Collage

Call to Artists: Collage & Illustration – The Awakening

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A four-week, virtual/online residency with Kolaj Institute in October 2022
Deadline to apply: Sunday, August 28, 2022

During this project-driven residency, artists will collectively produce a series of collages that illustrate Kate Chopin’s 1899 novel, The Awakening. As a group, artists will analyze the story, discuss themes, uncover symbols, ask questions, and visually interpret the text for a 21st century audience. 

The Awakening focuses on Edna Pontellier, an upper-class New Orleans woman, torn between expectations and desires. In the beginning of the novel Edna appears to live in a semi-conscious state, trapped in the mundane aspects of her life. As the story evolves, she encounters new people and experiences that create an awakening shift within her. Edna begins to view her world differently, and through this lens new relationships emerge while others become strained. In the end, Edna realizes that even if she has her own desires she is still trapped by her societal role.

The Awakening touches on 19th century feminist, identity, and societal themes that are still relevant today, such as;  What does it mean to be a woman? What are the expectations that society puts upon women? Are we bound to what we are born into? What does it mean to transform? What does patriarchy look like in 2022? 

Nancy Bernardo will lead the residency, facilitating the discussion of Chopin’s book. and speak about collage as illustration and how collage artists can engage with the marketplace for illustration. Christopher Kurts will serve as art director for this project and facilitate the collaboration. Heather Ryan Kelley will speak about “The Midden Heap Project” in which she made a collage response to each page of James Joyce’s Finnegans Wake. Wylie Garcia will lead a discussion on the symbology and foreshadowing present in the book. 

Working digitally will be integral to the collaborative process but will not be a prerequisite for acceptance into the residency. We will speak about strategies for adapting your analog process to working digitally as well as what free and available resources exist. We also ask that artists who are already capable of using digital tools for collage support the artists who are learning new skills during the residency. For artists who plan to work with a hybrid analog/digital process, access to a scanner is invaluable.

RESIDENCY LOGISTICS

Dates: October 1 – November 2, 2022

SESSION DATES
Sunday, October 2nd, 1-2PM EST
Wednesday, October 5th, 4-6PM EST 
Wednesday, October 12th, 4-6PM EST
Wednesday, October 19th, 4-6PM EST
Wednesday, October 26th, 4-6PM EST

The residency will begin with an invitation to join the Slack workspace on Saturday, October 1st, followed by a one hour, online Meet & Greet on Sunday, October 2nd, 1-2PM EST. 

The Introduction and Orientation session will take place on Wednesday, October 5th, 4-6PM EST. 

Two sessions with guest speakers are scheduled for Wednesday, October 12th, and Wednesday, October 19th from 4-6PM EST. 

The final session will take place on Wednesday, October 26th, 4-6PM EST. The final deadline to complete the illustrations will be Wednesday, November 2nd. 

Artists are expected to attend all scheduled sessions and complete assignments. The group will individually and collectively produce a series of collage illustrations. By participation in the residency, artists grant Kolaj Institute, Kolaj Magazine, and Maison Kasini permission to publish the images in book form and in the promotion of the project and book. Any original work made during the residency remains the property of the individual artists with all rights retained.

Deadline: 
28/August/2022
Contact & Links: 

Call to Artists: Collage Artist Residency in Scotland

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An in-person residency at MERZ Gallery in Sanquhar, Scotland centered on collage artists who want to incorporate history and folklore into their artist practice. Residents will make artwork for an exhibition and book. 

Deadline to Apply: 31 July 2022Submissions will be reviewed on a rolling basis until space is filled. Artists are encouraged to apply well before the deadline. 

ABOUT THE RESIDENCY

Collage Artist Residency: Scotland is a week-long artist residency designed for artists working in collage who seek to engage with place in their practice. Using the rural community of Sanquhar, Scotland as a laboratory, artists will spend a week making artwork; learning about the place, its people, and its history; and discussing how art can capture, share, reflect, comment, and otherwise engage with a sense of place. The goal of the residency is to develop an individual methodology for responding to place in one’s art practice and to make a work of art about Sanquhar that speaks to and about the people and land. Our hope is that artists will return to their home communities with fresh eyes and be prepared to see their communities in a unique way.

