interdisciplinary arts

DARK MATTERS

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Science Gallery Melbourne is inviting proposals for projects to be included in our 2023 exhibition ‘Dark Matters’, which will be developed in collaboration with Arts at CERN and the ARC Centre of Excellence for Dark Matter Particle Physics. This open call is extended to everyone, from every level of experience and from every discipline and from every culture. First Peoples, Queer, CALD, BIPOC, Neuro-diverse, Disabled People and people from the Deaf community are encouraged to apply.

Dark Matters explores the fundamental essence of life and the universe and how so much of it remains a mystery to us. We don’t know what makes up about 95% of our universe – which we believe is dark energy (70%) and dark matter (25%). Dark matter consists of a mysterious substance that does not present an interaction with electromagnetic forces, which means it does not absorb, reflect it, or emit light.

In an era defined by the power of modelling data, technology and simulations, the search for dark matter can be seen as a symbol of the limits of our cognitive experience - will we ever fully understand it? What other unseen or unspoken materiality’s and forces are at play in our lives? How can the search for dark matter help us imagine new possibilities for life, our relationship with non-human entities and systems? How can we build creative technologies and tools that help us access new environments and understandings that are undefinable, unmeasurable, and unsettling? We want to consider how the hypothesis of dark matter changes how we think about ourselves, both on an individual level and on a planetary and universal scale.

This open call invites you to propose projects, tools, scenarios, and relational experiences that enable a deeper exploration of this extraordinary experience we call life and nature and all the dark matter than flows under it, runs through it and collides with it.

Potential subthemes:

Speculations about dark matter and the unknowns and mysteries of our universe

The future of science, technology, and life on Earth

How we envisage the future and whether we imagine a better world or not

The elementary nature of things and our understanding of them

The disappearance of time and our subjective experiences of this

How we view things in our own image and the limits of this

Unseen, unspoken or taboo ideas or forces

The continuously expanding universe, a curved spacetime born 14 billion years ago

Dart matter as a social metaphor for urgent conversations around critical race theory, social justice, and the climate emergency and the underlying forces that make these things an issue

Family, ancestry, community, and the invisible bonds that tie us together through space and time

First Peoples knowledges and cultural practices and their contributions to our understanding of universe, Indigenous and Afro Futurism.

DARK MATTERS will be curated in collaboration with Mónica Bello, Head of Arts at CERN and a curatorial panel of young people.

Some considerations:

You can respond directly to these ideas, or you can think laterally; we love an idea that is head scratching, then eyebrow raising and then pupil dilating, as we become awed by the brilliance of your mind. And of course, you can raise a related question or subtheme we have not even considered yet!

We look for creative proposals that really consider the audiences experiences and disrupt the idea that galleries are places where you only view things. We also love projects that are experimental, take risk, produce new knowledge, raise new questions, or provide new experiences that have the potential to change the way someone thinks. And most of all, we love projects that are interesting to the young people (15–25-year old's) who are at the heart of everything we do.

Projects can be new, in-development or existing works that have already been presented. They can take any form and involve any equipment or materials. The exhibition will be on for approximately 4 months, so this should be taken into consideration. However, projects can be evolving and dynamic and continue to experiment with time and space and take risk over this time.

Prize Summary: 
Up to $8,000 AUD (Australian Dollar)
Prizes Details: 

Typically, projects selected via our open calls are funded for up to $8,000 AUD (Australian Dollar), which would include all fees, materials, and travel costs. In this application we are just looking for a general sense of your projects viability within this scope and budgets will be discussed if your project makes it to the second stage of interviews. Projects with co-funding will be considered (please include confirmation letters with your support material or demonstrate your plan to secure it and contingencies for downscaling the work if the extra funding is not secured).

