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Artist Residency in New York City - Register Today

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Residency Dates: April 1 - 6, 2019

Dacia Gallery is pleased to announce its Artist Residency Program in New York City. The painting intensive program will comprise of drawing and painting the figure from life, guest lecturers, a business of art course and gallery visits. Additionally, Dacia Gallery will host a group exhibition of the artwork you created during the workshop. The residency is open to all visual artists and will accommodate all levels of experience. Artists living in New York, national and international artists are invited to attend. This is a wonderful opportunity to study and paint in NYC, if you are interested in participating register today, spots are limited. 

 

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7th Annual "ALL PAINTING" Online Art Competition and Exhibition

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Contemporary Art Gallery Online encourages entries from all 2D artists regardless of their experience,education in the art field or where they may reside.  This is an international competition and everyone is encouraged to participate. A group exhibition of all entrants will be held online at the Contemporary Art Gallery Online following the close of the competition for thirty days. 

There is No Theme for this Current Art Competition.  Artists should submit their best representational and non-representational art.  Here is a link to last years EXHIBITION, so as to better demonstrate this month's theme.

Awards will be given for the top 6 paintings selected.  In addition, depending on the amount and the quality of the entries received, additional awards will also be presented.

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Artrooms Fair Roma 2019. CALL DEADLINE EXTENDED!

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Artrooms Fair Roma 2019. CALL DEADLINE EXTENDED!

 

Don’t miss the chance of free exhibiting space and incredible International exposure.

 

Artrooms Fair Roma 2019 is calling for independent artists from all over the world, from all different backgrounds and media. 

 

You can apply for one or more of the following sections: 

 

Room Art Application Euro 25: Artists exhibit and stay in the hotel rooms for free

 

Video Art Application Euro 25: selected videos on screen at the Auditorium Cinema Bachelet (550 seats and Dolby Surround 7.1) 

 

Sculpture Park Application Euro 50:  selected sculptures will be on show for 3 months

 

Single Work Application Euro 50:  a great opportunity for all artists who can't travel to Italy!  

 

 

Artrooms Fair Roma 2019 will take place on 22 - 24 March 2019 at The Church Palace Hotel (Via Aurelia, 481, 00165 Roma RM, Italia).

 

 

Deadline is 16th January 2019 at 12:00 pm UK time. 

 

 

Benefits when you apply:

Your artworks evaluated by a prestigious Selection Committee made of experts in the art world which changes every edition

Building a following across our social network

Entry into People Choice Award to win a room to exhibit during the Fair

Exposure towards our International Affiliated Galleries

Personal Profile on our online platform

11 HellHeaven Art Gallery Prize consisting in a solo exhibition in Roma

 

Benefits if Selected:

Free exhibiting space

Free accomodation during the Fair

Selling online platform

Dedicated page on the Fair's Catalogue

Worldwide promotion

One to one meetings with private collectors, galleries and curators

Complimentary tickets for the Private View and Public Openings 

Artrooms Award 

 

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OPEN CALL // PAINTING PROJECT: OUT LOOKING INWARDS

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DEVELOPED WITH ROBERT BORDO AND ROBERT HOLYHEAD

OPEN CALL DEADLINE // 10 JANUARY 2019
RESIDENCY DATES // 2 APRIL TO 27 APRIL 2019

For the purposes of this residency, painters Robert Bordo (CA) and Robert Holyhead (UK) have identified three important dimensions of painting as medium: the painting’s materiality, its visual form, and the frameworks, uncertainties and reflections that mark its making.

In Painting Project: Out Looking Inwards Bordo and Holyhead aim to explore the intersections between perceivedly ‘internal’ painterly considerations and the wider world – including the vast virtual expanses of the digital realm. They will ask how painters mediate between the (often, but not always) intimate processes of thinking and making, and the realities of their works’ distribution, reception and interpretation in today’s complex cultural and socio-political environments. In the process, they plan to unpack some of contemporary painting’s dominant critical narratives, asking how they have arisen; whose views and interests they serve; to what extent they reflect the actualities of painters’ concepts and practices; and how they may be influencing future directions for the medium.
 

