Art Jobs | Experienced (non manager)

Experienced (non manager)

Ms_Experienced (non manager)_screenwriter, video editor_Berlin

Title:

Age: 
38

Country:

Europe:

Current City: 
Berlin
Professional Title: 
screenwriter
video editor

Job Level:

I am a screenwriter-video editor. I have been writing scripts for short films, tv/web series and concepts for commercials, promotional videos and stage plays and installations. Regarding my editing works, my recent job was producing trailers and teasers (e.g. for HBO, BBC, Viacom). I am interested in any forms of creativity and the act of editing itself, doesn't matter if it comes to a video footage or editing a story or a text. I enjoy experimenting but as it is beneficial for practising applied arts, I am also able to stick to the rules. I am into collaborations and more than happy to work in a team of creatives.

https://juliexport.tumblr.com/

https://www.instagram.com/juliexport/?hl=en

https://www.imdb.com/name/nm1387599/

My Email: 

Exhibitions Designer/Preparator

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Contract type:

Salary: 
$21.63 - $24.00 (non-exempt), benefits eligible, 36 hours/week
Application Deadline: 
Open until filled

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

To apply, please send cover letter and resume in one document (pdf preferred) to jobs@henryart.org.  No phone calls, please.  Open until filled.

ABOUT THE HENRY:  The Henry Art Gallery was founded as Washington State’s first art museum in 1926, on the principle that art stimulates inquiry, fosters knowledge, and builds healthy communities. Located on the campus of the University of Washington (UW), Seattle, the Henry is internationally recognized as a pioneer in the research and presentation of contemporary art.

The mission of the Henry is to engage all people with the transformative experience of contemporary art and ideas. With a permanent collection of over 26,000 objects (including photographs, videos, paintings, works on paper, ceramics, costumes, and textiles), the Reed Collection Study Center, and a location on the University of Washington (UW) campus, the Henry is a key cultural resource and training ground in the visual arts for K–20 students, scholars, artists, and general audiences of all ages.

At the Henry, we envision a world where art leads everyone to discover new possibilities in themselves, others, and the world around them. Core values include collaboration, taking risks, accountability, openness to uncertain outcome, innovation and discovery, racial equity and social justice, inclusion.

POSITION PURPOSE:  The Exhibition Designer/ Preparator is responsible for translating artist and curator ideas into exhibition design, including installation, fabrication and lighting design, on time and on budget.  The incumbent is knowledgeable in museum best practices and has technical expertise in installation and de-installation, packing and unpacking, handling and shipping fine art objects; designing and planning the fabrication of exhibition pedestals and casework, temporary walls and other exhibition materials to artist or curator specifications.

This position reports to the Manager of Exhibitions and Registration, serves as core member of the preparatory crew and works in close cooperation with the curatorial staff, graphic design staff, the operations manager, the art and education team as well as exhibiting artists and visiting curators.

Note:  In consideration of employee health and safety during COVID-19, this position will be set up to work remotely until the Henry reopens, at a date to be determined.  However, due to the unique requirements of this position and the Exhibitions team, it is anticipated that on-site work for this position will commence effective July 7, 2020.  Safety protocols will be in place and communicated appropriately.

STATUS: Full time (i.e., 90% full time equivalent).  Benefits eligible.

PAY RANGE: $21.63 - $24.00 (non-exempt)

SCHEDULE: Tuesday-Friday, 8:00 am to 5:00 pm, 36 hours per week.  Occasional evening and weekends required.

REPORTS TO: Exhibitions and Registration Manager

ESSENTIAL FUNCTIONS:

Work collaboratively to fulfill an artist’s and/or curator’s vision, including communicating effectively with all stakeholders, scheduling and attending meetings, creating and distributing floor plans and drawings.

Develop designs working to museum best practices for conservation of artwork and visitor experience.  Ensure design proposals are compatible with Henry values, are safe, and fit within the scope of the project resources.

Prepare design drawings for exhibition construction and case fabrication, in coordination with curatorial and exhibition staff. Research and prepare cost estimates for fabrication, installation, de-installation and other internal projects. 

Working in collaboration with the Senior Preparator and the Manager of Exhibitions and Registration, contribute to the development of installation plans, work schedules and logistics for exhibitions. Schedule and manage contract service providers in support of exhibitions, collections and special projects as needed.

Design and implement exhibition lighting. Maintain lighting inventory and recommend upgrades where needed.

Remain current with approaches and developments in exhibition design, the display of museum objects and art handling practices.

Prepares the gallery spaces for exhibition including but not limited to: building and moving walls, patching and painting, preparing floor surfaces, creating and installing mounts, constructing and installing casework and other exhibition components.

