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Call For Artists - A5 Portfolio #35 (February 2020)

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A5 magazine wants to try and shine a light on some of the amazing artists working today. We are now taking entries for the February edition of the zine.

Brief: send us a large digital image of your work. Also send us any information you think is relevant. Any text needs to be kept brief as we get hundreds of submissions.

Deadline: 5th February 2020

Deadline: 
02/05/2019

Entry Fee:

Fee Detail: 
Free
Contact & Links: 

Call for Artists - Wotisart #35 (February 2020)

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Wotisart is a portfolio magazine. Our goal is to allow unknown artists an avenue to show their work and gain some recognition in the industry and also to answer the question... What is art? We are now taking entries for the February issue of Wotisart?

 

Deadline: 
01/28/2019

Entry Fee:

Fee Detail: 
Free
Contact & Links: 

Love Hurts - Juried Competition and Gallery Exhibition

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Love Hurts

Special Valentine's Day Exhibition and Juried Competition

This call is open to ALL MEDIUMS and artists from ALL LOCATIONS centering around the theme of love, or more specifically "Love Hurts" for this Valentine's Day exhibition.
 

Cutting edge Hermosa Beach gallery is looking for the best working artists to feature in an upcoming group exhibition at ShockBoxx Gallery opening on February 14th, 2020. The top artist submissions will win a Cash Prize and Award Certificate, as well as receiving Featured Wall Space in the exhibition. Submit only the work that speaks to you and that you feel best expresses the above theme to this Juried Competition and Group Show.

Artworks will be judged based on creativity, originality, quality of work, interpretation of theme, composition, and overall artistic ability.

Competition will also be featured on ARTSY.

Cash Prizes to top artists selected by the jury.

 

Jurors: Mike Collins (ShockBoxx gallery owner) and PMS Artwork.

ENTRY DEADLINE: Submit your entries from now until January 26th, 2020.

Prizes: 

The top artist submissions will win a Cash Prize and Award Certificate, as well as receiving Featured Wall Space in the exhibition.

Deadline: 
01/26/2020

Entry Fee:

Fee Detail: 
$25
Contact & Links: 

Call for Artists

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Call for artist collaborator with Chloe Dewe Mathews and The Ballad of Peckham Rye 
February – April 2020 (9 hours)  Honorarium: £150 Please note the honorarium is for the initial time required to develop a collaborative proposal.  
  
The Project 

Since 2013 artist Chloe Dewe Mathews has developed a body of work that explores the urban environment of the London Borough of Southwark and its rich community of African churches. Sunday Service (2013), commissioned by Tate Modern, explored the reinvention of architectural space in the urban environment, cataloguing a rapid shift from industrial to religious space, while its companion piece, Congregation (2015), looked more closely at the collective religious experience and the nature of expressive worship. Many of Dewe Mathews’s projects take years of preparation, however this body of work is unique in that it represents a sustained engagement with the specifics of her local area and its communities over an extended period.  

Dewe Mathews initially produced Sunday Service as a response to the remarkable fact that in 2011 Southwark had the highest density of African Christianity anywhere in the world outside Africa. Five years on, Dewe Mathews is interested to return to this subject and has been working with Dr. Andrew Rogers (Principal Lecturer in Practical Theology) at Roehampton University on new research that suggests the African population is now moving east, away from Southwark. Peckham has been going through the process of gentrification for over a decade and much anecdotal evidence from church leaders suggests that issues finding space are more keenly felt within the community than ever.  

TBOPR are seeking to commission Dewe Mathews to develop a new work that would use the research and questions posed in Sunday Service and Congregation as a starting point, from which to examine the specific nature of Pentecostal worship in Peckham today. As part of the commission we are seeking to develop a collaborative partnership with an artist whose practice explores similar themes and/or has a connection to local communities in Southwark, to ensure this project brings a necessary and relevant response to Peckham’s changing religious landscape. We envisage the collaboration will result in a co-authored work made in discussion with TBOPR and other members of the community. 

Sunday Service

Sunday Service (2013) C-type print photographic series, 150 x 120 cm and 76 x 61 cm  Sunday Service was commissioned by Tate Modern in 2013. The work was exhibited in the McAulay Gallery, Tate Modern, 28 May – 13 July 2014 and was accompanied by a free publication. 
http://www.chloedewemathews.com/sunday-service/ 

Located in small industrial estates, opposite railway stations, on busy high streets, in former office blocks and bingo halls, in 2011 there were said to be 240 African churches in the south London borough of Southwark, more than double the number of other types of churches in the area. Research by Roehampton University suggested that this represented the greatest concentration of African Christianity in the world outside of Africa. Sunday Service explored the reinvention of architectural space in the urban environment, cataloguing a rapid shift from industrial to religious space, in this pocket of South London. The series combined portraits of people who use and have repurposed the buildings, with photographs of the spaces themselves, which act like collaged records of a local history. 

Congregation (2015)  
Three-channel video installation, commissioned by Tate Modern, first shown in 2015 at Bosse & Baum, Copeland Park Industrial Estate, London. With sound by Coby Sey. Duration: 08:57 http://www.chloedewemathews.com/congregation/ Link here: https://vimeo.com/user104036403/review/367755130/998d6787d3 Password - Congregation 

Congregation is a three-channel video installation exploring collective religious experience and the nature of expressive worship in south London’s African churches. The nine-minute piece, featuring a number of Pentecostal churches in Peckham and Camberwell, combines intimate footage of personal reflection, with large-scale shots of communal ecstasy. In a departure from her practice at the time, Dewe Mathews used moving imagery and sound, rather than still photography, to respond to the dynamic and multi-layered church experience. 

