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RFQ for Creative Placemaking





The City of Sugar Land, Texas requests artists or artist teams submit a statement of qualifications, letter of interest and other materials for the commission of projects through the Creative Placemaking Program, #AllinforSLTX, a program to aid local small businesses. 

The goal of the program is to increase resiliency for small businesses impacted by the Covid-19 pandemic and provide local residents with vibrant, creative spaces that encourage patronage. 

Examples of proposed work meeting the goals of the project could include sun shelters, parklets, outdoor light installations that make an area more welcoming, projections and concepts that permit businesses (including food service, retail and service-based businesses) to extend their reach in outdoor spaces. We seek fresh, innovative concepts that use artistic excellence to address economic development needs. 

Prize summary: 
Prizes Details: 

Budget for work selected through this opportunity ranges from $15,000 - $150,000


Entry Fee:

Contact & Links: 

CHEAP | 2021 call for artists






In 2021 CHEAP is issuing its 9th CALL for ARTISTS, targeting not only street artists but anyone involved in graphic design, photography, illustration and visual art more generally. The pieces applicants send in a digital format will be printed and pasted up on the CHEAP On Board circuit of bulletin boards in downtown Bologna.

For CHEAP, this open call has always represented a key element of its identity: it enables the hybridization of languages, breaks down geographical borders, launches a collective discussion, investigates contemporary issues from the bottom up and seeks to reassemble individual statements into a collective narrative.


Nothing lasts forever.
Which is fortunate, because it implies the potential for change.
Yesterday, today, tomorrow. Despite the fact that, as many have suggested, we just seem to be living the same day over and over, here.

It is in the nature of dogma to insinuate the idea of its own impulse toward infinity. It is in the nature of ideologies to treat the absence of alternatives as implicit. It is in the nature of religions to assert the impossibility of salvation outside of each one’s specific doctrine.

Nevertheless, existence is dialectical. It changes. Becomes. Discards. And overcomes.
In the exceptionality of pandemic-time, we have all wondered what has been taken from us and what is going to be different, or what opportunities this plague might involve: uncertainty and restlessness are the forces that have driven us toward fantastic futures set in unprecedented post-pandemic landscapes.

Fueled by this impulse, we have chosen POST in its Latin sense as the foundation for CHEAP‘s exploration throughout 2021 and this idea of overcoming will provide the launching pad for our public art projects in the coming months.
And this is how we set out today, starting with this Call for Artists. Our annual invitation, addressed to artists using contemporary visual language, to join us in contaminating public space: with signs and imagery, provocations and projects translated into posters. Beginning with this edition, the format has become bigger and color has joined black and white.

What we are asking of you is an imaginative step toward a possibility, however improbable, brimming with desires as well as fears, full of details and approximations both – in other words, an imaginative step toward the future.
Keeping in mind a before, starting from a point you recognize as now, you are invited to define an after. And the terms of that sequentiality are up to you.

We ask what awaits us beyond capitalism, after the next climate crisis, what happens after we turn 30, after we turn 90, after the downfall of patriarchy, after disease, after empire, after punk, after tomorrow.
We want to know how you imagine the end of democracy and what utopia may follow it, how you represent a community that has moved beyond gender and gender violence, how you envisage the posthuman landscape, the postcoital temperature, the features of a new posterity.

Show us the next symbols of liberation, how you would represent a society that has moved beyond racism. In what aesthetics will we recognize ourselves, what are post-traumatic perspectives, what is the new historical era you want to see take off after we wrest free of this one?

POST. A call for visions – on paper, on the street, in posters.

Prizes Details: 

The selected pieces applicants send in a digital format will be printed and pasted up on the CHEAP On Board circuit of bulletin boards in downtown Bologna.


Entry Fee:

Contact & Links: 






Sculpture in the City has launched an open call for submissions for a 2D artwork that will be featured as part of a temporary site-specific installation within the public realm of the iconic Cheesegrater building in the City of London. The successful artwork will form part of the landmark 10th Anniversary edition of Sculpture in the City, which is due to launch summer 2021. The deadline for submissions is 19 February 2021.

