United Kingdom

Cragen Beca I'R GAD

Kathryn Campbell Dodd

Cragen Beca I’R GAD

7 June - 2 July

On the First of May 2022, on the sounding of a single conch shell blast blown from the wall of St Peter’s Church, the Cragen Beca Parade set off in the rain from Oriel Myrddin Gallery and processed to Guildhall Square.

Lost for Words

Lost for Words, from Felt Photographic.

An online gallery created and curated entirely on the felt process.

A beautiful exhibition that invites connection and reflection, comprising images that have great meaning for the artists, created from a place of deep emotion to help make sense of their world and beyond. Images to be felt - expressing what can't be in words.

How to Write a Powerful Artist Statement

Early career artists are invited to learn more about how to write a powerful artist statement to attract income opportunities.

This micro-learning webinar will be hosted by Rosalind Davis, who is an artist, Curator, Royal College of Art (RCA) graduate, and author of ‘What They Didn’t Teach You in Art School.’

Going Under: Saving Your Business at the Sarabande Foundation

GOING UNDER: SAVING YOUR BUSINESS WITH ZACH DUANE AND GAUTAM RAJANI

BOOK NOW

7 APRIL

19:00 - 21:00

Doors open at 19:00 for refreshments, kindly provided by Will Sark beers. Talk begins promptly at 19:30 so make sure to arrive on time!

In Conversation with photographer Sophie Harris Taylor

Editors of Original Magazine, Michael and Emily will be in conversation with renowned photographer Sophie Harris Taylor.

Whilst studying both our Editors were influenced by the work of Sophie Harris Taylor and now have the privilege and pleasure to be in discussion with them about their work, topics, and discussing their path into photography.

State

From the 26th of Feb Umbrella Art Collective will be hosting STATE

 

How are a piece's material qualities observed, understood and interpreted?

"In every case, there seem to be two sides to materiality. On one side is the raw physicality of the world’s ‘material character’; on the other side is the socially and historically situated agency of human beings who, in appropriating this physicality for their purposes, are alleged to project upon it both design and meaning in the conversion of naturally given raw material into the finished forms of artefacts.” 

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