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Environmental Alterations

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ENVIRONMENTAL ALTERATIONS

Call for Exhibition

Accepted media: Photography, Digital Visual Design, Video

Group Exhibition in Rome or Milan city. August 2021

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This here call responds once again to the topics and interests that contributed to the laying of Loosenart's statutory foundations.

What we are currently living is a global economic standstill, due to a pandemic disease crisis that forces the arrest of development, as well as behaviors and human actions. This stop tat allows at the same time an objective detachment from situations, favoring an opportunity for reflection on a condition, on a picture, or on an image. Photographers, video makers and visual designers are called to represent, document and express their vision on the theme of environmental alteration, on the panoramas and traces of an anthropized environment and the resulting effects.

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Deadline 7th May 2021

Deadline: 
05/07/2021
Contact & Links: 

ArtAround Roswell 2021 RFP

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Request For Proposals - ArtAround Roswell 2021

Entry deadline: February 1, 2021

Questions about the RFP may be directed to:
Elan Buchen
Public Art Manager, Roswell Arts Fund
elan@roswellartsfund.org

PROJECT SUMMARY – ARTAROUND ROSWELL 2021

Roswell Arts Fund and the City of Roswell, Georgia invites artists to submit proposals of existing and new outdoor art works for consideration for ArtAround Roswell 2021, a Sculpture Tour; a temporary, monumental art installation to be installed at various outdoor sites in the City of Roswell, Georgia. Proposals selected through this call will be considered for exhibition during an 11-month tour from May 2021 – March 2022.

ArtAround Roswell 2021 showcases diverse and varied sculptural works, bringing joy, and improving quality of life to Roswell’s public spaces. This year, the theme for consideration for exhibition is about CONNECTION. Panelists and artists are asked to submit their proposals that feature connection –

For example:
• How does the art connect to its environment?
• How does the art connect to the place? Perhaps to history?
• What is the connection between the audience and the work?

Sculptures will be selected and installed throughout the city, including within existing parks and historical downtown Roswell. Sites may be publicly or privately owned. Existing sites and sculptures can be viewed at Art Around Roswell Tour – Roswell Arts Fund. 

This invitation is extended to all qualified artists with no entry fee. Roswell Arts Fund seeks to have a diverse and inclusive selection pool that represents the diversity and vibrancy of the Roswell communities.

Artists will receive a $2500 stipend for the loan of their work, paid in two installments ($1250 upon execution of contract, and $1250 when the artwork is deinstalled). All sculptures are available for purchase to the public unless otherwise stated but must remain installed for the entirety of the exhibition and tour.

ArtAround Roswell is a collaboration between the Roswell Arts Fund and the City of Roswell. The sculptures are hosted by the City of Roswell, Department of Recreation and Parks and Private business owners.

Full RFP here: https://roswellartsfund.org/wp-content/uploads/2020/12/ArtAround-Sculpture-Tour-RFP-2021.pdf

Prize summary: 
$2500
Prizes Details: 

Artists will receive a $2500 stipend for the loan of their work, paid in two installments ($1250 upon execution of contract, and $1250 when the artwork is deinstalled). All sculptures are available for purchase to the public unless otherwise stated but must remain installed for the entirety of the exhibition and tour.

Deadline: 
02/01/2021

Entry Fee:

Fee Detail: 
$0.00
Contact & Links: 

GERMINARTE

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Curator - Sarah Eargle (USA)

During the months of June and July 2021, ACRAR will be hosting a two month  residency in which the main purpose will be the creation of workshops and creative  activities by artists in residence for our community. 

The curator and facilitator of GerminARTE is Sarah Eargle, an art teacher and  interdisciplinary artist from Maryland, USA. The local arts council for our region, "Tala  Cultura", will work in collaboration with the curator and participating artists to promote  and facilitate workshops. Applicants should be interested in designing and leading a  minimum of one workshop/art activity for our community that is at least 3 hours in  length. Workshops may be for children or adults and we are especially interested in  those that relate to the practice of permaculture or environmentalism. The remaining  time of the residency is available for independent studio work. Artists may stay  anywhere from 2-8 weeks. 

 

2 weeks stay - 1 workshop. 
 

4 weeks stay - 2 workshops. 

6 weeks stay - 3 workshops. 

8 weeks stay - 4 workshops.

Deadline: 
05/19/2021

Entry Fee:

Fee Detail: 
Application fee $25 USD 2 weeks stay - $740 USD 4 weeks stay - $1400 USD %5 OFF 6 weeks stay - $2,000 USD %10 OFF 8 weeks stay - $2,520 USD %15 OFF
Contact & Links: 

Environment & Synthesis with Mark Fell And Cm Von Hausswolff

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CAMP is a residential arts facility in the French Pyrenees. It's a place where great art is made, new movements are formed, new ideas are explored and groundbreaking people are nurtured. CAMP is located in Aulus les Bains, the last village before the France/Spain Pyrenean frontier chain. The location is spectacular - we are nestled at 750m above sea level, surrounded by snowcapped peaks over 3000m high, ancient forests and cascading waterfalls. There are eagles, lammergeiers, vultures, ibex and bears. Walk out of the residency, and within ten minutes you are completely alone in one of the most beautiful mountain landscapes in Europe. Aulus les Bains is also a spa village - there are hot water springs, and a thermal spa in the village to take advantage of the healing and relaxing properties of the water.
    
