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Art Call

Art in Isolation





Art In Isolation seeks artists residing in the United States working in two-dimensional art.  Artwork can be about any theme or topic. The exhibition will take place solely online. A virtual exhibition walkthrough will be created along with a free downloadable catalog for the exhibition.

Jurors: Candice Corgan and Taro Takizawa

Submission process:

Up to 3 submissions made within the past 2 years

1 main image and 1 detail image per submission


150 or 300 dpi .jpg

Under 5MB per image

Files named as:


eg. Smith_1


eg. Smith_1_Detail

Attached Item Detail .pdf

Artist Name

Artist Statement/Bio

Website (or social media if you do not have one)

Images with titles and submission number



Year made


Entry Fee:

Fee Detail: 
Contact & Links: 

Constructed Visions III





Constructed Visions III is a national juried exhibition seeking artisans (object makers) of 3D or 2D contemporary fine craft or sculpture that highlight process-driven methods. The artistic product may be functional or nonfunctional, but the process, technique, and material must align with the intent or content of the piece. The St. Louis Artists’ Guild seeks artwork in wood, metal, paper, fiber, glass, clay, jewelry, encaustics, and printmaking as well as non-traditional materials.

Constructed Visions III is a national juried exhibition seeking artisans (object makers) of 3D or 2D contemporary fine craft or sculpture that highlight process-driven methods. The artistic product may be functional or nonfunctional, but the process, technique, and material must align with the intent or content of the piece. The St. Louis Artists’ Guild seeks artwork in wood, metal, paper, fiber, glass, clay, jewelry, encaustics, and printmaking as well as non-traditional materials.

Juror: Casey Whittier

Casey Whittier received her BFA from the Kansas City Art Institute and MFA from the University of Colorado Boulder. Her work is often born from one of the following experiences: an indescribable feeling of excitement; a nagging contradiction of desire; a need to share something that she cannot yet explain; an obsession; a question or series of questions; a desire to respond to or reflect on a thought, feeling, or event; recognition of something poignant or absurd; misunderstandings. 

Utilizing a variety of forming methods in glass and clay, Whittier reinterprets objects from her daily experience, unites the landscapes of her reality with the landscapes of daydreams, exploits the visceral qualities of the materials, and ponders the power of shared experience. The physical impressions that come through rolling, tearing, squishing, dipping, pushing, pinching, molding, casting, and scratching become representations of touch, of thought, of time spent.

Whittier is an advocate for community engagement through the arts. She teaches ceramics social practice at the Kansas City Art Institute. Whittier works from her home studio and serves as Vice President for  Her work can be found at and 

Prizes Details: 

Cash prizes totaling $1000 will be awarded by the juror.


Entry Fee:

Fee Detail: 
Non-Members $20 and Members $15
Contact & Links: 

Awesome Art Prizes Spring Edition




The awesome art prizes, spring edition, is an international competition open to beginners and professional living artists. The contest gives you a huge chance of winning both cash prize, international recognition, and many of the most advanced presence and carrier booster tools for an artist. View the rules and prospectus
Prizes are cash grant, cover feature on Print and Online magazine, own digital portfolio, extensive online exhibition, large press release, one year Opportunity for online sales, etc. You can be 1st or 40th, you’ll still win enviable prizes of which you will be proud.
Competition is open to 2 and 3-dimensional artworks.
Photography is accepted. Video, digital and print art are not accepted.
Say yes to applause and rewards.
Everyone can apply. One entry is free for all and only $30 for up to 4 artworks

Prizes Details: 

Prizes are cash grants, strong print and online visibility, and many of the most advanced presence and career booster tools for an artist. Prizes are organized to highlight, promote and support you as a contemporary artist.

The Awesome Platinum Art Prize is a package worth $5000.00.
The Awesome Gold Art Prize is a package worth $3000.00.
The Awesome Silver Art Prize is a package worth $2000.00.

The Awesome Excellency art Prize is a package worth $1400.00.
The Awesome Honorable Art Prize is a  package worth $1000.00.
The Awesome Merit Art Prize is a package worth $800.00.


Entry Fee:

Fee Detail: 
0 for one entry, $30 For up to 5images
Contact & Links: 

Call for Artists - Average Art 44 (March 2020)




Average Art is an industry focused art magazine. Our goal is to draw attention to self representing artists. We are now taking entries for the March edition of Average Art Magazine.


Entry Fee:

Fee Detail: 
Contact & Links: 

OPEN CALL: Publication Opportunity for Emerging Artists




FOA is a publication dedicated to elevating the work of emerging artists around the world. Our publication releases as a hardcover art book every quarter. It includes the work of artists who work in a variety of mediums, informative articles, and interviews. Accepted artists will have a four page spread of their work, information, and artist statement. Volume 9 will be juried by Alice Bonno, Erika B. Hess, Masha Vlasova, and FOA staff.

Volume 9 will be printed in hardback on premium color paper and are available online through booksellers like Amazon, Barnes and Noble, and are available in catalogs for libraries and bookstore distribution.

Details of the Volume 9 Open Call:

Winners Receive

3 works published in Volume 9, complimentary digital copy of publication, social media post of work, Discounts on publications for family and friends, and free digital access to future publications

Submission Fee

$25 for 5 Images


March 8, 2019 (midnight, CST)

Eligible Artists

Artists of all academic disciples are welcome to apply. This includes painting, sculpture, photography, installation, new media, and performance art. Please do not submit videos since we are unable to publish.