This call for submissions offers a unique opportunity for artists, designers and illustrators to submit a graphic artwork for realisation on a large scale, which will be on view for a year within one of London’s most iconic buildings, also offering the opportunity to participate in the landmark 10th anniversary edition of Sculpture in the City.

Sculpture in the City is an annual, award-winning, urban sculpture park which traditionally launches each year in June. A cultural initiative delivered by the City of London in partnership with 13 local businesses, it is sited in the EC3 insurance district of the City, around the iconic towers of the Gherkin, Cheesegrater, Lloyd’s building and inside the historic Leadenhall Market. 

Over the years Sculpture in the City has showcased contemporary 3D artworks in a dynamic urban environment with successful installations which are in dialogue with the iconic contemporary architecture. The majority of the 114 artworks showcased to date have been freestanding sculpture works but there have also been opportunities to showcase artworks in less traditional ways. A great example is Mhairi Vari’s Support for a Cloud on the Lloyds building and two lamp posts.

To date we have also seen artworks shown in the Cheesegrater which include Lizi Sanchez’s Cadenetas hung in the trees; Kevin Killen’s Tipping Point, fixed to one on the columns and Thomas J Price’s Numen on the astroturf and currently, as part of the ninth edition extension; Laurence Wierner’s WITHIN A REALM OF RELATIVE FORM is installed on the glass wall (to be deinstalled April 2021).

For the landmark 10th anniversary edition of the project, Sculpture in the City is keen to consider the use of the underside of the two main escalators leading up into the iconic Cheesegrater as a canvas for a 2D artwork. The prominence of the two escalators in the public realm make them a perfect canvas for a graphic work to be experienced by the thousands of people who walk through the building on a daily basis.

This call for submissions is for a graphic 2D artwork to be reproduced / printed on vinyl. The site for this artwork are the two escalators in the iconic Cheesegrater building public realm. The site is covered but open to the elements and the two escalators are a dynamic addition to the cathedral like space. It is down to the artists discretion to select which one of the two escalators they are proposing the artwork for if not both. 

All graphic artworks submitted for consideration will need to be suitable for public display and with assets made available for distribution, publication and production from March 2021. The artwork will be on site from May 2021 to May 2022.

We highly recommend visiting the location to experience its unparalleled scale and the relationship of the escalators to the space. 

An artist fee of £750 will be offered in honorarium to the winning entry. Sculpture in the City will cover all other fees required to install the artwork i.e. reproduction, installation, insurance and the overall marketing and press campaign costs.  

"Art in a corporate setting has a bad rep. Show me a bank reception and I will show you a daffy, nondescript bronze selected mainly for being studiously uncontroversial. Sculpture in the City, however, is a different affair. Returning for its ninth edition, this large-scale open-air exhibition transforms the Square Mile into a giant sculpture park. And the best bit is that the art on show is genuinely worth seeing. […] All 21 works are a pleasingly disruptive addition to the slick City landscape."  Rosemary Waugh, Time Out 


The aim of the project is to use the Square Mile as a contemporary urban gallery space and showcase cutting edge art in an area represented by the iconic contemporary towers as well as the layers of history nestled amongst these tall buildings. The project establishes a dialogue between contemporary art and contemporary architecture.

Sculpture in the City offers a unique opportunity for City workers and the local community to experience contemporary art and engage with their local environment in the context of the working day. 

Since the launch of the project in June 2011, the project has grown significantly in size and scope. The current exhibition, the extended ninth edition of the project includes 19 artists in 21 locations and is on show until April 2021. To date the project has shown 114 artworks, by 94 artists from 29 countries.

The current exhibition has achieved extensive press coverage,, with a successful campaign led by Brunswick Arts, including Time Out London, The Times, Evening Standard, The Londonist and City Matters.

A film review of Sculpture in the City’s ninth edition can be viewed here 

A dedicated website  features images and information about all the artworks to date as well as a downloadable map of the current edition. 