The residency will unfold over the course of a week. Each day the group will meet in the morning for a presentation or workshop. We will hear from guest artists and local historians about Sanquhar and faculty will make presentations about place in art and strategies for incorporating place into one’s practice. Designed for collage artists, professional development sessions focus on artist practice: topics include Collage as Artist Practice; Sourcing Materials, Copyright, Appropriation; Developing Materials; Collage in Presentation. In the afternoons, artists may choose to make art or take up an afternoon activity such as a walk to the River Nith and castle or a visit to the Tolbooth Museum or Saint Bride’s church or an afternoon trip via rail to Dumfries or Glasgow. Artists will have the opportunity to work one-on-one with faculty. In the evenings, we will convene at the Nithsdale Pub to informally share the experience of our days. 

During the residency, artists will make an artwork that will be exhibited at MERZ Gallery as part of “Mythical Landscape: Secrets of the Vale”, an exhibition by an international group of artists, all of whom traveled to Sanquhar to investigate a sense of place and make artwork that speaks to the rich history and folklore of the region. Artworks reference stories from the past (true or otherwise), consider the history of the region, and speculate on future myths and legends. An evolving exhibition at MERZ Gallery in September 2022 will culminate with the Festival of Folklore, 22-25 September 2022. The artwork will be the subject of a film by David Rushton and used to illustrate a forthcoming, abridged version of William Wilson’s 1904 book, Folk Lore and Genealogies of Uppermost Nithsdale.

Concept: A Sense of Place

“We are living today on a threshold between a history of alienated displacement from and longing for home and the possibility of a multi-centered society that understands the reciprocal relationship between the two,” writes Lucy Lippard in The Lure of the Local. “Most of us are separated from organic geographical communities; even fewer can rely on blood ties. We can only hope to find created communities—people who come together because they are alike on some level—or communities that are accidentally formed through place, workplace, and other more artificial means. Sometimes created places, based in dissimilarity, can be more vital and less isolating than unchosen ones. But most of us live such fragmented lives and have so many minicommunities that no one knows us as a whole. The incomplete self longs for the fragments to be brought together. This can’t be done without a context, a place.”

For artists, a sense of place or a lack thereof, poses a particular challenge when making art that speaks to a community. Lippard’s observation that “all art is regional” seems to contradict the idea “that there is no such thing as regionalism in our homogenized, peripatetic, electronic culture.” We see it differently; that the artist is uniquely situated to show and speak to place in a way that makes it seen, understood, and celebrated. 

About Sanquhar, Scotland

Sanquhar is a rural Scottish community with a rich agricultural and manufacturing heritage. Located on the River Nith, the area has been an important crossroads going back to Neolithic times and is the site of several prehistoric British forts and a Roman outpost. A 15th-century castle ruin overlooks the town. Mary, Queen of Scots came to Sanquhar in May 1568 after her defeat at the battle of Langside. In the 17th century, Sanquhar was the site of unrest during the Covenanting period when Scottish Presbyterians fought to maintain the Church of Scotland. Agriculture, coal mining, and wool production and related industries such as knitting and carpet making flourished in the 18th century. The town hosts the world’s oldest working post office (established in 1712) and the world’s oldest curling society (formed in 1774). The Church of St Bride’s sanctuary was dedicated to a lost, then found World War I soldier. The village of Crawick on the edge of town had once been known as a haven for witches. The Tolbooth Museum was designed by the influential 18th century Scottish architect William Adam.

Sites of Interest: Tolbooth Museum, Sanquhar Castle, Crawick Multiverse, Old Town Hall, River Nith, Saint Bride’s Church, Sanquhar Declarations Monument, and A’ the Airts (home to Sanquhar Knitting Patterns).

RESIDENCY LOGISTICS

11-17 September 2022
18-24 September 2022
25 September-1 October 2022

Weekly residencies take place in September 2022. Artists may arrive anytime after 3PM Sunday and must depart by Noon on Saturday. Artists are expected to attend all scheduled sessions and be active participants in the community. We may use online tools such as Zoom, Slack, and Google Docs to communicate and share information prior to and after the Residency. Technical support is available as needed.  

This Residency requires artists to be in Sanquhar, Scotland at 10AM Monday morning through 4PM on Friday. Artists are responsible for their travel to and from Sanquhar. Accommodations and one meal per day are included as part of the Residency fee.

The Full Prospectus includes an FAQ and additional information about the exhibition. VIEW THE PROSPECTUS.

Location: 
MERZ Gallery in Sanquhar, Scotland Queen's Rd, Sanquhar DG4 6DH, United Kingdom
Deadline: 
31/July/2022
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Call to Artists: Collage in Practice Workshop

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A three-week, virtual/online workshop with Kolaj Institute in July & August 2022
Deadline to apply: Sunday, July 17, 2022

The practice of collage takes on many forms. A practice will be shaped by the goals of the artist and what they want to achieve with their artwork. It will also be informed by the choice of material, scale, and subject matter. A collage practice is also informed by the history of artists who came before and how an artist chooses to be in dialogue or opposition with their creative ancestors. A working understanding of one’s practice is critical to one’s professional and artistic development.

