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Covid-19

Global Impact - The Wake of Covid

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Global Impact: The Wake of Covid

August 14th, 2020-September 25th, 2020

Deadline to enter: July 6th, 2020

The Call for Entry: 

This exhibition explores the global impact of COVID-19. What have artists been creating in response? How has their work shifted due to self-isolation and quarantine? How have their perspectives changed? Global Impact: The Wake of Covid is open to submissions from all media.

 

Awards: 

Best in Show awarded a “Going Solo” Exhibition - worth $500 

Two Juror’s Choice Awards -  $150 cash prize each

Eligibility: 

Open to all artists, 18 years and older, world-wide, both amateur and professional. This includes alternative and traditional artwork. 

Entry Fee:

Artists may submit up to 3 works for a non-refundable processing fee of $35. FAC members fee for up to three works is $24. 

 

Entry Specifications:

A maximum of 3 entries per artists may be submitted for consideration; all media in 2D & 3D forms will be considered. 2D work must be suitably framed with all hardware necessary attached to hang gallery ready. Larger pieces must be able to enter the gallery through an 84” x 71” doorway. Once installed, work may not exceed 11 feet in height. Any artist with installation or digital works must speak with the Exhibitions Manager to coordinate presentation.

Juror:

A St. Louis native, Robin Hirsch-Steinhoff holds a BFA from Kansas City Art Institute (1985). Since 1989, Robin has served as Artistic Director of Art Saint Louis, a non-profit visual art organization & Gallery in downtown St. Louis. Her full-time work with Art Saint Louis includes curating and presenting juried and curated exhibitions, creating opportunities for artists, and working to exhibit and promote the work of St. Louis regional artists. Since 1997, Robin has served as juror and/or awards judge for over 70 local & Midwest regional art exhibitions. She served as a grants reader for Regional Arts Commission’s Artist Fellowships (2017 & 2020), grants panelist for Regional Arts Commission (2018), grants panelist for Missouri Arts Council (2008-2012), and has participated in numerous volunteer community activities for regional non-profit organizations including Chesterfield Arts, Circus Flora, Regional Arts Commission (Arts Commandos), and Volunteer Lawyers & Accountants for the Arts. She is past-President of the St. Louis chapter of the National Women’s Caucus for Art for which she also served as Vice President, Newsletter Writer/Editor, and Board Advisor. Robin has served on the Board of Directors of the St. Louis Gallery Association and as Exhibitions Consultant for Chesterfield Arts. As an independent curator, she curated the two-artist photography exhibit “Pausing for Reflection: A Reflection on Pausing,” presented at Regional Arts Commission (2011). As an artist, her photographic work was included in the “Holga Polka” exhibition at the Gallery at Regional Arts Commission (2009) and in two “Thirteen Squared” exhibits at Regional Arts Commission, St. Louis (2010 and 2012). 

 

Exhibition Space:

The Foundry Art Centre is a dynamic community art center dedicated to the creation and presentation of contemporary visual arts. Our mission is to connect everyday people with the arts through our studio artists, educational classes, special events, and exhibitions. Featuring a state-of-the-art gallery space, the Foundry hosts national and international juried fine art exhibitions and curated traveling exhibitions. 

Publicity:

The Foundry Art Centre reserves the right to photograph and reproduce, in color or black and white, all artwork accepted for this exhibition (regardless of copyright) for educational and publicity purposes. 

 

Delivery and Pick Up:

Accepted works are to be hand-delivered or shipped in reusable crate(s) or carton(s). Included with each work, one 3” x 5” card listing Name, Address, Phone, Title, Media, Dimensions, and Price. Attach card to the back of the 2D work or base of 3D work. Work is shipped at the artist’s expense to the Foundry Art Centre. Accepted artists shipping their work must include a prepaid return label for return shipping. If submitted artwork comes without prepaid label it becomes the property of  the FAC at the close of the exhibition. All hand-delivered work must be picked up at the close of the exhibition or work becomes the property of the FAC to dispose of as it sees fit.  Accepted works must remain for the duration of the exhibition. 

 

Sales, Liability, and Insurance:

The Foundry Art Centre will retain a 35% commission on all sales directly attributed to the exhibition. All prices include the frame and matte, are set by the artist at the time of entry, and should include 35% commission. The price will remain the same price for the duration of the exhibition. Foundry Art Centre provides standard insurance at 50% of retail on all exhibited works while on premises. Artist is responsible for work in transit. 

Prize summary: 
Best in Show awarded a “Going Solo” Exhibition - worth $500 Two Juror’s Choice Awards - $150 cash prize each
Prizes Details: 

The artist awarded best in show gets the chance to be a part of our "Going Solo" exhibition series where they display their artwork in one of our galleries as a solo exhibition. This prize is worth $500. 

There are additional prizes given to the Juror's Choice, awarding the winners 

Deadline: 
07/06/2020

Entry Fee:

Fee Detail: 
$24 for FAC Member, $35 for Non-Member
Contact & Links: 

Collective Cure

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Contemporary art is often birthed from our response to current events. In this time of social distancing, many of us have experienced grief for the life we once had as we struggle to find our new normal. We are all undergoing unique experiences; however, the common denominator is that we are all looking for ways to keep marching on.

Collective Cure will be a collection of works responding to the global pandemic, COVID-19. This exhibition will focus on how we as a collective whole will adapt to the world post quarantine, with an emphasis on coping with this crisis and moving forward.