"With works juxtaposed against the tall buildings in the Square Mile, this open-air exhibition not only enriches the workday experience of City workers but draws cultural visitors into this most ancient part of the City." Paul Robinson, Artlyst


The artwork submitted needs to be suitable for exhibiting outdoors in a busy urban environment and available from May 2020 to May 2021.  

The proposed artworks need to be pre-existing as the project does not normally commission new works, with all digital assets print ready with final file sign-off by no later than April 2021. 

The project is sited in the public realm and seen by close to 500,000 visitors every year.

Artists shown to date include:

2011: Anish Kapoor, Julian Opie, Franz West, Kenneth Armitage

2012: Tracey Emin, Angus Fairhurst, Thomas Houseago, Michael Craig-Martin, Yayoi Kusama, Dan Graham

2013: Ryan Gander, Chapman Brothers, Robert Indiana, Antony Gormley, Keith Coventry, Petroc Sesti, Jim Lambie, Richard Wentworth, Shirazeh Housiary 

2014: Cerith Wyn-Evans, Jim Lambie, Richard Wentworth, Nigel Hall, Peter Randall-Page, Joao Onofre, Lynn Chadwick, Ben Long, Julian Wild, Paul Hosking

2015: Kris Martin, Laura Ford, Adam Chodzko, Folkert de Jong, Xavier Vielhan, Sigalit Landau, Ekkehard Altenburger, Tomoaki Suzuki, Keita Miyazaki, Ai Weiwei, Damien Hirst, Bruce Beasley, Shan Hur

2016: Anthony Caro, Gavin Turk, William Kentridge & Gerhard Marx, Lizi Sanchez, Ugo Rondinone, Recycle Group, Jurgen Partenheimer, Huma Bhabha, Petroc Sesti, Michael Lyons, Benedetto Pietromarchi, Enrico David, Jaume Plensa, Mat Collishaw, Sarah Lucas and Giuseppe Penone. 

2017: Daniel Buren, Fernando Casasempere, Martin Creed, Ryan Gander, Damien Hirst, Kevin Killen, Paul McCarthy, Nathaniel Rackowe, Peter Randall-Page RA, Recycle Group, Bosco Sodi, Karen Tang, Gavin Turk, Mhairi Vari, Mark Wallinger and Gary Webb.

2018: Marina Abramović, David Annesley, Shaun C Badham, Miroslaw Balka, Jyll Bradley, Tracey Emin CBE RA, Clare Jarrett, Juliana Cerqueira Leite, Gabriel Lester, Sarah Lucas, Amanda Lwin, Jean-Luc Moulène, Michail Pirgelis, Thomas J Price, Richard Rome, Nancy Rubins, Sean Scully RA, Do Ho Suh and Karen Tang. 

2019: Salvatore Arancio, Reza Aramesh, Elisa Artesero, Shaun C Badham, Jyll Bradley, Nathan Coley, Marisa Ferreira, Leo Fitzmaurice, Kevin Francis Gray, Clare Jarrett, Juliana Cerqueira Leite, Michael Lyons, Nancy Rubins, Nina Saunders, Jennifer Steinkamp, Do Ho Suh, Jonathan Trayte (Autumn 2019), Patrick Tuttofuoco and Lawrence Weiner.

Selection Process

Submissions will be presented to the Sculpture in the City Arts Advisory Group as below and a shortlist will be drawn up for presentation to the building owners, the Sculpture in the City Partner Board and the City of London City Arts Initiative for approval

Sculpture in the City Arts Advisory Group

Andrea Schlieker Tate Britain, Iwona Blazwick Whitechapel Gallery, Wendy Fisher Collector and Philanthropist, Whitney Hinz curator Hiscox, Jane Alison Barbican Art Gallery, Sepake Angiama INIVA  and Thomas J Price Guest artist. 

The shortlist is expected to be confirmed by March 2021.