Workshop dates: 15/02/2021 - 2021-02-24
    
Lead by two of the most influential figures working in electronic music and sound today, this workshop focuses on exploratory relationships between landscape and sound through a series of evolving performative, geometrical, time-based systems and structures. These will include location recording exercises, listening, sound synthesis, the placement of sound within the landscape, durational performances, discussion and analysis, as well as documentation of the workshop and its outcomes. Emphasis will be given to consideration of spatial audio techniques including multi-microphone and multi-speaker methodologies.

Mark Fell is a UK-based multidisciplinary artist. Recognised as being "one of the most compelling and influential electronic artists in the world" (South Bank Centre), his practice draws upon electronic music subcultures, experimental film, contemporary philosophy and radical politics, and typically explores issues such as time-perception, technology, cognition, and collaborative process. Over the past 30 years Fell's output has grown into a significant body of work: from early electronic sound works and recorded pieces, to installation, critical texts, curatorial projects, educational systems and choreographic performances.
                   
In 2017 Mark curated a major exhibition of sound art for V-A-C foundation (Moscow) "The Geometry of Now", and led a British council research project to India to study Carnatic music composition and emergent electronic arts (with AC Projects Glasgow). Serralves Foundation (Porto) premiered "Intermetamorphosis" (2017), collection of works by fell which included new commissions as well as a retrospective pieces. In 2018 he completed two large scale multi-spatial sound works: "Protomusic#1" for Sage Gateshead, forming their flagship contribution to the Great Exhibition of the North; and "Frameworks" at Palazzo delle Zattere (Venice). 2019 saw two new performative pieces including "Hominin" (Rewire, Den Haag) and "Against Method" (Pirelli Hanger Bicocca, Milan), as well as the solo exhibition "The Concept of Time is Intrinsically Incoherent" (Focal Point Gallery, South End on Sea). Drawing from sacred geometries to programming structures, these works underlined Mark's particular interest in non-linear systems and structures, and our complex inter-relationships with them. 

The diversity and importance of Mark's practice is reflected in the range and scale of institutions that have presented his work, including: VAC Foundation Palazzo delle Zattere (Venice), Hong Kong National Film Archive, The Baltic (Gateshead), Museu d'Art Contemporani de Barcelona, La Casa Encendida (Madrid), Laboral (XIxon), The Institute of Contemporary Art (London), Royal Festival Hall (London), The Serpentine (London), Victoria and Albert Museum (London), Whitechapel Gallery (London), The Institute of Contemporary Art (London), Barbican (London), Raven Row (London), Seville Biennale, The Australian Centre For Moving Image (Melbourne), Artists Space (NYC), Moma (NYC), Issue Project Room (NYC), Corcoran (DC), Curtis R. Priem Experimental Media and Performing Arts Center (NY), Lampo/Graham Foundation for Advanced Studies in the Fine Arts (Chicago), Zentrum fur Kunst und Medientechnologie (Karlsruhe), Pirelli Hanger Biccoca (Milan) among others. Mark's work is in the collection of the Thyssen-Bornemisza Art Contemporary (Vienna) and has as been recognised by ARS Electronica (Linz). He has worked with a number of artists including: Yasunao Tone, Laurie Spiegel, Keith Fullerton Whitman, Okkyung Lee, Luke Fowler, Peter Gidal, Terre Thaemlitz, John Chowning, Ernest Edmonds, Peter Rehberg, Oren Ambarchi, Carl Michael Von Hausswolff and Mat Steel (as SND). Mark is currently guest professor of media art at Die Staatliche Hochschule fur Gestaltung Karlsruhe (HfG).

Carl Michael von Hausswolff lives and works in Stockholm. Since the end of the 70s, von Hausswolff has worked as a composer using recording technology as his main instrument and as a visual artist using light projections, film/video and still photography as well as other media. His interests spans from social environmental issues and political statements to abstract penetration and supra/sub-reality. He has exhibited at dOCUMENTA (Kassel), the biennials in Venice, Moscow, Liverpool, Istanbul, Sarajevo etc and in Copenhagen, Stockholm, Nicosia, Kaliningrad, Tokyo, London, New York, Philadelphia, etc. His music has been played in festivals such as Sonar (Barcelona), CTM (Berlin), L'audible (Paris), el niche Aural (Mexico City), MUTEK, (Montreal) etc. and released works on record by labels like RasterNoton (Berlin), Touch (London), Laton (Wien), iDeal (Goteborg) and MonoType (Warszaw).

