Curation

Curating Collage Workshop

A four week, virtual/online workshop in October-November 2020 with the University of Vermont’s Fleming Museum of Art

Curating is a vital part of art’s function: a curator creates a bridge between artwork and audience. For artists, this process can be confusing and mysterious. The goal of the Curating Collage Workshop is to equip artists with the tools to curate their own work, to work with curators, and build exhibitions that connect with diverse audiences.

Call for artists and art curator maximum reward of $10,000

The best artwork is rewarded weekly. Maximum reward is $10,000.
In order to collect excellent artworks from all over the world, we have decided to ask this task to art curator in public. A person who submits the most fascinating artwork will be rewarded. We will judge the submitted artworks strictly by reviewing them manually and evaluating them fairly. The best and some of the winner’s artworks will be posted on our online gallery.
Register as an applicant and send an URL link of your artwork.
The gallery will accept artwork on any subject. Please submit an URL link of your artwork. The artwork can be anything from a picture from Facebook page or URL of imgur, as far as you think this is great art.

Call for Proposals

We are currently seeking proposals from curators and cultural organizers to program a two-week residency at Anima Casa Rural. As well as leading the residency, curators will have a chance to present their programme and curatorial practice on a panel discussion at the Escuela de Artes de la Secretaría de Cultura de Jalisco (depending on school’s program and availability) in the city of Guadalajara.  Programmers will be responsible for selecting and cultivating artists for their programme, and are expected to assist ANIMA staff in promotion and marketing of their programmed residency.

Call for Artists: "Borders" exhibition

New York Photography Diary is going to London, and we’re looking for photographers to submit their work on the theme of “Borders,” to be exhibited at Carmel by the Green Gallery in East London.

Borders can encompass the geographical outline of a country, or the edges of a photo frame. What they permit and what they exclude speaks volumes about how we define ourselves as individuals, communities, and nations. Our changing relationship to the socio-political, economic, and cultural climate of a particular time and place is reflected in such shifting boundaries. Borders are far from an arbitrary means of separation; for better or worse, they allow us to (re)establish a sense of self.

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