CyFer Open Call




Researchers from the CyFer project, funded by PETRAS, UK, are examining cybersecurity, privacy, ethics and trust in FemTech. Female-oriented technologies (FemTech) promise to enable people to take control of their bodies and lives, helping them overcome the many existing challenges in medical care and research. There is a lack of data about women and other minority and minoritised groups in medical sciences. There is also bias and discrimination in health studies, data sets, and algorithms. FemTech solutions promise to centre these groups in the design and development of their systems. However, the FemTech industry remains largely unregulated. There is a lack of clarity in the law (e.g. GDPR and HIPAA), and in industry and user practice in relation to this extremely sensitive data on different levels i.e. user consent, third-party sharing, and algorithmic bias which may lead to malicious purposes.

We are looking for artists, designers and creative technologists who are interested in exploring FemTech cybersecurity, privacy, ethics and trust. We invite you to create critical artefacts and interventions that include digital and material speculations. You will have the opportunity to explore the technical and social aspects of this complex issue with the project team throughout your engagement, including workshops and informal interaction.

We want to commission a diverse selection of work, creating various new entry points to this research for new audiences. We are open to all types of creative response to this call, but will require there to be a digital aspect to the work, whether this is the work itself or an accompanying artefact.

Commitment: Successful applicants will be expected to participate in activities designed to deepen your knowledge of the subject matter, provide occasional updates to the project team, create an artefact, contribute to a short video, and partake in an interview with the research team after the project. Anonymous participation can be discussed if required.

The team will engage with you throughout the journey to provide you with the relevant scientific resources around FemTech cybersecurity, privacy, ethics and trust. The specific activities (e.g., workshops) will be announced accordingly. We are not able to provide studio/fablab space.


  • The EoI should be submitted by midnight on 21st of August 2022.
  • Successful applicants will be informed by 9th September 2022
  • Successful applicants will be expected to start in Sept/Oct 2022 and finalise their work by the end Jan 2023.
  • The exhibition itself is tbd, dependant on the composition of artists/designers/creative technologists and their anticipated works. However, a launch/exhibition is expected to be held in Mar 2023.
Prize Summary: 
Prizes Details: 

Selected artists, designers, and creative technologists will receive £1500. You will retain ownership of the work in the long term but will agree to it being exhibited by PETRAS at the end of the project. You will also provide digital artefact(s) which PETRAS will retain use of for future research and public engagement activities.

EoIs are welcome from all over the world. We will cover the costs of transporting works in addition to the £1500 per artist/designer. There is no expectation that all artists/designers must attend anything in person in the UK and we will take a flexible approach to working in person/online/hybrid depending on the composition of the group of successful artists and designers.

UK & Online
Contact & Links: 

Lusted Men: Open collection of erotic pictures of men*



Born in 2019, Lusted Men is a Paris-based collective engaging with eroticization of men*’s bodies. At the crossroads of art, research and manifesto, Lusted Men took the shape of a call for photographs opened to all. Lusted Men is creating a visual archive of contemporary intimacies which fosters and spreads more playful, inclusive and a freer representations of men*. Ce don't define eroticism, it's up to you, in order not to give normative frames on this topic.

The Lusted Men archive gathers up more than 400 photographers and 2000 photographs and testimonies. Divided in annual collections, the Lusted Men archive aims at being presented during exhibitions, events, social media, and press. In 2020 we have been exhibited at PhotoSaintGermain, during Arles festival and in Bruxelles. More events are coming soon!




Contact & Links: 

Woman Made Gallery CFA: Word of Mouth (Food + feminism)




Woman Made Gallery seeks submissions for our January- February 2022 group exhibition juried by Rosalyn D'Mello (international art critic, feminist writer, columnist, and recent evaluator for the Andy Warhol Foundation Art Writers Grant). 

This exhibition will be held at Woman Made Gallery located at 2150 S. Canalport Ave., Chicago, IL 60608 in the Pilsen neighborhood. 


