/or outcome in the work, to the artist, and for the audience.

The exhibition begins with a staged and digitally manipulated photography work by Gwan Tung Dorothy Lau (Australia, Hong Kong) that accentuates a sense of surrealism through performance and exposure. The work boldly questions the idea of a singular and stable ‘self’ through repetition and reinterpretation. Walking into the gallery we encounter a set of ceramics work by Karen Wong (Hong Kong) that explores the alchemy of organic and inorganic substance from the kiln. The coral-like and flamboyant ceramics objects quietly await our attention to dispel the artistic-scientific treatment of clay and everyday life and household products that reaches an entropic disorder existence. Brian Smeets (USA) employs photographic image and sound to narrate travelogues of purely experiential nature. The works interestingly escape what tourists would be stimulated – the seeing, the hearing and the encounters; and through the lens and the microphone an abstracted way of traveling is presented. The cyanotype fabric tent that Louise Folliott (UK, South Africa) presented is a visual diary of her lockdown life in Southwest London. Employing an almost primitive photographic printing technique, the Sun Print, does not forbid us seeing the melancholy of days and weeks of constraint daily activity. The monotonous ticking sound created by a metronome expands the spatial and aural dimensions of the work and personal experience. The exhibition is concluded by a woman-made nature by Cordelia Tam (Hong Kong). Composed by paper pulp and Chinese ink, the work obscures the boundaries of spatial dimension and material; a three-dimensional ink wash landscape ‘painting’/installation is found.


Exhibition Opening: 10th July 2020, 6pm

Exhibition: 10th – 30th July 2020

Time: Tuesdays to Sundays 11 am – 7 pm; closed on Mondays

Address: 1a space

Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road,

To Kwa Wan, Kowloon, Hong Kong

Enquiry: 25290087/

Facebook: 1a space
Instagram: 1a_space

Public Programmes

Artists-led Guided Tour

18th July 2020 3pm

Language: English and Cantonese

Artist Talk

18th July 2020 6pm 

Language: English and Cantonese

All public programmes are free admission. Walk-ins are welcomed! 

Exhibition poster and Image of artworks:

Press interviews are welcomed

Press enquiry

Ms Eugenia Law

Gallery Manager, 1a space

Tel: 2334 1906


Participating Artists (in alphabetical order)

Louise Folliott

Louise Folliott was born in South Africa, 1979. Completed a BA (FA) Hons in 2001. 2003 saw her first solo exhibition ‘Love and Fear’ in Cape Town. In 2004 Louise moved to London and in 2008 was featured in the Getty Images gallery after being selected as a finalist in a photography competition. In 2010 she completed a Postgraduate Diploma in Fine Art at Byam Shaw, Central Saint Martin’s. Whilst raising a young family Louise was chosen to exhibit in the Threadneedle Prize at the Mall Galleries, London in 2010 and 2013. In 2013 she was selected for an AIR Residency in London and in 2019 Tropical Lab 13 Residency at Lasalle, Singapore. She moved to Hong Kong in 2017 and completed a Master of Fine Art from RMIT in 2019.

Gwan Tung Dorothy Lau

Gwan Tung Dorothy Lau is a contemporary artist working with digitally manipulated media and installation. She explores the natural compulsion for social acceptance and personal excellence with reference to Psychoanalysis theories. Adopting an autobiographical approach, she stages an internal dialogue to convey the perplexity of her social identity - an amalgam of her Hong Kong upbringing and Australian education. 

Lau completed her MFA with distinction at RMIT and Hong Kong Art School after receiving her BFA (Visual Arts) at QUT. Her works were selected in the HATCHED: National Graduate Show in Australia. In addition to being featured in international publications including Vice Creator and RealTime, Lau has participated in the Tropical Lab international artist residency, Creative Mornings breakfast lecture, and the BrisAsia Festival in Brisbane. Lau has exhibited internationally in Hong Kong, Singapore, Australia, and the UK, notably at ICA Singapore, Perth Institute of Contemporary Arts and Metro Arts. Lau also provides art direction and consultation for Hong Kong music videos and commercials.

Brian Smeets

Brian Smeets was born in New York in 1984. After completing degrees in sculpture and environmental studies from Washington University in Saint Louis, he pursued a career in commercial photography in San Francisco, California. His award-winning fine-art images have been shown globally; since moving to Hong Kong completed a Master of Fine Arts with RMIT University. Recently Brian formed a sound art practice in addition to showing photography and multimedia works. He continues to develop pop-up art shows as well as showing his work in the increasingly global art space of Hong Kong and Southeast Asia.

Brian Smeets's project investigates travel destination and their experiential qualities, intending to remove the spectacle of tourism. An alternative view of liminal spaces and travel sites is presented through large scale abstract photography and collections of selected sounds and images.

Cordelia Tam

Cordelia Tam was born in Hong Kong and has studied and worked in Canada.  She received her Professional Diploma in Fine Art from Hong Kong Art School in 2017 and completed her Master of Fine Art program of Royal Melbourne Institute of Technology University in 2019. Cordelia explores the linkage between human and nature in her works, using everyday material combined with themes of conformity to inspire towards harmony in urban life.  Her works are multidisciplinary and include video, installation, photography and other media.  In recent years Cordelia’s works have been exhibited in Hong Kong, Taiwan and Australia, and during her residency in Taiwan in 2018 she co-created an art installation work which was awarded the 2018 Austronesian International Arts Award-Grand Prize.

Karen Wong

Karen Wong graduated with a Bachelor of Arts (Fine Art) majoring in Ceramics and Master of Fine Art from the RMIT in 2017 and 2019 respectively. Karen was selected as an artist of the IV. International Ceramics Triennial UNICUM 2018 in The National Museum of Slovenia. In 2019 Karen has been awarded by the Hong Kong Art Centre for a month Artist-in-Residency at the Royal Academy of Arts in London.


Wing Ki Kalen Lee

Kalen is an artist-researcher based in Hong Kong. His artistic practice lies between documentary photography, artistic and archival research, and a contemporary take to analogue photographic practice. His research interest includes photographic practices in the East-Asian context, critical digital humanities and media archaeology. His photography projects were exhibited in Austria, Germany, Hong Kong, Japan, Latvia, Taiwan and the UK. He read history of art at the University of Hong Kong and receive a MA in Photojournalism and Documentary Photography at London College of Communication, University of the Arts London, supported by a British Chevening Scholarship. He is currently an Assistant Professor in photography at the Academy of Visual Arts, Hong Kong Baptist University and a curatorial member of 1a space, an independent art space in Hong Kong.

Presented by

1a space

1a space, founded in 1998, is an independent, non-profit making contemporary visual art organization and art venue founded by a collective of Hong Kong artworkers. It aims to promote the critical dissemination of contemporary visual arts practices and affiliated artforms through 1a space programme drawn from Hong Kong and international arena. The operation funding of 1a space has been supported by grants and donations. 1a space's administration cost is partially supported by Hong Kong Arts Development Council.

The public programs of REDUX are supported by the Home Affairs Department

Redux is a recommended activity of ‘Cultural July : Joyful Summer Reading’ presented by HKTDC


Hong Kong Arts School

RMIT University


Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road,

To Kwa Wan, Kowloon, Hong Kong

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