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So you may have seen or heard about the new CITY. Yes, it’s bigger. Yes, it has a new look and feel. Yes, it’s sexy as hell. And the new format is just the most visible of the changes. CITY has been a part of the cultural landscape since its birth in SoHo over a decade ago, but they are the first to acknowledge that there are a plethora of magazines on the newsstand that deal, in not-so-different ways, with the same “style” territory. They wanted CITY to break that mold, to stand out from the crowd, to be original and unique, and they decided to go about being revolutionary by going back to basics.

So the format: oversized, saddle-stitched, classic, reminiscent of magazines in publishing’s “golden age” — the Vanity Fair and Esquire of the ’60s, the Nova and Interview of the ’70s — and with a point of view to match. Every city needs a voice, and they want this city’s—New York City’s—to be theirs. There is a vibrant creative community here, probably the most fertile in the world. These individuals are the architects of influence, but it’s been a while since there was a publication that really personified and spoke to and for them. The new CITY is that book. CITY is the magazine for, by, and about New York City’s arbiters of excellence.

REVS is a fashion/art magazine directed and published by SECT ET SEPT, its availability to bring together talented professionals of fashion comes from the co-operation of the following studios.

Volt Magazine is a creative hybrid that they created to showcase original (specifically commissioned) work form some of the most directional and vital international fashion talents that are fuelling the British scene right now.

Over-sized and unbound the unique format was conceived so that every inch could be relished simultaneously and to push the conventional magazine format way beyond its tight perimeters, producing something that genuinely works a fresh perspective.

Snubbing the inherent censorship that somes with cosying up too close to celebrity Volt's a serious salute to those photographers, stylists, hair & make-up artists and writers still serious about experimenting with fashion without any ties - dispensing with the fame for finance attitude in favour of a magazine with real integrity.

West fuses with East. East meets West. W.E. is a new breed of Style Culture/Design boutique magazine that brings the best of two worlds together. It appeals to readers who are influential and affluent, global in vision and yet individual in taste. W.E. aims to capture the innovative and the inspirational with special focus on the Asian metropolis, and present them through bold design and sophisticated concepts. Anything but a ghettoized ethnic magazine. W.E. initiates our readers in to a hybrid world of the future. As all things Asian increase in global influence across areas of lifestyle, design, fashion, entertainment, culture and philosophy, a premier cultural and lifestyle guide in timely due. W.E. features the modern, creative and diverse selection of talents in Asia that are visionary, provocative and sense enriching. The focus is Asia, but the approach is international. Bringing together both emerging and iconoclastic creators and contributors from around the world, in fields of photography, graphic design, fashion entertainment and media. W.E. offers an unique editorial attitude and original design concept. Our aesthetics is versatile and witty, with no want of sophistication. W.E. advocates a new attitude towards life in 21th century. That is, to globalize the regional and individualize the universal.