For the upcoming Jan/Feb 2022 exhibition Word of Mouth, Woman Made Gallery seeks artwork exploring food through an intersectional feminist lens across mediums. It asks artists to subvert socially conditioned, gendered conceptions of a kitchen, an ingredient, a worm, or even a plate.

"The kinky tactility of that which is edible, materially or intangibly, spiritually or secularly is our pursuit. It forms the fibrous conceptual core of this exhibition. We seek that which evangelizes or is informed by orality, by sensory interventions that are performative and exploratory, inconclusive yet holistic; that which relates to tongue or lingual papillae, that which is linked to the irrepressible, bound by the fluid interstices between resonance, laughter, and/or rage; that which relates to dimensions of hunger and satiation, gluttony and greed, miracles and grief, that which connotes the alterity of word-made-flesh-made-text-made-loaf…

Imagine the sound a knife makes as it sluices the petticoats of onions; the void in the pit of a freshly de-seeded cherry; the earthiness of organic fertilizer; the rapture of an almond tree full-blossomed in spring; the gospel according to a caterpillar, or a bee." - Rosalyn D'Mello

The juror is particularly, though not exclusively, interested in investigating the following conceptual questions for "Word of Mouth":

  • If we are what we eat what nourishes our collective soul? 
  • How does your garden grow? How does the squirmy earthworm embody hope? 
  • How to advance queer table fellowship? 
  • What makes a particular orifice a mouth? 
  • How do we salvage leftover joys? 
  • How do you undo a pomegranate without the application of a knife? Can you cut a pineapple underwater? 
  • How does the gut relate to emotion? How do you ferment old wine?


Woman Made Gallery seeks artwork in all mediums. We encourage intersectional feminist approaches that include consideration of sexuality, race, ethnicity, class, and disability, among other social locations.


Rosalyn D’Mello (she/her) is a feminist writer, art critic, columnist, essayist, editor and researcher. She is the author of A Handbook for My Lover. She writes a weekly feminist column for mid-day, a fortnightly one on contemporary art for STIR, and regularly contributes to OPEN. Rosalyn was an evaluator for the Andy Warhol Foundation Art Writers Grant in 2020 and is an Ocean Fellowship Mentor for 2021. 

She is presently working on a book for Oxford University Press based on her visits to South Asian artists’ studios, thanks to an India Foundation for the Arts research grant. Her freelance writing has been internationally published and anthologized.  Her art criticism has appeared in publications like Tate etc, Art Review, Art Review Asia, Artsy, Vogue, Firstpost, The Hindu, and Mint Lounge, among numerous others.

The submission fee for Word of Mouth is $30. Only one submission may be entered per artist. Each submission requires one artwork, though up to three artworks may be considered per submission. Paid submission does not guarantee an exhibition opportunity. No refunds offered.

Members at the Enhanced Artist Level and above receive one free entry annually. Please email general@womanmade.org to receive your one-time code for free entry redemption.

WMG offers fee waivers to those that request the need and upon approved application. WMG offers 25 fee waivers in total. To acknowledge the historic inequities of wealth distribution, 15 of the 25 are exclusively reserved for ALAANA/BIPOC and/or LGBTQIA+. Factors that result in an approved application include financial instability or low income status, student or recent graduate status, identification as ALAANA/BIPOC and/or LGBTQIA+, or a demonstrated need otherwise. WMG accepts Fee Waiver Request forms on a rolling basis until all fee waivers have been distributed. A note declaring all fee waivers have been distributed will be added to the Submission form at that time. (That is, if you are reading this, the form is active, and there are still fee waivers available!) The team at WMG will approve and send a Submittal fee waived link within 4 days of application receipt.  

To request a fee waiver -- complete this form.

Woman Made Gallery is a space for women and nonbinary artists, including trans women and femme/feminine-identifying genderqueer artists. We welcome art from women and non-binary artists from our local community, regionally based, and around the world.

