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Open Screen 2022: Open Call

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Open Screen 2022: Call out for disabled artists working in the digital realm

Developed in partnership with Shape Arts in 2021, Open Screen seeks proposals for existing works that respond to the theme of Sci-Fi.

arebyte welcomes work from artists who are working with technology to their advantage, as a way to overcome barriers, criticising matters of inclusivity within technology, and everything in between.

The selected work will be presented on arebyte on Screen, arebyte’s expanded and innovative online platform for digital animations, videos, web-based interactive experiences and curatorial interventions.⁠

The deadline for submissions is 11.49pm on 7 March 2022
For more information and how to apply, please visit arebyte.com/open-screen⁠

#AOS #OpenScreen #OpenScreen2021 #DigitalArt #DisabilityArts aos.arebyte.com

Prize summary: 
Artists receive £300 fee from gallery, dialogue with gallery about their work, and their work is exhibited online.
Deadline: 
03/07/2022

Entry Fee:

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Digital Art, Assemblage and Cut Paper Collage

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Digital Art, Assemblage and Cut Paper Collage is an exhibition that will focus on the various forms of digital art and the relationship between digital and traditional paper collage. 3D assemblage will be represented comparatively as sculptural collage. The exhibition will be held at the Limner Gallery from September 8 - October 1, 2022.  All digital art forms, cut paper collage and assemblages will be reviewed and considered.  The entry deadline is April 30, 2022. The entry form is at: https://www.slowart.com/prospectus/digital_paper.htm

Deadline: 
04/30/2022

Entry Fee:

Fee Detail: 
$35.00
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Call for Web Residencies No 17: »Undesired by the Market: Resting!« curated by dgtl fmnsm

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From the dgtl fmnsm chat:
 

»Hey dear!

Wanna hang? Wanna work?«

 

With the 17th Call for Web Residencies by Solitude, curated by Sarah Fartuun Heinze, Andara Shastika, Franziska Goralski and Ulla Heinrich for dgtl fmnsm, artists are invited to experience, explore and enjoy taking a restful break in a utopian space of possibility from an intersectional and queer feminist perspective. Because the radical break – whether in the form of creative freedom in the context of a virtual artist residency or a self-chosen sabbatical – is, above all, one thing: a space of possibility. 

We are interested in what artists and collectives do in their breaks, which aesthetic and emotional practices exist and which ones have yet to be invented. Who can actually take breaks, and what class issues are associated with breaks? What is more feminist than taking a break together, alone, or just because? What if our lives were structured by pleasure, softness and community instead of our deadlines? What happens to us when we close the tabs in our head? What do breaks in the digital world look like? What would we do if we did not make use of every opportunity? What qualities must a break display in order to be more than a mere charging station in the capitalist cycle of exploitation, and is this even possible?

Individual artists as well as groups and collectives are invited to adopt the space of the radical pause, shaping it as they see fit. Go on vacation, complete an aesthetic project that has long been eating up your breaks, or design your own break-free utopia: because perhaps breaks have become superfluous in our contemporary utopian spaces. Who knows?

 

Call team

The collective dgtl fmnsm has been examining what virtual potential lies in the contemporary performing arts and how a theater of the future might look in digitalized societies in hybrid and interdisciplinary formats, both online and offline, since 2016. The network-based collective works in fluid constellations within the context of festivals and digital artist residencies, as advisors for online formats and their policies and mentors for virtual aesthetic practices. Here, the focus is placed on the various forms taken by emancipatory and collective collaboration in a hypercapitalist world, and which critical connections we need in order to avoid exploiting one another more and more.

http://digitalfeminism.net

Sarah Fartuun Heinze was born in Marka (Somalia) in 1989, is Swabian, lives in Cottbus and works as a multidisciplinary freelance artist and cultural educator from a queer feminist, intersectional perspective at the interface of theater, games, music and empowerment. She sees herself as an aesthetic researcher and is a member of the Creative Gaming initiative, a freelance author and part of the New German Media Makers. What’s more, Sarah Fartuun Heinze likes to play games. One of her favorites is »Zelda: Ocarina of Time«, probably because the key to most of the puzzles lies in the music. And, as is so often the case, it is equally far from screens and theater stages.