His audio compositions from 1979 to 1992 consist essentially of complex macromal drones with a surface of aesthetic elegance and beauty. In the early 2000's, Carl Michael boiled away even more ornamental meat from the bones, producing pure, intuitive studies of electricity, frequency functions and tonal autism within the framework of a conceptual stringent cryption. Lately he has also developed a more conceptual form of audio art overlooking subjects such as architecture and urbanism, rats and maggots. He has created a series of social platforms, places where people can meet and consume. His "Thinner- and Low Frequency Bar" was used at the Momentum biennial in Moss, Norway, Prato, Italy and London and his "Glue- (Tobacco-) and High Frequency Lounge" was used in Geneva and in Prato. These works show Hausswolff's critical view on the society's hypocritical treatment of drugs and addiction. The audience could sniff the highly toxic substances thinner and contact glue while smoking cigarettes and getting penetrated by the either low or high sine wave tones.

Carl Michael recently curated the 12th part the sound-installation FREQ_OUT in Vienna and collaborates with artist Leif Elggren, film-maker Thomas Nordanstad, EVP re-searcher Michael Esposito and recently launched new projects with composer Hans-Joachim Roedelius, composer/artist Mark Fell, musician Jim O'Rourke, author/model Leslie Winer and as Dark Morph (with Jonsi of Sigur Ros). He has earlier collaborated with Pan sonic, The Hafler Trio, Organum and PHAUSS.

Deadline: 
02/08/2021
Contact & Links: 

restART the planet - virtual exhibition

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We are SKT, a new exciting project with the aim of creating a scattered gallery without borders. The SKTeam is promoting emerging contemporary artists and helping them to showcase and sell their artworks. Currently, we are preparing to launch our third scattered exhibition ‘restART the planet’ that will run from 24 January, 2021 to 24 February, 2021 in 2 different London city-centre locations, Notting Hill and Chelsea.

The theme of the exhibition was inspired by the newly born partnership between SKT and WhereFrom, a young startup with great ideas who connects sustainably-minded brands with sustainably-minded consumers. With their help and creativeness, we will be able to do so much more than promote artists because we will also plant trees. WhereFrom and TreeSisters combine four of today’s big ticket issues: gender, climate, behaviour change, and ecological restoration through large-scale tropical reforestation. We are unique in our grass roots, ethical and holistic approach, our call to include and involve everyone, and our focus on a wider cultural shift that embeds restoration into everything. Partnering with us aligns you with that mission.

The deadline to submit your application is 11 January, 2020. Exhibition contributions start from £150.00 for one piece within 1x1m (you can join with 3 pieces maximum);

SKT will take 20% commission on sales. Whenever we close a sale, we will give you back the contribution you initially invested with us. If it doesn't sell, the funds we gather from the contributions are going towards the needs of the exhibitions:
- Maintenance and hire of the gallery space
- Printing costs (poster, labels etc)
- Online promotion cost
- Staff/Invigilators
- Catering

Our upcoming opportunities:
"SKT goes to Nice" art fair in South France - 9/11 April, 2021
"SKT goes to Amsterdam" - May TBA

Your fee includes 1 live interview (if you attend the opening or 1 video/written interview if you cannot do it) 1 article and 1 tree planted with our partner WhereFromUK.

Please send us an email and we will be more than happy to look at your portfolios and plant trees with you!

 

- SKTeam

Deadline: 
01/11/2021

Entry Fee:

Fee Detail: 
We discuss it with every artist, understand needs and availabilities
Contact & Links: 

Digital Artist-Curator Opportunity

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Fee £1,500 

4 months commission starting January 2021

Closing 16th December 2020

Art Gene is seeking a Digital Artist with an interest in curation to produce a series of online exhibitions or events, including a digital exhibition of your own work, as part of Art Gene’s Extreme Views programme. 

Digital U is Art Gene’s online exhibition space, sat within Art Genes website, offering an opportunity for artists working in digital media, including film, animation, performance, and sound. It’s a platform where selected artists take control to exhibit their work, either presenting single artworks or a series or works. www.art/gene.co.uk/digital

The exhibition series will extend Art Gene’s current Extreme Views programme, to include works exploring low carbon, sustainability, food, futures, biodiversity and environmental themes. 

The Digital Artist/Curator will produce 1 exhibition of their own work, and a further 5 by artists selected by both invitation and open call. All exhibitions will remain on Art Gene’s website as a legacy of the project and continued platform for the selected artists.

We encourage applications from people identifying as Disabled, BAME & LGBTQ+. If you need any assistance with the application process please contact us.

Selected Artists will be notified by 8th January 2021, and will be invited for a conversation about the role over Zoom. 

Read more about Art Gene’s Extreme Views programme: https://www.art-gene.co.uk/project/extreme-views/

Deadline: 
12/16/2020

Entry Fee:

Contact & Links: 

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