Due to limited staff and wall-size restrictions, artworks must fall within 6’ horizontally and under 75 pounds in weight, unless delivered to and picked up from our 4th-floor gallery by the artist. Artists may be additionally responsible for the installation of oversized works.

New media artworks are eligible. To be considered, artists must submit a sample .mp4 or url under 10mins for purposes of consideration. For the exhibition, WMG requires a digital transfer (Google Drive, Vimeo downloads, WeTransfer) as well as a USB formatted in .mp4 file format delivered to the gallery. WMG can provide a limited number of media players, Epson projectors, and TV monitors with basic speakers. All other new media needs are the responsibility of the artist.

Accepted work may be listed for sale, though is not required. WMG will retain a 40% commission on sold works. Work remains the property of the artist until sold. Sold artworks shall remain in the exhibition until the end of the exhibition. Artists will be paid no later than 30 days after the close of the exhibit.

An artist contract with full terms of the exhibition will be administered at the time of acceptance notification. Please note that the shipping/delivery to and from the gallery is the responsibility of the artist including all associated fees. If work is not picked up from the exhibition by the date noted in the artist contract, the work will become the property of Woman Made Gallery and subject to donation to WMG's fundraising efforts, or otherwise discarded. WMG is happy to talk through preparations, offer advice, and recommend resources as requested.


Entry Fee:

Fee Detail: 
$30 with fee waivers available
Contact & Links: 

Agora Digital Art Residency



Open Call for self-identified Women Artists working in New Media and XR

The Residency Lab is a digital residency opened to self-identified women artists, working in New Media Art with XR (AI, AR, MR, ML, VR, etc), challenging, exploring and engaging on the dis/embodiment, transhumanism and gender fluidity.

The Residency Lab is also a springboard to create a new project and to test new practices in a VR Mozilla Hubs venue.

That venue link belongs to the artist. You can continue developing your project after the residency. It is meant to invite people in such as curators, gallerists or collectors, to view your solo show.


How does it work?

Agora Digital Art will support and facilitate your creative process for the entire journey, with your designated curator.

What we offer today is curatorial support, plus networking opportunities. We also develop your residency page, produce a talk and do a “studio visit” after the residency. And, as a final boost Agora Digital Art creates a massive social media promotion campaign for you.

The objective of the residency is to start or to continue a project, in view to exhibit min. one artwork in a permanent virtual exhibition, in Mozilla Hubs.


Digital Art Residency Lab

  • Periods starting in 2021:  Opening for September to December
  • Application deadline:  on the 27th of each month 
  • Duration of the residency: one month
  • Outputs: a virtual exhibition in Mozilla Hubs (solo show), your Artist page, Interview or article, Agora Talk and social media promotion campaign. 


About you

  • You are a self-identifying woman or non-binary digital artist (She/Her or They/Them) or in a group including 50% women artists.
  • You have easy access to Internet.
  • You are min. aged 23 at the moment of your residency.
  • You do speak well enough in English.
  • You are committed to dedicating time and research during your residency.
  • You are willing to document your residency in a Live “Studio Visit” in a 121 zoom.
  • You are available for any content Agora will produce about you: interview, podcast or talk.
  • You work in New Media and XR (AI, AR, MR, ML, VR, etc)
  • Please prepare: 200-word max biography, 300-word Artist Statement, 500-word Project Proposal, plus social media and your website link.
  • The artists hold full intellectual property rights and control of the final piece they create and the venue in Mozilla Hubs.