Andara Shastika or Shasti (born in Jakarta in 1992 – now based in Kassel) is an artist and organizer who embraces multi-disciplinary/directional practices and areas of curiosity. As a visual artist, Shasti works with performance and digital media on subjects such as language, revenge, curses, demonic voices, haunting and ghosts. As an organiser at the interface of art and activism, she is active in multiple Kassel-based intersectional queer feminist and BPoC-led collaborative contexts, including the livestream platform TERRARISTA TV, the BPoC artists’ initiative Cura Han Hati, and the recent first ever BPoC Festival. She is currently employed as an artistic assistant to Prof. Dr. Swantje Lichtenstein and Prof. Maria Schleiner, working on the research project »ComArts« at the University of Applied Sciences in Düsseldorf. Shasti is also a vocalist with the hardcore band ORANG.

Franziska Goralski (born in Radebeul in 1992) studied fine arts in Dresden until 2017, is founder of the Department for Potentiality to Act and works with food & intellectual concepts. Her conceptual approaches constitute a cross-media experience. She collaborates with Anna Erdmann as the duo »die Blaue Distanz« on queer themes and low-hierarchy spatial concepts.  After an artistic research stay in Los Angeles funded by the DAAD, she consolidated her interest in fairer models of future coexistence at the Sandberg Instituut Amsterdam in the Master’s program »The Commoner’s Society«. Since then, the Department for Potentiality to Act has been investigating practices – i.e. active practices – on the topic of commons.

Ulla Heinrich (born in Dresden in 1987) is a cultural mediator, curator and cultural manager (MA) who works in communication. From 2015-2018, she worked at HELLERAU – European Centre for the Arts as Head of Digital Communication, Assistant to the Artistic Director and Head of Special Projects. Ulla Heinrich has been organizing and executing projects and workshops on the topic of digitality and gender for teenagers, young adults and educational professionals for over a decade. A feminist activist, Heinrich gives lectures on the topic and organizes free educational events with her Dresden-based group böse&gemein. She is the initiator, curator and collective member of dgtl fmnsm and has been the CEO of Missy Magazine since May 2019.

Prize summary: 
This call is rewarded with a four-week residency and a 750-euro grant.
Deadline: 
11/15/2021
Contact & Links: 

Digital Art, Assemblage or Collage

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Online + Gallery Exhibition
Submission Deadline: October 24, 2021
Exhibition: November 6 - 27, 2021
Artist Notification: October 30, 2021
Artist Commission: 65%
Entry: $35 for up to 3 images

If you are an artist working in Digital Art, Assemblage or Collage, Las Laguna Art Gallery wants to see your work.

Note: All artists who submit to this show will be accepted and have at least  one of their submitted works posted and promoted on our website and to our client list.

 

Deadline: 
10/24/2021

Entry Fee:

Fee Detail: 
$35
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PITCH LIVE CONTEST

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The pandemic has changed opportunities for artists and art market professionals both digitally and in live events. Our presence has become more digital than ever before. This call is for artists and professionals looking to expand their digital footprint, shift or improve digital portfolio or website, build a digital strategy or explore new new ways of digital creative creation. We’re selecting five finalists across different professions in the art world to LIVE pitch our panel of judges for a chance to win a €2,000 prize to get your digital project or plan started.

This is part of a collaboration between TECH.MT X ARTZ ID , with the aim to help equip artists and art market with digital tools, skills and opportunities. We will be also hosting a two day digital summit, filled with workshops and round table conversations by international market professionals, check it out here. 

