Wu Jidi

The source of my work creation is to observe the subconscious and psychological emotional changes behind the crowd activities and limbs of different identities and groups in the current society.
Body language is a silent language. Through a person's gestures, body movements, we can learn about his personality, ideology, emotional changes and so on. Although trivial and obvious, it is often more authentic than sound language that is good at "disguising". When in different situations, every gesture and action can clearly convey a richer message than words, even if emotions are controlled by reason.
Through figurative painting, I "fictionalize" the real attributes of the characters I want to express, and then integrate them into the fictional space I constructed to discuss again the "real role" of each person in the private state. With the proliferation of the era of personal we-media, people on the screen are in a state of role playing, and in reality, people also separate themselves from their work and private lives. Often in the sketch stage, I will outline the series and echo of body movements to open the beginning of a new work. Secondly, my work is also constantly experimenting with the intricate relationship between spatial assumptions, displacements and fictional human assumptions (such as the intervention of geometric figures in space). In recent years, I have tried to break the restrictions of traditional painting by using alien canvases. In the performance of materials, the combination of high saturation resin feeling of acrylic materials and traditional oil painting materials can better convey the visual presentation between reality and fiction in my works.