  • Is the Residency Lab paid? Since we are a young organisation, unfortunately, the Residency Lab is unpaid. We need to find a sponsor – hopefully soon. But Agora Digital Art does a lot of marketing promotion on- and off-line.
  • Who will be my curator? Agora Digital Art is a volunteer-based organisation, it will depend on the curators’ team availability and interest.
  • I have no project idea, can I apply? The Residency Lab is to help you to test new things. So, it’s better to start with a clear basis because one month is not that long to produce new artworks – depending on what you want to achieve.
  • I’m not in the age range, can I apply? Sorry, but you should be confirmed as 23 years old during your residency. If you’re too young, wait until you reach 23 years old.
Contact & Links: 

Contemporary Activist Visual Art Performance with Martha Wilson




CAMP is a residential arts facility in the French Pyrenees. It's a place where great art is made, new movements are formed, new ideas are explored and groundbreaking people are nurtured. CAMP is located in Aulus les Bains, the last village before the France/Spain Pyrenean frontier chain. The location is spectacular - we are nestled at 750m above sea level, surrounded by snowcapped peaks over 3000m high, ancient forests and cascading waterfalls. There are eagles, lammergeiers, vultures, ibex and bears. Walk out of the residency, and within ten minutes you are completely alone in one of the most beautiful mountain landscapes in Europe. Aulus les Bains is also a spa village - there are hot water springs, and a thermal spa in the village to take advantage of the healing and relaxing properties of the water.
Workshop dates: 07/11/2021 - 05/12/2021
Activist avant-garde artists have historically ignored national boundaries as well as aesthetic ones, taking regular people to be their audience and any subject or material under the sun to be appropriate to their means.  Contemporary activist visual art performance practitioners view this avant-garde legacy as their own, incorporating musical, theatrical, literary, dance, film and technological elements in their work in order to address the pressing issues of our time.  This course will focus on critical examples of performance art from the last century to today to analyze how artists have positioned themselves in relation to current standards of artistic production and developed techniques of provocation to activate the audience.  Course work includes readings of primary and critical texts, class discussion, and performance art presentations by each member of the class presented on Zoom followed by discussion of this individual work.

Martha Wilson is a pioneering feminist artist and gallery director, who over the past five decades created innovative photographic and video works that explore her female subjectivity through role-playing, costume transformations, and "invasions" of other people's personae. She began making these videos and photo/text works in the early 1970s while in Halifax in Nova Scotia, and further developed her performative and video-based practice after moving in 1974 to New York City, embarking on a long career that would see her gain attention across the U.S. for her provocative appearances as political personae. In 1976 she founded, and as Founding Director Emerita, continues to help direct Franklin Furnace, an artist-run space that champions the exploration, promotion and preservation of artists’ books, installation art, video, online and performance art, further challenging institutional norms, the roles artists play within society, and expectations about what constitutes acceptable art mediums.

Martha was described by New York Times critic Holland Cotter as one of "the half-dozen most important people for art in downtown Manhattan in the 1970s" - she remains what curator Peter Dykhuis calls a "creative presence as an arts administrator and cultural operative." Martha's early work is now considered prescient - in addition to being regarded by many as prefiguring some of the ideas proposed in the 1980s by philosopher Judith Butler about gender performativity, many of her photo-text pieces point to territory later mined by Cindy Sherman, among many other contemporary artists.

As a performance artist she founded and collaborated with DISBAND, the all-girl punk conceptual band of women artists who can't play any instruments, and impersonated political figures such as Alexander M. Haig, Jr., Nancy Reagan, Barbara Bush, Tipper Gore and Donald Trump.

The workshop is open to everyone, from any artistic or academic background, at any level of experience.

Contact & Links: 

Victory is in the Kitchen



Create a self-portrait of you in your kitchen, show the true you. Your most authentic self. 
Either create a new self-portrait or use a printed copy placed within the kitchen and photograph it.

Send in 1 Image, with name, age, pronouns, and location(if comfortable) 

 In 50 words or less answer: What does the kitchen mean to you?

Commissioned by Borough Road Gallery curated in partnership with Hayley Glover & Theresa Kneppers
Please just be yourself, I'm looking for diversity.


See more about the orginal project on my website.

Online show currently with potential for a physical show.

Contact & Links: 


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