Location: 
Science Gallery Melbourne
Deadline: 
05/August/2022

Entry Fee:

Contact & Links: 

POV zine - digital interdisciplinary art zine / open call: femme fragile

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POV [POINT OF VIEW] is a self-published digital zine. It features projects of different disciplines that circulate the thematic focus of each publication. The idea of creating a zine was born out of a desire to give artists an independent platform for support and expression. A (digital) place to come together in uncertain and disconnected times. Our intention is to create a sustainable platform and space - for artists by artists - for mutual exchange, inspiration, and discussion. With two publications per year - in spring and fall - POV dedicates each issue to a different thematic focus. The next issue will be published in March 2022.

In our next issue, we explore the figure of the femme fragile* and which ideas are behind this concept. »The term femme fragile is the conceptual counterpart of the self-conscious femme fatale.« says Wikipedia. We look at the concept of a femme fragile beyond the "strong-weak" and the submissive male gaze. Is it possible that in fragility lies strength, power, and confidence? Is it possible to simultaneously be weak and strong? Is it possible that this same fragility will be fatal to the patriarchal order? We are seeking content that reflects within the topic of femme fragile on present concerns, solutions, challenges, limitations, possibilities, visions, aesthetics, obsessions, and so on. Tell us what you think, share your feelings and ideas. We are curious about your feminist, personal, planned, spontaneous, practical, or theoretical points of view. We are open to contributions of any format, genre, or discipline. Whether it's a recipe or an essay, a gif or a poem, a movement or a drawing, a spoken message or a photo, or ... - give it a go!

Deadline: 
04/February/2022

Entry Fee:

Contact & Links: 

Call for Commissions: LightNight Liverpool 2017

LightNight, Liverpool's latenight arts festival, returns on Friday 19 May 2017.

The next instalment of one of Liverpool's biggest and best loved cultural events will be themed around the phenomenon of Time.

Don't miss the chance to be part of this special night and showcase your offer to thousands of visitors of all ages! Last year the festival received more than 72,000 visits in a single night, with more than 100 special events staged across 50 city centre venues.

Open Culture has secured Arts Council funding for a maximum of ten artistic commissions, of up to 1000, for the 2017 programme.

We are looking for emerging or established artists living or working in the UK. Proposals in any artform are welcome including visual arts, sculpture, technology, moving image, spoken word, performance, installation, light art or any combination of these.

We are looking for high-quality projects that are thought-provoking and engaging to the senses exploring the 2017 theme which isTime.

These commissions will present opportunities for artists to create work which is:

- presented as part of a major festival that reaches a large and varied audience
- made in collaboration with a new organisation or venue
- challenging but accessible for new audiences

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The deadline for applications is Sunday 8 January 2017.Successful projects will receive up to 1000 for all artist fees and materials.

One Year Residencies 2017, S P A C E @ Clarence Mews

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RESIDENCY DETAILS


Each artist/company will work from January/February 2017 – December 2017/January 2018 and receive:

- 150 individual studio hours; pre-booked in blocks of 12 weeks

- Last Sunday of the month (excluding August) artist/company meeting day

- 6 bi-monthly, one-to-one sessions with Caroline Salem of 1 hour each

- In June and November, weekend work-in-progress events

- Final performance event in December 2016/January 2017

This residency is ideal for artists/companies/collectives working within and across disciplines including dance, performance, theatre, circus, music and poetry, who are committed to pushing the boundaries of their own process and practice within a mutually supportive context. Both emerging and established artists/companies are welcome to apply. 

RESIDENCY COST

£1,620 (Payments can be made in installments of £135.00 per month)

SUBMIT YOUR ‘EXPRESSION OF INTEREST’

Please send a CV/company profile with information about your work to date with a Creative Statement explaining your plans for the year. Consider the role of meetings, creative support and work-in-progress presentations. Your submission begins a process of meetings/dialogue. The aim is for  final decisions regarding participation to be made  by mid December.

Application deadline: 19 November 2016

Invitations: 23-26 November for meetings with Caroline.

Gathering with other shortlisted artists/companies: 30 November 2016

Final decision: 9 December 2016

Further Info: www.clarencemews.wordpress.com/one-year-residency

  

Caroline Salem

Choreographer - Director

S P A C E @ Clarence Mews

40 Clarence Mews, Hackney

London E5 8HL

 

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Deadline: 
19/November/2016
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