William Joe Josephs Radford

Country where you live:

City where you live:

Statement : 

Residual Noise is the third chapter of my light studies on grief, created after my father’s passing from a brain tumour. Shot in black and white at the highest ISO, the resulting static and grain echo both the absence left behind and the memory loss he endured in his final months. Dust, distortion, and imperfection become metaphors for fragility—visual traces that linger like fading recollections. Created entirely in-camera, the work meditates on love, loss, and the spectral noise that continues to resonate long after a life has gone.

Quote: 
Do not be afraid of moving slowly; be afraid only of standing still
Residual Noise - 10th of August 2025 (23:12)
Residual Noise - 19th of August 2025 (20:35)
Residual Noise - 20th of August 2025 (12:29)
Residual Noise - 21st of August 2025 (23:00)
Residual Noise - 24th of August 2025 (00:21)
Bio: 

I’m William Josephs Radford (b. 1998), a British-Spanish fine art photographer. I was born in rural Andalucía to British parents, and that mix of cultures has shaped how I see the world and the themes I explore in my work—identity, beauty, and the expectations society places on both.

My photography often gravitates toward subjects that some might see as difficult or provocative. I’m drawn to finding beauty in unexpected places and using symbols—like condoms, crucifixes, or cigarettes—to reflect on ideas around sexuality, spirituality, vice, and cultural contradictions. Color has always been central to my work: I’ve used rich, saturated palettes to create images that are both visually striking and layered with meaning.

Recently, I’ve begun moving into black and white photography. For me, this shift isn’t just stylistic—it’s a way of focusing more closely on tone, texture, composition, and the raw emotional core of the subject.

I studied fine art photography at the University of Gloucestershire, and over the years I’ve developed several bodies of work, including Character Building, Deflowered, Cherry Blossom, and Semi-Detached. My work has appeared in publications like Divide Magazine, Al-Tiba9, Contemporary Art Curator, and F-Stop Magazine, and I’ve been fortunate to exhibit across Europe and beyond, in cities such as Paris, Berlin, Florence, Barcelona, and Bangkok.

Spain
Casariche
United States of America
New York City
United Kingdom
london
United Kingdom
Petworth
Austria
Vienna

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