Robert Obier

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My exploration of the language of form is an inquiry into the nature and discipline of creation itself—a pursuit of the fundamental organizational principles that govern the design of the cosmos and give rise to the artifacts of human ingenuity. From the meticulous drawings of Leonardo da Vinci to the digital marvels of Industrial Light & Magic, I am captivated by the boundless reach of human imagination. My work is an exploration of the mysterious unifying principals that inform the natural world, revealing a deeper order and structure that is the cornerstone of our reality.

My work explores the intersections and obscures the boundaries between architecture, industrial design and art. Each piece is as much a realization of an abstract design concept as it is a unique work of three-dimensional art. A strict and systematic organization of components define this work and manifest a distinct unifying methodology that has both physical and spiritual origins. The fabrication combines the "tried and true" techniques of old-fashioned craftsmanship with today's most advanced rapid prototyping technologies such as CAD modeling, 3-D printing, and CNC fabrication. From creation through completion the dichotomy of ‘handmade’ and ‘computer generated’ informs the development and execution of the work.

Renaissance Man 2.0 (Science#2) Artificial Intelligence: Beyond the Age of Reason
“ Our scientific power has outrun our spiritual power. We have guided missiles and misguided men.” Dr Martin Luther King 1963 Leonardo Di Vinci’s “Vitruvian Man” is a symbol of the Renaissance, the dawn of our modern era — a time when science, technology and art were inextricably linked, rooted in a vision of humankind at the center of creation and of God’s natural order. Today, “Renaissance Man 2.0” finds himself not at the center of a divine creation, but at the heart of a digital universe( a meta-verse) of our own making, governed not by natural law, but by a new mysterious power - artificial intelligence. 500 years hence, from the time of Di Vinci, we find ourselves compelled to address the same most salient question as did Leonardo in his day. What does it really mean to be human?
Renaissance Man 2.0 ( Technology) Artificial Intelligence: Beyond the Age of Reason
“ Our scientific power has outrun our spiritual power. We have guided missiles and misguided men.” Dr Martin Luther King 1963 Leonardo Di Vinci’s “Vitruvian Man” is a symbol of the Renaissance, the dawn of our modern era — a time when science, technology and art were inextricably linked, rooted in a vision of humankind at the center of creation and of God’s natural order. Today, “Renaissance Man 2.0” finds himself not at the center of a divine creation, but at the heart of a digital universe( a meta-verse) of our own making, governed not by natural law, but by a new mysterious power - artificial intelligence. 500 years hence, from the time of Di Vinci, we find ourselves compelled to address the same most salient question as did Leonardo in his day. What does it really mean to be human?
Dynamo XL
My exploration of the language of form is an inquiry into the nature and discipline of creation itself—a pursuit of the fundamental organizational principles that govern the design of the cosmos and give rise to the artifacts of human ingenuity. From the meticulous drawings of Leonardo da Vinci to the digital marvels of Industrial Light & Magic, I am captivated by the boundless reach of human imagination. My work is an exploration of the mysterious unifying principals that inform the natural world, revealing a deeper order and structure that is the cornerstone of our reality.
XL Limited - Iteration #2
The work explores the intersections and obscures the boundaries between architecture, industrial design and art. Each piece is as much a realization of an abstract design concept as it is a unique work of three-dimensional art. A strict and systematic organization of components define this work and manifest a distinct unifying methodology that has both physical and spiritual origins. The fabrication combines the "tried and true" techniques of old-fashioned craftsmanship with today's most advanced rapid prototyping technologies such as CAD modeling, 3-D printing, and CNC fabrication. From creation through completion the dichotomy of ‘handmade’ and ‘computer generated’ informs the development and execution of the work.
Formula 1x - Sylvia 1/12
My work explores the fusion of the disciplines of architecture, industrial design and fine art. Each piece is as much a realization of an abstract design concept as it is a unique work of three-dimensional art. The Formula 1x Series is intended, in part, to capture a sense of this mysterious personification and romance we feel for the exotic designs of machines created for speed. I call this "speed art".
Bio: 

Robert Obier’s innovative approach to form and content has earned him critical acclaim, numerous awards, and exhibitions at major art fairs and museums across the United States. His work encourages viewers to navigate the space between tradition and transformation, sparking dialogues about science, spirituality, and the future of human identity.

Drawing from his extensive background in architecture and industrial design, Robert Obier reimagines humanity’s place at the intersection of technology and art. His intricate sculptures transcend mere form, blending mechanical precision with symbolic depth to explore the evolving definition of humanity in the modern age.

His range of eclectic influences include the organic architecture of Frank Lloyd Wright, the explorations of geometry in nature by Andy Goldsworthy and the theatrical creations of Industrial light and Magic for a time long ago in a galaxy far, far away.

Robert Obier was born in Baton Rouge, Louisiana where he now resides. He received a Bachelor of Architecture Degree from  Louisiana State University in 1981 and a Master's Degree in Industrial Design from Art Center College of Design in 2007.

Portugal
figueira da foz
Ελλάδα
Athens
io
The United States
Brooklyn NY
France
Paris
United Kingdom
london

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