This exhibition will be juried by a panel of artists from the staff of Historic New Harmony: Tabatha Chinn, Tonya Lance, and Daniel Mason.

Rules and Regulations:

  • No entry fee required
  • Juried Exhibition – Jury panel from HNH
  • 3 entries per person
  • Submissions due June 26th, 2020
  • Examples of 2-D and 3-D media accepted include but is not limited to: drawing, painting, printmaking, sculpture, mixed media, ceramics, and woodworking
  • Plagiarism will NOT BE TOLERATED
  • Notified of acceptance by July 4th, 2020
  • All work must be at the gallery no later than August 18th, 2020
  • Artists are responsible for outgoing and return shipping as well as insurance during shipping.
  • Gallery retains 35% commission on all work sold
  • Exhibition dates: August 22nd – October 2nd
  • Reception at New Harmony Gallery of Contemporary Art on September 26th, 2020
  • 2-D work should be framed and wired, ready to hang
  • 3-D work should be ready to display
Deadline: 
06/26/2020

Entry Fee:

Contact & Links: 

Life Under the Pandemic Moon: Virtual Exhibition

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Life Under the Pandemic Moon is a virtual exhibition organized by renowned artist and League instructor Hugo Bastidas. The exhibit invites artists in the community to reflect and respond to the current global health crisis. Bastidas’ paintings frequently reference architecture, water, vegetation and art history, and reflect his concern about the human condition, globalization, and their effect on the Earth’s well-being. Selected works will be shared in a virtual gallery on LINEA, The League’s online journal.

 

More about the exhibition:
Life Under the Pandemic Moon is an ongoing show about the artistic reflections of the New York City metro area’s experience under the coronavirus pandemic. This is the first installment. As this pandemic moves into our region, cities, communities, neighborhoods and homes, The Art Students League is asking for submissions that address personal experiences directly reflecting our state of existence under this extraordinary phenomenon. We encourage participants to consider those aspects of their daily lives that have been altered one way or another. For example: Are we kinder to one another? Have we become more concerned about one another?

Many of us have gone through denial, fear, anger, acceptance and resolution as the ramifications of this pandemic become clear. Ultimately, we may become better humans towards one another, our planet and the splendor that is life.

It is our hope that you will consider sharing visually your encounter with this occurrence. As an additional aid to our participants: please consider subject matter versus content. The subject matter is the coronavirus pandemic — yet this is an overwhelmingly huge topic; thus the content may be overwhelmed. Instead, perhaps address a personal connection or reflection about an aspect of this phenomenon. For instance: social distancing is the subject matter; however, the content may vary insofar as the depiction of the persons, their facial expressions, the attire, the distance between them, the atmospheric depiction, and so on. Hopefully by considering that personal vantage point as the content, you will share the aspects we too may feel but cannot articulate — and now you’ve made this accessible for us to see.

Hugo Xavier Bastidas is an American artist. He received his undergraduate degree from Rutgers University and his MFA from Hunter College. His awards include a Robert Smithson Scholarship, a Fulbright Fellowship, a Pollack-Krasner Grant and a NJEA Grant. He is represented by the Nohra Haime Gallery, where he has had 16 solo shows. Other solos exhibits include those at the Gyeongnam Museum of Art, Gallery KunstDoc, and Bonn Gallery. His digital artwork was represented by Gallery Boreas (Lenox, MA and Reykjavik, Iceland) and had been included in the DiVA shows (in Paris, Cologne and NY) and the AAF (NY). He is a member of the National Academy of Arts and Design and is represented in their collection among other collections public and private nationally and internationally. He represented the US in the Cuenca Biennial (Ecuador, 1999) and the Sharjah Biennial (UAE, 2001). His work is in collections worldwide.

Deadline: 
04/06/2020

Entry Fee:

Fee Detail: 
Free!
Contact & Links: 

OPEN CALL: 'IN 24-HOURS'

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IN 24-HOURS

#In24Hours #TheWallSpace

THE WALL SPACE, FALKIRK, SCOTLAND | APRIL 1ST // JUNE 1ST

Curators: An exhibition curated by Ayshia Taskin in association with [SHIFT:ibpcpa]

ABOUT

The COVID-19 (Coronavirus) is one of the most terrible contemporary disasters to befall humanity on a global scale. People around the world are suffering. Either through being infected with the virus and require intense medical treatment or are in lockdown in their homes.

Although this is a daunting moment in human history, art, culture and humanity mustn't be abandoned! Preserving a connection to the humanities is the main reason 'In 24-Hours' originated. This exhibition is an open call for video, performance art, digital image, sound art, paintings, poetry, photography or any work that can be shown digitally, online or live-streamed through the [SHIFT:ibpcpa] platform.

The exhibition, 'In 24-Hours' aims to build a resilient, creative community during such harrowing times. And to keep hope and motivation afloat through the showing of exciting pieces of work from a global group of artists.

It is FREE to submit work to this exhibition.

FORMAT

A work of art from a different artist exhibited for 24-hours. The opening days are Wednesday, Friday and Saturday and everything will be presented online due to current and upcoming community lockdowns. Artists from any country are welcome to submit work. The exhibition will take place three days a week and aims to show the work of as many artists as possible within the timeframe between April - June.

Deadline: 
03/30/2020

Entry Fee:

Fee Detail: 
0
Contact & Links: 
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