Intended as a clinic for working artists at any level, participants in this workshop will explore how they go about making art and putting it out into the world. How to make a living as an artist? How to get your work seen? How to get an exhibition? How to get reviewed? How to make a life for yourself as an artist? What does that even mean? These are some of the challenges artists face when they want to take their art practice to the next level. 

Participants will explore critical concepts and collage taxonomies as a way to develop and refine the language they use to talk about their own practice and to develop a broad view of the creative landscape in which they operate. How does choice of material inform how the artwork is exhibited? How does one speak about their process so that it is understood by other art professionals and the general public? How can one use art history to create a critical context for one’s artwork?

Participants will finish the workshop with a deeper understanding of their practice, a strong statement of practice that can be used to communicate with curators, editors, and art professionals; a portfolio of consistent artwork (or a plan to make one); and tools for growing or developing their practice.

WORKSHOP LOGISTICS

Dates: July 25 – August  14, 2022

SESSION DATES
Tuesday, July 26, 4-5PM EDT
Wednesday, July 27, 4-6PM EDT
Tuesday, August 2, 4-6PM EDT
Wednesday, August 3, 4-6PM EDT
Wednesday, August 10, 4-6PM EDT

The workshop will begin with an invitation to join the Slack workspace on Monday, July 25th, followed by a one hour, online Meet & Greet on Tuesday, July 26th, 4-5PM EDT. 

The Introduction and Orientation session will take place on Wednesday, July 27th, 4-6PM EDT. 

The remaining sessions will take place on August 2nd, 3rd, and 10th, from 4-6PM EDT. 

The Slack workspace will be turned off on August 14th and any future communication will be through email. 

Artists are expected to attend all scheduled sessions and complete assignments. The group will finish the workshop with a strong statement of practice that can be used to communicate with curators, editors, and art professionals and a portfolio of consistent artwork (or a plan to make one). By participation in the workshop, artists grant Kolaj Institute, Kolaj Magazine, and Maison Kasini permission to publish images and text generated during the workshop in book form and in the promotion of future projects and books. Any original work made during the workshop remains the property of the individual artists with all rights retained.

Deadline: 
17/July/2022
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Call to Artists: Collagists in the Archives Residency

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Collagists in the Archives Residency

Virtual residency centered on the Stewart-Swift Research Center at the Henry Sheldon Museum of Vermont History in Middlebury, Vermont, USA.

Deadline to Apply: Sunday, 17 April 2022

The materials collage artists use for the artwork can play a critical role in the work’s meaning and how it makes its way into the world. Historical archives, when one understands how to use them, can be fruitful grounds. In this virtual Residency, collage artists will learn how to work with an archive to build a project that speaks to themes of community and history. Centered around the Stewart-Swift Research Center at the Henry Sheldon Museum in Middlebury, Vermont, participating artists will explore their collections and develop tools they can use to work with archives in their home communities. 

In five meetings held during the month of May, participating artists will make an artwork that will be considered for an exhibition at the Henry Sheldon Museum in the Fall of 2022 and included in a book to be published by Kolaj Institute. That exhibition will be a collection of twenty collage prints all of which interprets the museum’s archive material, on the occasion of its 50th anniversary for a 21st century international audience. In this project, collage artists will use materials in the Stewart-Swift Research Center collections and the histories they hold to interrogate the question, What makes a community? 

Deadline: 
17/April/2022
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Kolaj Fest New Orleans 2022: Call for Papers, Artists & Projects

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How do you want to manifest at Kolaj Fest New Orleans 2022?

Kolaj Fest New Orleans is a multi-day festival and symposium, June 15-19, 2022. Our mission is to create a platform that allows us to explore critical issues around collage (how it is curated and presented, its role in contemporary art, and the tensions between collage as a medium, a genre, a community, and a movement.)

Our goal is to create an event that attracts a variety of people working in various capacities, such as art professionals at museums, galleries, and centers as well as academics, writers, and artists. The general public will be invited to join us for gallery visits, evening presentations, and collage making.

Kolaj Fest New Orleans plays a key role in the work of Kolaj Magazine and Kolaj Institute, as it is a way for us to become familiar with a professional’s work. Presenters may be invited to participate in future projects.

Responding to the Call is how you tell us that you would like to take on a presenting role at Kolaj Fest New Orleans 2022. 

