digital
Street By Street- Digital Artist Residency
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Digital Artist Residency
Without precedent and with immediate effect, society is endeavouring to understand, adapt, and evolve to a whole new concept: Social Isolation.
In this present world-wide crisis - where physical contact, day to day life, and community interaction is severely restricted - individuals are finding themselves in the new and startling reality of navigating a world of rapidly evolving social norms.
Street By Street aims to explore the personal and social geography of our neighbourhood. It seeks out creative, non-physical ways to navigate human connectivity and kindness in an effort to create a better picture of our community, to connect with those around us despite barriers, and to build stronger links for the future.
We are interested in proposals that, over a two-month period, remotely explore the concept of connecting people 'street by street' through creativity and innovation. The selected applicant will produce a body of work that investigates geographical areas in the context of the social and personal topography of those who live there.
Submissions are open worldwide and to arts collectives or researchers - anyone exploring the boundaries of art, technology, and social engagement.
Guidelines
• The selected artist will be given a virtual studio in Artlink's @87 digital gallery to document their exploration and offer a glimpse into their process for the duration of the residency.
• The Artist will be limited geographically to exploring any of the streets in a one-mile radius of our physical gallery space at 87 Princes Avenue, Hull, HU5 3PQ. We are interested in how connections can be made virtually that link together a street or community.
• The artist's response should focus on social-engagement and explore the connectivity and capacity of current digital tools and social platforms, whilst also exploring activities that do not exclude those within our communities who may not have access or the resources required to communicate in this way.
• The residency duration will be over two months, from the 27th April - 27th June, with Artlink producers supporting the artist remotely through the process.
Artist fee
£2,500 - This includes development and delivery over the two-month residency period and any materials.
*This figure is inclusive of any VAT the artist may incur. The artist is responsible for their own tax and National Insurance arrangements. No additional travel expenses are available.
Open Call: VR Residency in Zeitz, Germany in September 2020
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Open Call: VR Residency in Zeitz, Germany in September 2020
THIS IS FAKE is now accepting applications for a one month artist residency in Zeitz, Germany in September 2020.
Focussing on fundamental questions regarding the use of virtual reality in the arts, THIS IS FAKE is organising an artist residency and exhibition programme in the city of Zeitz in 2020. During two separate residencies (March and September), two artists and two members of THIS IS FAKE can use the space in a former pasta factory, known as »Nudel«, to work together. During the four-week-stay, the participating artists are provided with accommodation, material budget, a travel allowance of 150 euros, a shared studio / workspace and the necessary equipment during the four-week stay in Zeitz.
Deadline for applications is 1 April 2020.
In the run-up to the residency, the artists will work on various approaches for the collaboration in Zeitz in regular online sessions and — by means of a digital archive and sketchboards — exchange materials, texts and inspiration which will flow into the production phase in September.
Possible keywords are: the impact of image-based media, digital environments and social platforms, the understanding of the human body and human gesture, presence and their relationship to artificial entities, the dualism between physical and virtual worlds, questioning decision making, automation and algorithmic tools, qualities and nature of digital materials, the update-behaviour of virtual systems or generally image-induced visual culture. The participants' different points of view and locations (including Leipzig, London and Amsterdam) is a determining factor for the cyclical approach of research and conception in digital space, the experimentation and physical nature of the residency period in Zeitz, and ultimately the implementation in a touring exhibition format. Reflecting both the preceding digital working process and the results of the collaborative work in Zeitz, the exhibition is intended to be shown at further locations in Germany as well as the UK and the Neterlands.
The residency is aimed at artists who wish to work on a joint exploration of various aspects of virtual reality to investigate how a collaborative work in a digital environment manifests itself. The call is open to artists of any self-definition, institution and origin. In particular, the collective would like to motivate students and people from underrepresented groups in VR art to apply.
About THIS IS FAKE
THIS IS FAKE is a media art collective from Leipzig, founded in 2017, whose members focus on new media, with a particular interest in virtual reality.
The contextual framework that unifies the work and artistic research of the collective is a critical examination of contemporary digital technologies and their content, as well as their effects on the present and future of social contexts in which they are used. They understand artistic practice as mediation and research that brings together various practioners from art, science and beyond in order to develop perspectives and questions concerning contemporary discourses of digitisation.
The collective has realised several exhibition projects nationwide (e.g: "Schönheitsuniversum", Galerie Off Galaxy, Nuremberg, 2018, "The Transcendence Is Deceitful In All Dreams", Museum der Bildenden Künste, Leipzig, 2018 and "digital overload", Weltkunstzimmer, Düsseldorf, 2018). As a recent example, during the "Open VR Lab" as part of the exhibition "Good Friends", c/o Galerie Kunstpunkt (Berlin, 2017) and the autumn academy "Are Other Worlds Possible", Academy of Visual Arts (Leipzig, 2018), topics related to the keyword "immersion" and the associated techniques were examined theoretically and worked on practically in an experimental environment.
Location
The programme takes place in Zeitz, an industrial city in the south of Saxony-Anhalt with good connections to Leipzig, takes place in the studio spaces of an old pasta factory (Nudel), which is being converted into a 11,000 m2 creative center since 2016.
Nudel is a place for artists and professionals. In the lower part of the building there is a coworking space and several studios of freelance artists, as well as accommodations for residents and visitors. That makes the location an exciting field for creative exchange and artistic research.