Dewe Mathews said: “I became increasingly interested in the range of spiritual experiences that people were going through on any given Sunday. It’s the fascinating question of how personal experience becomes something else when in a group - a collective experience. How we all influence each other, affect each other and feed off each other. I'm intrigued by congregations as a whole, sometimes performative, other times contemplative but each week a slightly different collective character emerges and it’s more than the sum of its parts.

Congregation was commissioned by Tate Modern and the first screening of the video installation was hosted by Bosse & Baum, a gallery based in an industrial estate on the site of a former church in Peckham. The video footage was projected directly onto the warehouse walls, referencing the building’s history as well as the strong audio visual presence in many of the churches she was working in. The original soundtrack was created by Coby Sey, using recordings made during church services.
 

Deadline: 
12/20/2019

Entry Fee:

Fee Detail: 
£150
Contact & Links: 

Collage Artist Lab

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Collage Artist Lab

at Tulane University Special Collections in New Orleans, Louisiana, USA
Friday, 3 April-Monday, 6 April 2020

Deadline: Rolling with no applications accepted after January 5th, 2020. 

Collage Artist Lab is a four-day intensive of workshops and discussions designed to foster the integration of history and contemporary art into a collage artist’s practice.

The goal of the Collage Artist Lab is to equip artists with tools and strategies for picking up the unfinished work of history and speak to contemporary civic discourse around social, economic, and environmental issues. Through interactive sessions, collections research, and site visits with a historian, artists will explore their process and practice; present a slideshow of their work; receive supportive, critical, curatorial feedback about their ideas; and discuss contemporary issues. 

Designed with collage artists in mind, the lab considers how collagists use popular material culture in their work. The Lab will speak to issues of appropriation, copyright, and fair use and explore how the artist’s choice and understanding of material shapes the narrative of the artwork. 

Artists will complete the Lab with a project proposal for an exhibition or a book and a sample work that will be exhibited during the month of July 2020 in the Special Collections Gallery at Tulane University and will be a feature of Kolaj Fest New Orleans. Kolaj Institute will consider proposals for additional support.

Collage Artist Lab is intended for self-motivated artists, regardless of the stage in their career, who want to develop a practice of working with historic sites or history associations to create and present art that embeds itself in non-traditional spaces and speaks to a general community about contemporary issues.

CURRICULUM

BEFORE THE LAB

Accepted artists will receive a package of information about planning their trip and readings to prepare for the Lab. Artists will be asked to prepare and submit a 5-7 minute slide presentation of their art practice prior to arrival.

DURING THE LAB

Each day will start at 10AM with a gathering of participants and facilitators where we will review and discuss the work for the day. Sessions are scheduled throughout the day with ample time for breaks and exploration. Friday and Monday will take place at Tulane University Special Collections. On Saturday and Sunday, the lab will meet at Antenna Gallery. 

Friday will focus on artist research and learning how to use collections. On Saturday & Sunday, the lab will have artist presentations and sessions that focuses on artist development with an emphasis on articulating artist practice and how artists make connections between history and contemporary issues. On Saturday, participants will meet historian Frank Perez for a walking tour of the French Quarter to explore the role of site and place in the context of art and history. The group will visit some of the sites referenced in the Special Collections and hear stories about New Orleans history and the evolving cityscape. Perez will also speak about the LGBT Archives Project of Louisiana. On Monday, the lab will return to Tulane University Special Collections for a discussion on proposal writing and researching specific material requested by the artists. Themes of race, gender, and the environment will thread throughout all the sessions. Each day will end with an informal discussion off site from 7 to 9PM.

AFTER THE LAB

Artists will leave the Lab with a network of peer support; an idea for a project; and the task of turning that idea into a project proposal and a sample work. The project proposal may be for an exhibition, a book, or some other project that will be considered by Kolaj Institute. The proposals and sample work will be exhibited during the month of July 2020 in the Special Collections Gallery at Tulane University and will be a feature of Kolaj Fest New Orleans.

Deadline: 
01/05/2020

Entry Fee:

Contact & Links: 

Call for Submission and Cover Contest

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“Artness System”, “International Art & Health Association” and “Artness Contemporary Art Magazine” proudly announced : “Ars Gratia Artis Zine”! We are currently accepting submissions and Cover Contest for our January issue. The theme is for this issue : ”Women's Rights”. Ars Gratia Artis Zine is an annual publication created to showcase the art and artists from all around the world.  A call for submissions is on NOW!

We are accepting all kind of art (drawing, painting, comics, doodles, poetry, photography, short stories, or interview) we will publish it! 

Submission Fee: €10

Submission fees are non-refundable and please send application fee as 10€ through Paypal : (artnesscontemporary@gmail.com) or we acccept to Bank transfer Transferwise. (This charge accepted for supporting artists with mental health issues also!)

Deadline : 15.12.2019

We look forward to seeing your artwork!

Deadline: 
12/15/2019

Entry Fee:

Fee Detail: 
10 Euro
Contact & Links: 

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