The program at Kolaj Fest New Orleans 2022 will be a unique experience. Our aim is to breakdown hierarchy and foster dialogue among art professionals working in a variety of capacities. To that end, the editorial staff of the magazine works with presenters to craft a program. 

A presenting role can mean many different things: Presenting Your Topic or Art Practice on a Panel, Leading a Discussion on a Topic Important to Collage, Hosting a session in the Collage Making Space, Leading a Collage-focused Workshop, Exhibiting, Conducting a Special Project during the event.

Most presenters present slide shows about their practice followed by a Q&A with the audience. We also seek artists with projects that take the spirit of Kolaj Fest out into the city of New Orleans. 

In seeking presenters, we wish to know what stories you have to share. 

We are particularly interested in: historical perspective, art world economics, the role collage has played in an artist’s practice (particularly when their final work isn’t collage per se); mash up culture; the relationship between contemporary art and society; museum issues; surveys of how collage was presented in exhibition; collections where collage plays a central role; the role of collage in various art movements (Modernism, Surrealism, Pop Art, etc.); utopian and dystopian imagery in art; art’s role in the current political moment and, in particular, how art responds to sexism and racism; notions of power in the art world and its impact on collage. 

We are particularly interested in one’s experience as an artist: making art, showing art, selling art, identifying as an artist or a collagist, how the artist participates both in an art community and in society in general. We are interested in artists open to sharing how they navigate the art world. And we are interested in various approaches and strategies for collage making. This is by no means an exhaustive list.

Deadline: 
10/April/2022

Entry Fee:

Fee Detail: 
Presenters are responsible for their own travel to, accommodations at, and registration for the event. Limited resources are available to assist those presenters in need and only after their presentation submission has been accepted.
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Call to Artists: Poetry & Collage Residency

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A four-week, virtual/online residency with Kolaj Institute in March 2022

Deadline to apply: Wednesday, February 2, 2022

It says something that in the Poetry Foundation’s Glossary of Poetic Terms, “collage” is one of the few visual art terms they define. Perhaps this is because so many poets have also been collage artists. In recent years, we’ve seen exhibitions from John Ashbery and Marc Strand, whose collage “dates back to his student days at Yale in the 1950s where he studied with Josef Albers, the renowned Bauhaus artist and color theorist, and also Bernard Chaet.” Arthur Solway recalled, “Though we were eight thousand miles apart we would have weekly Skype calls, and he was always eager and excited to show me the latest batch of collages he was working on.” A 2017 book of Helen Adam’s collages, which fellow poet Robert Duncan referred to as “pleasing weird”, has sold out. Keith Waldrop, Barbara Guest, John Wieners, Norma Cole, the list is long.

This project-driven residency is open to artists and poets. Participants will work together to investigate the intersection of collage and poetry by exploring concepts of found poetry, blackout poetry, collage poems, haikus, centos, response collages, response poems, word scrambles, concrete poetry, scatter collage poems, and other poems and artwork that inhabit this world. Together we will create working definitions and document techniques. 

Guest speakers will share their practice, knowledge and experience. Portland, Oregon-based Kevin Sampsell is an editor, publisher, bookstore employee, collage artist, and author. His forthcoming book of collage art and poems, I Made an Accident, is being published by Clash Books. Renée Reizman is an interdisciplinary curator, artist and writer specializing in social practice and civic engagement. Her workshop, “Deconstructing Legalese”, uses found poetry to examine contracts and codes imposed upon us by bureaucratic systems, and reconstructs the language to reclaim our personal histories. Rod T. Boyer creates art and poetry under the moniker our thomas, exploring themes of redemption, mystery, and transformation. In Kolaj #32, his article, “Mind the Gap,” explored how collage and haiku share similar mechanisms of juxtaposition and disjunction.

In several virtual meetings over four weeks (see schedule below) and through ongoing, online discussion, artists will leave the residency with a deeper understanding of the intersection of collage and poetry. Individual participants will each create 3-5 page spreads that will be included in a forthcoming book of collage and poetry from Kolaj Institute. The pages may be entirely text, entirely images, or some combination of the two.

WHO IS THIS FOR?

Collage Artist Residencies are intended for self-motivated writers and artists, at any stage in their career, who want to develop their practice by exploring a topic or working method and collaborating with others to produce a final product. Residencies are open to any artist over the age of 21 from anywhere in the world. 

COST

The cost of the residency is $500 per artist; however, no artist will be turned away for lack of funds and the organizers will work with artists to build a financial aid package.

Deadline: 
02/February/2022
Contact & Links: 

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