Shared working space ~220m²
VR-Equipment 4 PCs + 4 VR systems (3 HTC Vive, 1 HTC Vive Pro)
Habitat California: Flora & Fauna
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Habitat California: Flora & Fauna
February 8 – April 18, 2020
Traditional and Digital Media Juried Exhibition
Palos Verdes Art Center (pvartcenter.org)
Juror: Tulsa Kinney, Editor of Artillery (artillerymag.com)
This invitational and juried all-media exhibition focuses on the plants and wildlife of California in the shifting ecosystems they inhabit. Entry is not restricted to California-based artists. Traditional media including painting en plein air is welcome, as well as sculpture, photography, video, and new media including VR (virtual reality), AR (augmented reality), and internet-based art.
Welcome areas of inquiry include, but are not limited to:
* Continuing the California Landscape and California Impressionist traditions.
* The intersections of urban, suburban, and wildlife habitats.
* The effects of climate change on wildlife and botanical habitat and species.
* Explorations in new media featuring California flora and fauna.
Contemporary juried-in works will be accompanied by works by select invited artists, as well as historic pieces by noted California painters.
Juror: Tulsa Kinney is the editor and co-founder of Artillery, a contemporary art magazine based in Los Angeles established in 2006. She received her MFA at USC in 1988 and has been in numerous solo and group art exhibitions for over two decades. At that time she was teaching digital imaging at various Southern California colleges along with her graphic design career at the LA Weekly. Tulsa started writing about 20 years ago and her articles have been published in the Los Angeles Times and LA Weekly. She continues to write about art and stay deeply immersed in the contemporary art world.
Application Deadline: December 31, 2019
Jury Dates: January 2 – 7, 2020
Artist Notification: January 8, 2020
Entry Fee:
- Yes
Simultan Festival 2019 CALL FOR VIDEO SUBMISSIONS!
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SIMULTAN FESTIVAL 2019 - CALL FOR VIDEO SUBMISSIONS!
DEADLINE: 14th OCTOBER 2019
In 2019, SIMULTAN festival carries the theme “There will be a time when it will not be“, which aims to question technology’s influence on the different aspects of individual and social life, to explore speculative situations, and to disturb the standardized image of the future as a cult of infinite progress and development. The festival delves into the realms of personal, political, social, philosophical and existential aspects of our day and age, by pointing out the various ways in which the artists respond to and how they record those changes, and how they imagine the future.
We are open for submissions of innovative video works, related to the festival motto.
– CATEGORIES: video / experimental video; documentary / experimental documentary; digital / generative.
– NUMBER OF WORKS: 2 max. / author.
– DURATION: 10 minutes max. each
– VIDEO FORMAT: AVI or MOV; format 16:9 or 4:3 (recommended compression H.264; sound 48kh).
The video must contain the title of the work author’s name and year of production.
All works will be watched works and selected by a jury. Only those accepted will become part of the Festival screening program. The decision of the jury is final.
Incomplete applications will not be considered!
All the artists will be notified by the end of October 2019.
Entry Fee:
- No
Open call for artists for online exhibition: Digital U
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For this year’s Digital U micro-commission, Art Gene welcomes applications from artists and creatives to exhibit projects that explore the collision of art and the environment in the digital age, selected by Digital U returning Guest Curator Alejandro Ball.
Six artists will be given the opportunity to exhibit on Art Gene’s online exhibition space Digital U-Hang. The exhibitions will be posted online between October 2019 – March 2020 and will remain online as part of Art Gene’s archive of projects.
Digital Uis Art Gene’s online exhibition series. Guest Curator Alejandro Ball returns to curate Digital U: Extreme Views for the second year, to select artists and creatives whose thought-provoking work explores new or subversive ways through which to respond to environmental challenges, whether digital or natural. Work should be in a digital format, or use digital medium such as film, animation, video and sound to explore the collision of art and nature.
Visit out website for full brief.
Entry Fee:
- No
Editor Practicum | Media + Production
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Overview
Work and learn through exposure to a wide range of post production projects under supervision by and mentorship from Banff Centre staff and faculty, and through collaboration with other practicum participants and project-related artists.
The primary tools of focus will be AVID Media Composer and Symphony editing applications, along with some time spent in Adobe Photoshop and After Effects for the creation of related graphic elements.
What does the program offer?
Participants will strengthen their practical skills in a fast-paced, professional, multi-system broadcast environment. Participants will collaborate with fellow practicum participants in the production roles of producers, directors, and videographers, as well as those in the complimentary post-production roles of graphic design / visual FX and post sound. Duties will include (but not be limited to) transcoding, synching and sorting dailies, offline / online editing including advanced colour grading, and Avid audio mixing strategies.
These skills will be applied to a variety of projects from inception to delivery, with a focus on multi-cam talks / performances and short form documentary-style stories. Organizational, logistical, and diplomacy skills are strengthened through communications across production and post production crews. Practicum participants will also have the opportunity to attend relevant Banff Centre talks and events to expand their knowledge and personal artistic network.
Who should apply?
The ideal applicant will have a combination of formal training with a minimum of one year of professional experience in video editing using current non-linear editing tools. Applicants should be willing to adapt and excel in a professional, multi-system, AVID shared storage environment/workflow. A basic working knowledge of Photoshop, After Effects, and image compositing software is considered an asset, as is a practical understanding of codecs, encoding, file creation, and management.
Applicants should possess excellent diplomacy skills and willingness to work closely with project producers, artists, and clients. In addition, applicants should be confident managing multiple projects and deadlines with strong time management skills. Preference will be given to participants demonstrating a strong desire to utilize this opportunity to pursue employment specifically in the post production field.
Application Deadline: March 27, 2019
Program Dates: May 06, 2019 - April 30, 2020
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