In partnership with : Red Organe Image consultants, Blonde and Giant and SeedConsultants

Prize summary: 
win a €2,000 prize
Prizes Details: 

The 5 finalists will benefit from a one hour one to one mentorship sessionsupported by three leading digital marketing and web development agencies, free digital copy of 'Market your Genius' book provided by Nikki Nash , an annual subscription to The Genius profit society and marketing support by ARTZ ID.

The winning pitch shall be awarded the grand prize of €2,000.
The final live pitch date will be announced in the coming days.

Deadline: 
06/13/2021

Entry Fee:

Fee Detail: 
0
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Radical Empathy: wendy.network's New Open Art Call

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Dear community,

We’re looking forward to our call for artists framing the topic of:

RADICAL EMPATHY.

Why did we choose this topic and where does it come from?

As you may know, the KONJUNGATE project is based on my cyber novel MACHFELD, written in 1999. One of the main characters of this book is Wendy, a fascinating person, who works as an agent for Satoshi NAKAMOTO. On the one hand, she is smart and full of empathy for the cultural conflicts of different extra-galactic forms of life – which is a central part of the novel – and on the other hand, she has a secret job to do that goes against her personal convictions. In addition, she is the eponym of our network.

Like all of us, she has to make decisions on a daily basis that will change her future life forever. If you see life as a system of experiences and socialisation, our choices are closely related to it. But can we break out of this framework? And do we as a society manage to establish a sustainable, empathic approach to one another?

wendy.network is committed to empathic interaction. We are open to cultural and artistic exchange without restrictions and we are aware of our social responsibility by implementing an experimental new way of decentralising art funding using cryptographic technology.

Art and culture have the power to exemplify empathic togetherness. Let’s show that to people.

Wendy is empathic and so are we.

Best wishes,

Michael Mastrototaro

 

wendy.network is starting a series of art calls to engage the community with Wendy’s personality. One of her main traits is having radical empathy and we want you, the artists of wendy.network, to help us define what that is and how it should impact our world today. 

 

We at wendy.network want to encourage each other to have radical empathy. We think having radical empathy is a cure for this year’s loneliness. 

 

Jack Schot defines Radical Empathy as “an active striving to better understand and share the feelings of others.”

 

For this call, we are asking you, the artists, these questions: What do you define it as? Why does the world in 2021 need us to have radical empathy?

 

After a year of physical and emotional distancing we need to start working as a society to be more empathic, in a radical way. We need to build bridges between each other and slash the distance that the past year put between us. By having radical empathy, we can extend the same acceptance we’ve had for ourselves over the last year to everyone around us.

 

The panel of judges will be members of the wendy.network.

 

The artwork will be available on the wendy.network for a length of one month.

 

Requirements:

 

Artists can be any age, from anywhere in the world.

 

Artists must be members of the wendy.network and create a profile that is representative of your practice to submit and be considered (it’s always free to join the network).

 

Artwork can be of any medium but must be submitted in a digital format (ex: JPG, PNG, MP4, etc). Past projects and new works are both eligible. 

 

Artists need to submit a short artist bio (300 words max) a title, links to socials or websites and a short description of the artwork and how it answers the questions above (400 words max). Artists must fulfill all requirements to be considered.

 

No entry fee.

 

Deadline for entry is: June 1st, 2021 10am CEST.

 

Applicants will be notified by mid June, 2021.

 

Please send all material to join@wendy.network and any files can be sent through WeTransfer.

Prize summary: 
150000 KONJ coins
Prizes Details: 

The work will be featured on the wendy.network site and it’s social accounts. There will be a presentation of the selected artists and their artwork during the “Open studio”, hosted by the wendy.network artist Sabine Maier at FLUSS – Society for the promotion of photo- and media art (Link) at Schloss Wolkersdorf in Austria, an accredited partner of wendy.network. The work will also be exhibited virtually in wendy.network’s Gather.Town sphere and in a Cryptovoxel gallery (supported by Cryptowiener).

The artists will receive an artist fee of 150000 KONJ coins.

Deadline: 
06/01/2021

Entry Fee:

Contact & Links: 

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