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Redbook is an American women's magazine published by the Hearst Corporation. It is one of the "Seven Sisters", a group of women's service magazines.

The magazine was first published in May 1903 as The Red Book Illustrated by Stumer, Rosenthal and Eckstein, a firm of Chicago retail merchants. The name was changed to The Red Book Magazine shortly thereafter. Its first editor, from 1903 to 1906, was Trumbull White, who wrote that the name was appropriate because, "Red is the color of cheerfulness, of brightness, of gayety." In its early years. the magazine published short fiction by well-known authors, including many women writers, along with photographs of popular actresses and other women of note. Within two years the magazine was a success, climbing to a circulation of 300,000.

When White left to edit Appleton's Magazine, he was replaced by Karl Edwin Harriman, who edited The Red Book Magazine and its sister publications The Blue Book and The Green Book until 1912. Under Harriman the magazine was promoted as "the largest illustrated fiction magazine in the world" and increased its price from 10 cents to 15 cents. According to Endres and Lueck (p. 299), "Red Book was trying to convey the message that it offered something for everyone, and, indeed, it did... There was short fiction by talented writers such as Jack London, Sinclair Lewis, Edith Wharton and Hamlin Garland. Stories were about love, crime, mystery, politics, animals, adventure and history (especially the old West and the Civil War)."

Harriman was succeeded by Ray Long. When Long went on to edit Hearst's Cosmopolitan in January 1918, Harriman returned as editor, bringing such coups as a series of Tarzan stories by Edgar Rice Burroughs. During this period the cover price was raised to 25 cents.

In 1927, Edwin Balmer, a short-story writer who had written for the magazine, took over as editor; in the summer of 1929 the magazine was bought by McCall Corporation, which changed the name to Redbook but kept Balmer on as editor. He published stories by such writers as Booth Tarkington and F. Scott Fitzgerald, nonfiction pieces by women such as Shirley Temple's mother and Eleanor Roosevelt, and articles on the Wall Street Crash of 1929 by men like Cornelius Vanderbilt and Eddie Cantor, as well as a complete novel in each issue. Dashiell Hammett's The Thin Man was published in Redbook. Balmer made it a general-interest magazine for both men and women.

On May 26, 1932, the publisher launched its own radio series, Redbook Magazine Radio Dramas, syndicated dramatizations of stories from the magazine. Stories were selected by Balmer, who also served as the program's host.

Circulation hit a million in 1937, and success continued until the late 1940s, when the rise of television began to drain readers and the magazine lost touch with its demographic. In 1948 it lost $400,000, and the next year Balmer was replaced by Wade Hampton Nichols, who had edited various movie magazines. Phillips Wyman took over as publisher. Nichols decided to concentrate on "young adults" between 18 and 34 and turned the magazine around. By 1950 circulation reached two million, and the following year the cover price was raised to 35 cents. It published articles on racial prejudice, the dangers of nuclear weapons, and the damage caused by McCarthyism, among other topics. In 1954, Redbook received the Benjamin Franklin Award for public service.

The next year, as the magazine was beginning to steer towards a female audience, Wyman died, and in 1958 Nichols left to edit Good Housekeeping. The new editor was Robert Stein, who continued the focus on women and featured authors such as Dr. Benjamin Spock and Margaret Mead. In 1965 he was replaced by Sey Chassler, during whose 17-year tenure circulation increased to nearly five million and the magazine earned a number of awards, including two National Magazine Awards for fiction. His New York Times obituary says, "A strong advocate for women's rights, Mr. Chassler started an unusual effort in 1976 that led to the simultaneous publication of articles about the proposed equal rights amendment in 36 women's magazines. He did it again three years later with 33 magazines." He retired in 1981 and was replaced by Anne Mollegen Smith, the first woman editor, who had been with the magazine since 1967, serving as fiction editor and managing editor.

Norton Simon Inc., which had purchased the McCall Corporation, sold Redbook to the Charter Company in 1975. In 1982, Charter sold the magazine to the Hearst Corporation, and in April 1983 Smith was fired and replaced by Annette Capone, who "de-emphasized the traditional fiction, featured more celebrity covers, and gave a lot of coverage to exercise, fitness, and nutrition. The main focus was on the young woman who was balancing family, home, and career." (Endres and Lueck, p. 305) After Ellen R. Levine took over as editor in 1991, even less fiction was published, and the focus was on the young mother. Levine said, "We couldn't be the magazine we wanted to be with such a big audience, you have to lose your older readers. We did it the minute I walked in the door. It was part of the deal."

Redbook's articles are primarily targeted towards married women. The magazine features stories about women dealing with modern hardships, aspiring for intellectual growth, and encouraging other women to work together for humanitarian causes. The magazine profiles successful women, such as Christa Miller, to provide inspirational testimonies and advice on life.

It has been available in the news-stands, in Italy and abroad, for many years. Its frequency coincides with the international fashion shows. Exclusive photos and never ordinary bilingual texts, are flash that draw the attention on the trends that are really important and that offer absolutely international sight of the Haute Couture and of the Prêt-a-Porter. Already from the first issue, Book moda has asserted to itself rules of absolute rigour in all the numberless aspects that make the image and the substance of a really prestigious magazine. A peculiarity is the exactness in the information, coincise and exhaustive in the choice of the users target. Considering the dealed topics , BOOK MODA addresses itself to the experts and to a wide public of qualified readers. BOOK MODA is an advertising means for the most qualified Made in Italy, not dispersive, ideal for campaigns of products directly or indirectly bounded to the fashion word.

Marie Claire is a monthly women's magazine conceived in France but also distributed in other countries with editions specific to them and in their languages. While each country shares its own special voice with its audience, the United States edition focuses on women around the world and several worldwide issues. The magazine also provides the reader with health, beauty, and fashion information in each issue. Readers can subscribe to it through the mail and online. The reality series, Running In Heels, follows three interns working in the NYC office of the magazine.

The theme for Marie Claire is “More than a Pretty Face”. The magazine gives readers information about different women around the world and their needs, struggles, and stories of life.

The goal of the magazine is to provide readers with a substantial amount of information about new looks in the fashion industry as well as current issues that women of the world are facing. Moreover, it also adds relationship information, along with a section dedicated to answering specific questions from readers. It provides information pertaining to different items of clothing and accessories, as well as which would be a better deal. Each month recognizes a particular female celebrity by placing her on the cover of the magazine and featuring her in a main article, along with providing monthly horoscope.

West fuses with East. East meets West. W.E. is a new breed of Style Culture/Design boutique magazine that brings the best of two worlds together. It appeals to readers who are influential and affluent, global in vision and yet individual in taste. W.E. aims to capture the innovative and the inspirational with special focus on the Asian metropolis, and present them through bold design and sophisticated concepts. Anything but a ghettoized ethnic magazine. W.E. initiates our readers in to a hybrid world of the future. As all things Asian increase in global influence across areas of lifestyle, design, fashion, entertainment, culture and philosophy, a premier cultural and lifestyle guide in timely due. W.E. features the modern, creative and diverse selection of talents in Asia that are visionary, provocative and sense enriching. The focus is Asia, but the approach is international. Bringing together both emerging and iconoclastic creators and contributors from around the world, in fields of photography, graphic design, fashion entertainment and media. W.E. offers an unique editorial attitude and original design concept. Our aesthetics is versatile and witty, with no want of sophistication. W.E. advocates a new attitude towards life in 21th century. That is, to globalize the regional and individualize the universal.