Founded by Mino Pissimiglia in 1946, Estetica quickly established itself as the most informative publication at the forefront of the Italian hairdressing industry. It was successfully launched in Japan in 1958, followed by Peru, Latin America and The Middle East in 1962 - 1963. The launch of the first Italian-English International edition was heralded in 1977. Today, Estetica is published in 24 editions and distributed in 80 countries with a global circulation of over 270,000. Estetica, the market leader in specialised publishing, offers new product information, exhibition news, photo collections, step-by-steps, as well as the very latest in hair trends. The main section of the magazine, Estetica International, is common to all issues and is thus translated into 5 different languages. It offers an exciting preview of the very best in hair styles and fashion trends from around the globe. The front section of each edition is unique to the countries where it is issued and provides readers with essential information on product innovation, celebrity interviews and industry news as well as corporate advertising.



Country: Spain
City: Madrid
Country: United States
City: Van Nuys
Country: Brazil is the insider's style guide with a global outlook, delivering fashion, beauty, style, service and shopping in an accessible and attainable format. While maintaining ELLE's unique sophisticated tone, presents a behind-the-scenes, how-to world. is the point at which aspiration and acquisition intersect.

Country: United States
City: New York

Swoon Magazine is an NYC-based local media project. Its audience is that dicey sliver of Venn who do read the articles in Playboy, then throw out the rest and run to chew on the images in Swoon. Don’t get us wrong—Swoon is a deeply political organism as much as it is a party machine—and its politics are this: that glamour can, and must exist in our daily lives—and you can do it, if not by yourself then with a little bit of help from your friends.

The fashion industry is predicated on the same planned obsolescence that as we speak is dozing up piles of waste that people can, and do, ski on. A fashion cabal on the other hand, a fashion coterie, is sexy and sustainable. Fashion is an action and not a destination. Our mission is twofold: to showcase innovative designers and photographers and to reclaim fashion as an artistic expression outside of the push to create commercial trends. We believe that photography and fashion, like any other art form, require a space for creative play and experimentation outside of the confines of their respective commercial industries. Fashion must trot beside you as your life’s cadence calls, elsewise you will find yourself panting after it up the J-curve to infinity. And ya gonna kill yuhself that way hun—YA ARE! We cannot live at such a velocity of need. To appropriate Burroughs, “How fast can you take your time and still look hot, kid?” Ask yourself long and hard—if you still can’t see it, Swoon will snap a picture. We’ve come to reclaim the master’s tulles.

Country: United States
City: New York

From World affairs to Hollywood, business to fashion, crime to society, is the cultural catalyst that drives the popular conversation online through blogs, video, photography, and award-winning journalism.

Country: United States
City: New York

Vogue is a fashion and lifestyle magazine published in 16 countries + Latin America by Condé Nast Publications. Each month, Vogue publishes a magazine addressing topics of fashion, life and design.

Vogue is most famous as a presenter of images of high fashion and high society, but it also publishes writings on art, culture, politics, and ideas. It has also helped to enshrine the fashion model as celebrity.

Country: Peru
City: Lima

Good-humored and irreverent, it is a benchmark to the modern man’s behavior, fashion and beauty.

Country: Brazil
City: São Paulo

True Love Magazine is considered a sister publication to Afrikaans Sarie and English Fair Lady. These three titles are published by Media24 (Naspers).

True Love is situated in the giant media house's Johannesburg offices.

Country: South Africa
City: Johannesburg
Country: Austria
City: Vienna

The French edition of Vogue magazine, Vogue Paris, is a fashion magazine that has been published since 1920.


The French edition of Vogue was first issued on June 15, 1920. Michel de Brunhoff was the magazine's editor-in-chief from 1929 into the 1940s.