Prepares artwork for exhibition, including but not limited to: reviewing and formatting AV files, matting and framing, transportation and packing, assessing AV and equipment needs, Mount making and fabricating commissioned pieces to artists’ specification.

Working with Henry staff, UW faculty and students, acts as project manager the yearly MFA/MDes exhibition, including updating relevant agreements, forms and schedules.  Conduct studio visits, create the exhibition layout, lead tour of the Henry for students, and organize professionalism meeting.

In collaboration with the Senior Preparator, acts as a mentor to the preparatory staff and ensure adherence to museum standards of art safety, environmental controls, human resources policies and security. Provide art handling, tool and equipment instruction as needed.

Support the work of the collection, including the packing, crating, assembly and transportation of artworks, the creation of storage mounts and other projects as assigned.

Other duties as may be assigned from time to time.

Qualifications:

Demonstrated progressively responsible experience, or equivalent combination of training and experience, preferably in a museum setting.

Thorough knowledge of art history/art-making techniques

Strong design skills. Creative, imaginative and practical thinking. Demonstrated proficiency in installation of exhibitions and layout and lighting design.

Effective communication skills for dealing and liaising with colleagues, artists and vendors through presentations, written drawings and designs. Excellent organizational and time management skills. Experience routinely meeting hard deadlines.

Demonstrated proficiency of handling valuable works of art in a wide variety of media including but not limited to paintings, bronze, ceramic, glass, metals, mixed media, textiles, works on paper, contemporary art and new media.  Experience and knowledge of safe and archival storage materials and techniques for loaned and museum collection objects, including matting and framing, packing and crating.

Ability to move or assist in moving heavy objects (must be able to lift 50 lbs) and ability to operate genie lifts, forklifts, and pallet jacks, etc.

Demonstrated proficiency of practices and methods in mount-making including earthquake mitigation and demonstrated ability to apply this knowledge with initiative and judgment, concern for detail, accuracy, and neat execution of work.

Demonstrated skills and knowledge of shop equipment and ability to effectively perform various skilled and semi-skilled tasks, including woodworking, brazing, use of adhesives and fasteners, construction methods, and use of stationary and portable power tools. Experience framing, sheet rocking, taping and painting walls.

Proven ability to work collaboratively as part of a team to achieve excellent results, accepting that your own ideas may not be the final solutions. Ability to work with other specialists and an awareness of other people’s particular knowledge and experience. Ability create and foster a welcoming and safe environment for colleagues, visitors and artists to work and create.

Proficiency with design programs such as Google Sketch-up, the Adobe Design Suite, AutoCAD highly desirable and familiarity with computer applications in a multi-platform environment including Microsoft Word and Excel.

Project management experience a plus.

COMMITMENT TO EQUITY

The Henry acknowledges the historical structures and social dynamics that have continuously oppressed communities of color and we acknowledge our part in institutional racism. We also acknowledge that we are situated on the land of the Coast Salish peoples.

We are actively committed to racial equity and to building a strong foundation of inclusivity and awareness in all we do. We value discourse that brings forward voices and positions that have been – and continue to be – oppressed. We do not tolerate hate speech or actions.

We recognize that we are in the process of embodying these values across our exhibitions, programs, and operations; this is our ongoing work.

The Henry Art Gallery is a part of the University of Washington. For more information about race and equity at the UW, see www.washington.edu/raceequity/.

Diverse perspectives make us stronger. Black, Indigenous, and People of Color are encouraged to apply.

Open until filled.

Contact & Links: 

Research and Advocacy Coordinator - “Foundation for funding, advocacy and awareness building."

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Research and Advocacy Coordinator - “Foundation for funding, advocacy and awareness building"

Want to unite your passion for research and advocacy with your project management experience? Come work at the growing nonprofit that provides leading services to the dance workforce in the metropolitan NYC area. Dance/NYC offers a collaborative environment driven by core values of justice, equity and inclusion, and also provides room for innovation and growth. 

The Organization
With 8 years of service, Dance/NYC has emerged as a cultural force and spokesperson on behalf of the dance field to the media, government and private funders, and the wider creative sector. It embeds values of justice, equity, and inclusion into all aspects of the organization and has historically supported dance in New York City and advanced the field by improving conditions for dance workers and dance related organizations through: 

  • Advocacy
  • Leadership Training, Networking and Convening
  • Grantmaking 
  • Action-Oriented Research
  • Technology and Visibility 

Learn more about Dance/NYC’s mission and organizational values.
https://www.dance.nyc/mission-and-values
 

The Position
Dance/NYC is looking for a full-time Research and Advocacy Coordinator to oversee ongoing research and advocacy priorities, execute on planned programs, and identify and manage new opportunities. Dance/NYC intends to fill the position as soon as possible, or by August 1, 2020.