Guest Jurors

Alice Bonnot
Erika B. Hess
Masha Vlasova

Alice Bonnot is an independent curator and art consultant based in London. She is the co-founding director of Picnic, a contemporary art space occupying a long window in the Aylesham Centre in Peckham, London, and the founding director of the Zone d’Utopie Temporaire (Z.U.T.) residency programme, a nomadic annual residency addressing the notion of Utopia as a vehicle for artistic and critical comment. With this residency she curated exhibitions and events in Paris, London, Athens and Lisbon.  

As an independent curator Alice organised a broad range of exhibitions for galleries, institutions and artist-run spaces. Her current exhibition Hyper Mesh(18 Jan – 23 Feb 2019) at Assembly Point, London, is an exhibition that brings together new work from eight international artists; Jonathan Baldock, Pauline Bastard, fleuryfontaine, Holly Hendry, Jessie Makinson, Morgan Wills and Fani Parali. The exhibition explores contemporary notions of identity, and sets out to examine how identity structures could be re-imagined or reconstructed. 

Previous exhibitions include: Engine, Picnic, London, 2018,Bored but secured, Wozen, Lisbon, 2018, Acts of disruption, The Concept Space, London, 2018, A series of pocket Utopias, Yellow Brick and Snehta, Athens, 2017, Right Through You, The Koppel Project Hive, London, 2017, Le corps comme activateur d’art numérique, Le Carreau du Temple, Paris, 2015, Prix Canson finalists, Palais de Tokyo, Paris / co-curated with Mr Laurent Boudier, 2015. 

Erika B Hess  is a painter based in Columbus, OH recognized for her use and interest in color. Hess’s work has been exhibited nationally including Prince Street Gallery in NYC, Last Projects in Los Angles, CA, and Boston Center for the Arts in Boston, MA. In 2017, she had two solo exhibitions, “The Line Between the Past and the Present,” at the Musa Collective, Allston MA and “Viewing Light,” at Newton Free Library, Newton, MA. Her work has been featured in various publications including, Poets and Artists, Fresh Paint, Charles River Journal and Post Industrial Complex, a book released by the Museum of Contemporary Art Detroit. Her work was selected by John Seed to be featured in, “Fifty Memorable Artists 2015”. She has served on panels such as Cleveland Institute of Art’s, “Feminism Now: Exposing the Truth”, was a visiting juror for Dayton Visual Art Center’s 2016-2018 biennial, and is a recurring juror for the Walker Art MFA Prize at Boston University. Hess is a co-founder of Musa Collective, an artist collective in Boston and is the creator of I Like Your Work podcast, a podcast dedicated to interviewing artists, curators and collectors. Hess received her MFA from Boston University.  

Masha Vlasova is an interdisciplinary artist, filmmaker, and educator. She holds a BFA from the Cooper Union and an MFA from Yale School of Art. She is a recipient the Fulbright Fellowship in Filmmaking, Alice Kimball Fellowship and the JUNCTURE Art and Human Rights Fellowship at Yale Law School. Her works have been exhibited and screened at Smack Mellon, Anthology Archives, and Abrons Arts Center in New York, Vox Populi and Temple University in Philadelphia, Carpenter Centerfor the Visual Artsat Harvard University among others. Her latest curatorial project “Women Filmmakers at the Intersection of Documentary, Video Art, and Avant Garde,” premiered at Indiana University Cinema in Bloomington, IN Fall of 2018. Her forthcoming essay about monument rotation will be published in a collection titled Monument Culture: International Perspectives on the Future of Monuments in a Changing World by the American Association for State and Local History/Rowman & Littlefield. 

Fee Detail: 
Contact & Links: 

Call for Sculptors! Entries open for "ScoglieraViva. Sculpting the Sea", international outdoor sculpture competition




International sculpture competition ScoglieraViva. Sculpting the Sea

Entries are open to "ScoglieraViva. Sculpting the Sea", international outdoor sculpture prize with free participation until 15 May 2018.
The competition, now in its 19th edition, features the direct intervention of sculptors on the cliffs in the town of Caorle, near Venice, Italy. The sculptures turn the cliff into a real open-air contemporary art gallery, whose changes will be given by time and natural agents.

The theme is free: every artist can freely choose the subject of his/her work, which will be carved on the large rocks of Euganean trachyte in Caorle by the 3 winning artists, selected by the Jury. The works will be made in the days between 21 June and 30 June 2018. The winning artworks will be presented to the public on the evening of June 30 in Caorle's town centre.

The contest sees the awarding of 3 cash prizes of € 2,000 for each of the 3 winning artists. Board and lodging are also included during the stay at the City of Caorle, from 21 to 30 June 2018, for the creation of the work on site.

The selection of the submitted projects will be made by an Awarding Jury including some prestigious names in the international Contemporary Art scene:
Paolo De Grandis (Venice, Italy | Curator and Organizer of Exhibitions)
Simone Pallotta (Rome, Italy | Curator of Public and Urban Art)
Matteo Zauli (Faenza, Italy | Director at Carlo Zauli Museum)

Eligibility: sculptors from all over the world, with no restrictions in terms of age, sex or other qualifications

Contest terms >>>

Free application until May 15, 2018, FILL IN THE ONLINE FORM >>>

Discover more on the town of Caorle >>>


Fee Detail: 


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