The Independent

The Face was a magazine started in May 1980 by Nick Logan out of his publishing house Wagadon. Logan had previously created titles such as Smash Hits, and had been an editor at the New Musical Express in the 1970s during one of its most successful periods.

The magazine, often referred to as the "80s fashion bible", was influential in championing a number of fashion music and style trends, whilst keeping a finger on the pulse of youth culture for over two decades; its best selling period was in the mid-1990s when editor Richard Benson brought in a younger team that included art director Lee Swillingham. While Benson ensured the magazine reflected the UK’s revitalized art and music scene, Swillingham changed the visual direction of the magazine to showcase new photography. It was during this time that the work of fashion photographers Inez Van Lamsweerde, Steven Klein, David LaChapelle, Norbert Schoerner, Glen Luchford, Craig McDean and Elaine Constantine was first published.

In the early 1990s, the magazine contained an article suggesting that Australian actor and pop star Jason Donovan was gay. Donovan sued the magazine for libel in 1992 and won the case (but torpedoed his own career in the process). Subsequently, the magazine requested donations from readers to pay the substantial libel damages and court costs which came to £300,000. The magazine set up the "Lemon Aid" fund, so called because their article on Donovan had also stated he highlighted his hair with lemon juice to make it blonder. However, Donovan reached a settlement with the magazine to allow it to stay in business.

In 1999, Wagadon was sold to the publishers EMAP.

Notable names associated with the magazine were designer & typographer Neville Brody (Art Director, 1981-86), creative director Lee Swillingham (Art Director 1993-1999), Julie Burchill, Tony Parsons, photographers Juergen Teller, David Sims and writers including Jon Savage and Fiona Russell Powell.

By its May 2004 closure, the format had become stale, there were too many competitors, sales had declined and advertising revenues had consequently reduced. The publishers EMAP closed the title, in order to concentrate resources on its more successful magazines, however its fashion spin-off Pop still survives as a stand alone magazine brand.

Go beyond the red carpet! Every week, OK! is packed with big glossy pics of A-list stars at home, on-set, at parties and on the red carpet, intimate celebrity interviews, as well as the latest celebrity news.

Go behind the runways with W and sit front row at the world's hottest shows. Get the first looks at the most fabulous fashion.

In each issue of W, you'll get:

* Fashion that is elegant, opulent, and colorful

* Society, couture, accessories, parties

* People, beauty, travel, Hollywood, home. All like you've never seen them before.

W is a monthly American fashion magazine published by Condé Nast Publications, who purchased original owner Fairchild Publications in 1999. The magazine is an oversize format – ten inches wide and thirteen inches tall. Patrick McCarthy is its chairman and editorial director. McCarthy has previously worked for Women's Wear Daily, the sister publication of W. Nina Lawrence is the vice president and publisher of W. W magazine has a reader base of nearly half a million, 469,000 of which are annual subscribers. 80 percent of the magazine's readers are female and have an average household income of $135,840.

Often the subject of controversy, W magazine has featured stories and covers which have provoked mixed responses from its intended audience. In July 2005, W produced a 60-page Steven Klein portfolio of Angelina Jolie and Brad Pitt entitled "Domestic Bliss". The shoot was based upon Pitt's idea of the irony of the perfect American family; set in 1963, the photographs mirror the era when 1960s disillusionment was boiling under the facade of pristine 1950s suburbia.

Other controversial issues include Steven Meisel's shoot entitled "ASexual Revolution," in which male and female models (including Jessica Stam and Karen Elson) are depicted in gender-bending styles and provocative poses. In addition, Tom Ford's racy shoot with Steven Klein and the accompanying article on sexuality in fashion came as a shock to some loyal readers. During the interview, Ford is quoted as saying "I've always been about pansexuality. Whether I'm sleeping with girls or not at this point in my life, the clothes have often been androgynous, which is very much my standard of beauty." Steven Klein also was the photographer for the racy photo shoot featured in the August 2007 issue, showcasing David and Victoria Beckham. Bruce Weber produced a 60-page tribute to New Orleans in the April 2008 issue, and shot a 36-page story on the newest fashion designers in Miami for the July 2008 issue. Most of W's most memorable covers are featured on the W Classics page on the magazine's website.

W is also known for its coverage of American and European society. Many of these society luminaries, as well as the elite of the entertainment and fashion industries, have allowed W into their homes for the magazine's W House Tours feature, including Marc Jacobs, Sir Evelyn Rothschild and Imelda Marcos.

Cool and glamourus magazine from Monaco is visual treat into the world of rich and famous, ultimate fashion, latest style, accessories, exotic places, fast cars and more. Full of hundreds of stunning photographs by world famous photographers.

WONDERLAND is a uniquely positioned, independent, bi-monthly publication for both men and women spotlighting contemporary visual culture - art, design, film - both the influences and the developments, together with the very latest fashion, shot by some of the most innovative photographers working today.

Published out of London, but with worldwide distribution, Wonderland entertains, challenges and informs - assisting the reader rather than dictating to them, so that they may decide for themselves how to spend those two most valuable of commodities: their time, and their money. By combining new talent with new ideas and higher standards, we push the boundaries and exceed expectations of what a magazine today can be.