Review the complete job description and list of qualifications. 
https://www.dance.nyc/research-advocacy-coordinator-job-description

The compensation package includes a salary of $52,000 based on experience and competitive benefits.

  • 100% employer paid benefits
  • Paid vacation and paid compensatory time for after office hour events
  • Professional development stipend 

The Location 
The Dance/NYC office is completely remote until further notice due to the Coronavirus (or “COVID-19”) Pandemic. 

Dance/NYC’s offices are located on the Garden Floor (ground floor) of the Mertz Gilmore Foundation, 218 East 18th Street, New York, NY 10003 in Gramercy. Access to the Garden Floor entrance includes a two-step descent. A lift to the entrance will be available in the coming months. An accessible bathroom is available onsite, and elevators are not available in the building.

Gramercy is a quiet family neighborhood with brownstones on tree-lined streets. It has a variety of historic restaurants, shops, and neighborhood parks. This neighborhood is also minutes away from Union Square Park. 

Contact & Links: 

Producing Assistant - "Bringing people together [and] brokering solutions"

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Salary: 
$42, 500
Application Deadline: 
June 26. 2020

Want to unite your production experience with your passion for arts and advocacy? Come work at the growing nonprofit that provides leading services to the dance workforce in the metropolitan NYC area. Dance/NYC offers a collaborative environment driven by core values of justice, equity and inclusion, and also provides room for innovation and growth. 

The Organization
With 8 years of service, Dance/NYC has emerged as a cultural force and spokesperson on behalf of the dance field to the media, government and private funders, and the wider creative sector. It embeds values of justice, equity, and inclusion into all aspects of the organization and has historically supported dance in New York City and advanced the field by improving conditions for dance workers and dance related organizations through: 

  • Advocacy
  • Leadership Training, Networking and Convening
  • Grantmaking 
  • Action-Oriented Research
  • Technology and Visibility 

Learn more about Dance/NYC’s mission and organizational values.
https://www.dance.nyc/mission-and-values

The Position
Dance/NYC is looking for a full-time Producing Assistant to support the programs department with the logistics and execution of all Dance/NYC events, maintain internal administrative structures, and coordinate with the communications department to produce marketing components. Dance/NYC intends to fill the position as soon as possible, or by July 1, 2020.

Review the complete job description and list of qualifications.
https://www.dance.nyc/producing-assistant-job-description

The compensation package includes a salary of $42,500 based on experience and competitive benefits.

  • 100% employer paid benefits
  • Paid vacation and paid compensatory time for after office hour events
  • Professional development stipend 

The Location
The Dance/NYC office is completely remote until further notice due to the Coronavirus (or “COVID-19”) Pandemic. 

Dance/NYC’s offices are located on the Garden Floor (ground floor) of the Mertz Gilmore Foundation, 218 East 18th Street, New York, NY 10003 in Gramercy. Access to the Garden Floor entrance includes a two-step descent. A lift to the entrance will be available in the coming months. An accessible bathroom is available onsite, and elevators are not available in the building.

Gramercy is a quiet family neighborhood with brownstones on tree-lined streets. It has a variety of historic restaurants, shops, and neighborhood parks. This neighborhood is also minutes away from Union Square Park.

Contact & Links: 

Content Partner

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We are seeking content partner for doing online interview. this is not a job, but a partner who would like to grow together with ArtJobs business. you will take the opportunitity by using ArtJobs's brand to do interview with directors within the creative industries, you will get exposure by our very popular weekly newsletter and instagram, and many more. if you have related background with content creation, and if you are interested in grow together with ArtJobs's brand, potentially become part of ArtJobs in long term if you wish. get in touch with some of your writing and for more details of this opportunity. 

Contact & Links: 

Miss_Experienced (non manager)_Writer , Journalist_Montreal

Title:

Age: 
26

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Current City: 
Montreal
Professional Title: 
Writer
Journalist

Job Level:

Art Writer seeks new collaborations ! Artists (visual, performance, music) I am here to help ! 

If you are an artist who's struggling to write about your latest projetct, I can help. You want to submit your work for a grant or a gallery or Need a hand figuring out core concept of your practice, I can help you through discussion and help write not just for this opportunity, you'll have a canvas for applying next time ! 

 Or maybe you're a magazine or a gallery looking for a sharp writer to enlight the readers about the latest talents discovered, I am independent journalist, founder of peachjournal.com,  a feminist and queer platform specialized in art, ideas and modern perspectives in art. I am ready to work and eager to learn more about the amazing artists of this community. 

Hit me up ;) 

My Email: 

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