Places are available for a small group of between five and eight participants: applications are invited from painters and others with a strong interest in the residency’s specific theme and questions. The residency will include scheduled and informal opportunities for critical/theoretical discussion, independent practice or research time, and group activities, including public events addressing the residency’s foci; introductions to Oslo’s art scene and its artists; and expeditions into the superb rural and wild environments surrounding the city.

Robert Bordo will initiate the residency (present from 2 to 21 April), then hand over to Robert Holyhead (present from 15 to 27 April) mid-way through. Their stays will overlap for seven days.

From 2 to 15 April, Robert Bordo proposes that individual studio time be supplemented by in-depth one-to-one conversations and group excursions. Each week there will be between three and five group events investigating the artistic and cultural life of the city, and exploring residency themes while walking in the varied landscapes around the capital. Between 15 and 27 April, Robert Holyhead proposes a series of one-to-one conversations with participants, structured around their specific interests and perspectives in painting. He will devise a flexible daily programme that will allow time for residents to work independently, and to plan ad-hoc group activities and visits.
 

ABOUT ROBERT BORDO AND ROBERT HOLYHEAD // 

Robert Bordo makes thematic paintings that integrate a notion of formalism with a range of personal and theoretical narratives. Since the mid-1980s, his work has been exhibited extensively and internationally in solo and group exhibitions. Highlights include shows at the National Exemplar Gallery, Bortolami Gallery, Alexander and Bonin Gallery, MoMA PS1 and the Brooklyn Museum (all New York); The Suburban, Oak Park, IL, Mummery + Schnelle, London, the Museum fur Gegenwartskunst, Basel, and Tel Aviv Museum of Art. Collections in which his work features include the Metropolitan Museum of Art, NY, the Hammer Museum, Los Angeles and the Sheldon Museum of Art, Lincoln, NE. Awards and fellowships he has received include the 2014 Robert de Niro Sr. Painting Prize, the Solomon R. Guggenheim Foundation Fellowship, Canada Council Arts Grant, the Tesuque Foundation Arts Fellowship Award, a MacDowell Colony Fellowship, Ballinglen Fellowship, a Hermitage Retreat Fellowship and a Painting Fellowship from the New York Foundation for the Arts. He has designed sets, costumes and posters for the Mark Morris Dance Company, including designs for Brooklyn Academy of Music’s 2017 revival of Dido and Aeneas. As Associate Professor of Art he led the Cooper Union’s painting program from 1996 until 2017. He lives and works in Columbia County and Brooklyn, NY.

Robert Holyhead studied Fine Art at Manchester School of Art, Manchester Metropolitan University, between 1993 and 96, and at the Chelsea School of Art and Design between 1996 and 97. Solo exhibitions include shows at Galerie Max Hetzler, Paris, in 2016; PARTS Project, The Hague, in 2016; Galerie Max Hetzler, Berlin, in 2014; PEER, London, in 2012; and Karsten Schubert, London, in 2009, 2010 and 2012. He was a recipient of the five-year ACME Fire Station live/work residency (2005) and in 2009/10 he was commissioned by the Government Art Collection to produce two site-specific works for the new British Embassy in Brussels. In July 2018, he completed a residency at SoART in Austria. He is represented by Galerie Max Hetzler, Berlin and Paris. In 2018, he was selected for one of the Art Foundation’s 20th Anniversary awards. Public collections holding his work include the UK Arts Council Collection, the UK Government Art Collection, Tate and the Centre Georges Pompidou. Recent writing projects include What is Seen: a catalogue essay published by Tate for Patrick Heron’s retrospective at Tate St Ives.
 

POTENTIAL RESIDENTS //

Applications are welcomed from artists working with painting, as well as practitioners or theorists in other areas whose interests and experience are relevant to the residency’s theme. Selected residents will be part of a temporary community of between five and eight local and international participants. The residency will involve group activities, discussion and creative exchange around the residency theme, as well as time for independent working. Selection is based on applicants’ ability both to gain from, and contribute to, the activities of the month-long residency.

PRAKSIS aims to provide an environment for development and professional growth: applications are welcome from practitioners of differing ages and experience levels.