Under Edmonde Charles-Roux (1950-1966)

Edmonde Charles-Roux, who had previously worked at Elle and France-Soir, became the magazine’s editor-in-chief in 1950. Charles-Roux was a great supporter of Christian Dior’s New Look, of which she later said, "It signalled that we could laugh again - that we could be provocative again, and wear things that would grab people's attention in the street." In August 1956, the magazine issued a special ready-to-wear (prêt-à-porter) issue, signaling a shift in fashion's focus from couture production. When later asked about her departure, Charles-Roux refused to confirm or deny this account.

1968-2000: Crescent, Pringle, and Buck

Francine Crescent, whose editorship would later be described as prescient, daring, and courageous, took the helm of French Vogue in 1968. Under her leadership, the magazine became the global leader in fashion photography. Crescent gave Helmut Newton and Guy Bourdin, the magazine's two most influential photographers, complete creative control over their work. During the 1970s, Bourdin and Newton competed to push the envelope of erotic and decadent photography; the "prone and open-mouthed girls of Bourdin" were pitted against the "dark, stiletto-heeled, S&M sirens of Newton". At times, Bourdin's work was so scandalous that Crescent "laid her job on the line" to preserve his artistic independence. The two photographers greatly influenced the late-20th-century image of womanhood and were among the first to realize the importance of image, as opposed to product, in stimulating consumption.

By the late 1980s, however, Newton and Bourdin's star power had faded, and the magazine was "stuck in a rut". Colombe Pringle replaced Crescent as the magazine's editor-in-chief in 1987. Under Pringle’s watch, the magazine recruited new photographers such as Peter Lindbergh and Steven Meisel, who developed their signature styles in the magazine’s pages. Even still, the magazine struggled, remaining dull and heavily reliant on foreign stories. When Pringle left the magazine in 1994, word spread that her resignation had been forced.

Joan Juliet Buck, an American, was named Pringle's successor effective June 1, 1994. Her selection was described by The New York Times as an indication that Conde Nast intended to "modernize the magazine and expand its scope" from its circulation of 80,000. Buck's first two years as editor-in-chief were extremely controversial; many employees resigned or were fired, including the magazine's publishing director and most of its top editors. Though rumors circulated in 1996 that the magazine was on the verge of a shutdown, Buck persevered; during her editorship, the magazine’s circulation ultimately increased 40 percent. Buck remade the magazine in her own cerebral image, tripling the amount of text in the magazine and devoting special issues to art, music, literature, and science. Juliet Buck announced her decision to leave the magazine in December 2000, after her return from a two-month leave of absence. The Sydney Morning Herald later compared her departure, which took place during Milan's fashion week, to the firing of a football coach during a championship game.Carine Roitfeld, who had been the magazine's creative director,was named as Buck's successor the next April.

Under Carine Roitfeld (2001-present)

Roitfeld aimed to restore the magazine's place as a leader in fashion journalism (the magazine "hadn't been so good" since the 1980s, she said) and to [restore] its French identity. Her appointment, which coincided with the ascendance of young designers at several of the most important Paris fashion houses, "brought a youthful energy" to the magazine.

The magazine’s aesthetic evolved to resemble Roitfeld's (that is, "svelte, tough, luxurious, and wholeheartedly in love with dangling-cigarette, bare-chested fashion"). Roitfeld has periodically drawn criticism for the magazine's use of sexuality and humor, which she employs to disrupt fashion's conservatism and pretension. Roitfeld's Vogue is unabashedly elitist, "unconcerned with making fashion wearable or accessible to its readers". Models, not actresses promoting movies, appear on its cover. Its party pages focus on the magazine's own staff, particularly Roitfeld and her daughter Julia. Its regular guest-editorships are given to it-girls like Kate Moss, Sofia Coppola, and Charlotte Gainsbourg. According to The Guardian, "what distinguishes French Vogue is its natural assumption that the reader must have heard of these beautiful people already. And if we haven't? The implication is that that's our misfortune, and the editors aren't about to busy themselves helping us out."Advertising revenue rose 60 percent in 2005, resulting in the best year for ad sales since the mid-1980s.

Country: France
City: Paris
Country: Italy
City: Rome