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Film Photography

SHIM/Darkroom Artsy Trial Exhibition




The SHIM/Darkroom 60-Day trial exhibition will launch an exclusive and permanent SHIM Exhibitor Group, organized by the Bushwick Community Darkroom. As participants in this free trial exhibition, you will be offered priority invitations to join. Membership in the group, which you can opt into at the end of the trial exhibition for a standard annual membership fee, will include annual Artsy hosting for the members of the group, as well as invitations to exclusive exhibition opportunities via SHIM Art Network, film developing credit and many networking opportunities. 

This opportunity is only open to photographers working with film.

Immediate Benefits of the Free Trial include:

Your work (1-4 images) included in the SHIM/Darkroom Launch Exhibition on

An exclusive invitation to participate in the SHIM/Darkroom presentation at Superfine! DC Art Fair, Oct 30th - Nov 3rd, 2019 for an additional $250 Exhibitor Fee


The SHIM Darkroom Membership includes:

1 year Artsy profile on the SHIM Darkroom Artsy Network

2 16x20 matted prints in the SHIM Darkroom Booth at Aqua fair in Miami in December  ($250 additional fee)

$50/month of lab credit billed at 20% off list applicable towards hourly rental, mail in or drop off film developing


Entry Fee:

Contact & Links: 

Photography: Series and Repetition





Photography Series and Repetition
May 3, 2019 – June 1, 2019

This show seeks to exhibit the diverse and exciting ways that photographers use sequence and series in their work. Repetition and seriality are built into the every level of photography from the production process, to its aesthetic theory, to the real-life practice of taking pictures. Photographs are often seen as representations or repetitions of reality itself, all while photography itself shapes modern consciousness just as much as it re-creates it. Site:Brooklyn is looking for work that actively engages with all aspects of repetition and series in photography. This might include subject matter, formal qualities, method, presentation, and much else.

Elisabeth Biondi has been an independent curator, writer. Before that she was the Visuals Editor of The New Yorker for 15 years, where she shaped the look of the publication by establishing a group of staff photographers, commissioning both masters and emerging talent. She built the magazine’s reputation for its use of photography, for which it received numerous awards, including two National Magazine Awards. Her independent curation includes Subjective/Objective and Under the Bridge for the New York PhotoFestival and New Yorker Fiction/Real Photography at Steven Kasher Gallery in Chelsea. Most recently she was a judge in the eight-episodes Sky Arts ‘Master of Photography’, which aired in May/June/July of 2018.

Fee Detail: 
Contact & Links: 
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