PRAKSIS residencies are intensive and structured around the interests and needs of their participants. The particular form that each residency takes is developed collectively through discussion once the group comes together. Group members are encouraged to share their reasons for applying and what they hope to get out of their time with PRAKSIS.
 

WHAT PRAKSIS PROVIDES //

This residency is free of charge and offers comfortable accommodation for non-Oslo based residents in central Oslo. Local residents continue to live at their usual address. The residency community regularly comes together at the residency studio space, and at organised events and meals.

International applicants receive a stipend of 3000 NOK (approximately 300 euros) towards additional costs.

Weekly meals encourage discussion, debate and friendship. On weekdays PRAKSIS provides lunch at the working space. Dinners for all residents, with invited guests, are held weekly.

Oslo has a vibrant and adventurous arts landscape. PRAKSIS provides residents with information and links to the city’s cultural scene, informing them about exhibitions, talks, performances and other events. PRAKSIS seeks wherever possible to connect participants with relevant organisations and individuals in Oslo. PRAKSIS residencies aim to introduce the residency community to Oslo creatives in various spheres, including curators, writers, and artists.

Activities and events are mainly held at PRAKSIS’s space in central Oslo. At the start of the residency, participants are invited to make a presentation, informally introducing themselves and their practice to the rest of the group. Other activities include residency related visits, a tour of Oslo's galleries, networking events, discussions and group critiques – some open to the public. A screening/seminar event addresses issues surrounding the residency theme.

Residents are responsible for their own travel and any further costs.

Our team is happy to support applications for external grants wherever possible.

Residents are welcomed to suggest or lead an action, activity or workshop that will clarify and support their own background, interests or methodologies. Participants are also encouraged to contribute towards a shared resource list in advance of the residency, potentially including readings, podcasts, films or other materials for consideration during the residency.

Visit praksisoslo.org for more information about how to apply. 

 

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Call for Applications: Artist's residencies, the British School at Rome

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CALL FOR APPLICATIONS: ARTISTS' RESIDENCIES IN ROME

Abbey Awards offer all expenses paid residencies in excellent modern studios at the British School at Rome in 2019/20 for artists, predominantly painters in the expanded field, whose work shows exceptional merit and promise. The 9 month Scholarship is awarded to an early-career artist and carries a monthly stipend of £800.  The 3 month Fellowships, with monthly stipends of £1200, are offered to mid-career artists.

To apply: download and complete the application form from the website and email this with 8 images via We Transfer. The application fee is £25. British and American citizens and those of any other nationalities who have lived for at least five years during the last 10 years in either the United Kingdom or the United States are eligible to apply.  There is no age limit.

The British School at Rome is a recently renovated building with purpose built live work studios housing a community of scholars researching architecture, ancient history, archaeology and art history - a bridge between the intellectual and cultural heart of Rome and Italy.
Detailed information, contact details and all application materials may be found on the website or contact@abbey.org.uk

DEADLINE 31st JANUARY 2019

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The John Busby Seabird Drawing Course Bursaries 2019

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The SWLA offers three bursaries for places on The John Busby Seabird Drawing Course 2019. The next week long course is to be held in June 2019 at seabird colonies around Dunbar and the Firth of Forth.

Course leaders Darren Woodhead SWLA, Greg Poole SWLA & Kittie Jones  SWLA along with a guest tutor will be on hand to offer advice and guidance on drawing and painting in the field. This is a fantastic opportunity to work alongside around 20 established and enthusiastic artists and get an insight into the diverse approaches that those artists have to working in the field.

What the bursary provides: 

The current bursary is £550 per person, divided as follows;

Course fee (£375). The course fee will be paid directly by SWLA.

The remaining £175 will be paid shortly before the course and the applicant can either use this for boat trips (£30/trip, ranging from none to 3 or 4) and/or towards accommodation.

A work produced on the course by the bursary winner will be exhibited in the SWLA Annual Exhibtion the following year. 

How to apply:

Deadline: 30 November 2018

Email your application form along with images of recent artwork including sketches and fieldwork. 

Artwork copied from photos is of little relevance to the nature of the seabird drawing course.

For full details and terms and conditions visit: www.swla.co.uk

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