Following shortlisting by the Arts Advisory Group each artist and/or gallerist is invited for a site visit with the Artistic Director and technical installation team to discuss the chosen escalator and have a more detailed conversation about the production requirements of the selected artwork.

We aim to confirm the successful submission in April 2021 and will work towards installation in May/June 2021, with the official project launch to take place in the summer of 2021. **Please note that this timeline is for indicative purposes and is subject to review in observance of government guidance and/or restrictions which may be in effect due to the ongoing Covid-19 pandemic.

Conditions of participation

The reproduced artwork will be on display for 12 months (May 2021-May 2022) and must be suitable for outdoor display in the public realm for the entire period of display. The selected works will be subject to an agreement with the City of London Corporation.

Sculpture in the City covers printing and shipping within the UK (should this be applicable), installation, insurance and maintenance costs. 

Sculpture in the City works exclusively with MTEC who will produce, ship and install the artwork. 

All artists and galleries participating receive full credit on all marketing and press material. 

Prize summary: 
An artist fee of £750 will be offered in honorarium to the selected entry.
Prizes Details: 

An artist fee of £750 will be offered in honorarium to the winning entry and Sculpture in the City will cover all other fees required to install the artwork i.e. reproduction, installation, insurance and the overall marketing and press campaign costs.


Entry Fee:

Contact & Links: 

Request for Qualifications (RFQ) Lead Artist for Maimonides Mural/Public Art Project





Request for Qualifications (RFQ)

Lead Artist for Maimonides Mural/Public Art Project

Maimonides Medical Center


Maimonides Medical Center presents a Request for Qualifications (RFQ) for a lead artist/s to work on a mural or public artwork to be displayed in a prominent location on the Maimonides campus in Brooklyn, New York. The artwork will serve as a tribute to over a century of individuals working together to serve our vibrant community and beyond.  

The selected artist/s will work collaboratively with the Public Artwork Steering Committee (PASC) and Focus Group comprised of staff and/ or community members  to develop the artwork concept and design. The goal for the artwork is to honor the past, present, and future of Maimonides’ service to our community, a recognition and celebration of those who have come before and those yet to serve.

Maimonides Medical Center will select one professional artist (or one team of artists) to work closely with the PASC to develop the artwork scope and concept. The scope of the artwork lends itself most closely to mural work, but it not limited to such, and Maimonides invites creative and unique perspectives for artwork that will fulfill the aforementioned goal. This RFQ solicits professional artists whose portfolio will show experience working in large-scale public artwork, with a particular focus on connections to the borough of Brooklyn, New York. Experience working collaboratively with communities or healthcare centers is preferred.

Context: Over a Century of Excellence in Medicine

In 1911, a group of concerned women opened a dispensary to serve the poor and needy residents of their Brooklyn neighborhood - thereby planting the seed that would grow into Maimonides Medical Center. Over the last century, Maimonides has developed into a vital part of the Brooklyn community, as well as a thriving world-class medical center. Our physicians pioneered significant advancements in the field of medicine and, as we move into our second century, Maimonides will continue to reach for new levels of excellence - all the while remaining committed to its mission of providing high-quality, compassionate health care to the diverse patient population in our Brooklyn community.

Maimonides Medical Center was named for Rabbi Moshe Ben Maimon, a brilliant 12th-century philosopher who laid the foundation for the modern medical training of physicians. Rabbi Maimon, better known as Maimonides, was deeply committed to cultural tolerance and humane care, as well as high medical standards. It was he who said, "The physician should not treat the disease, but rather the patient who is suffering from it." At Maimonides Medical Center, we have practiced our namesake's philosophy with an unmatched passion for more than 100 years.

Maimonides was founded as the New Utrecht Dispensary. In 1919, several smaller dispensaries were consolidated and New Utrecht became Israel Hospital of Brooklyn. In 1920 it merged with Zion hospital and became United Israel Zion Hospital. New facilities were built to accommodate the growing number of patients (the building that is now our Administration building on Tenth Avenue). In 1947, United Israel Zion and Beth Moses hospitals were merged to create the medical center as it exists today, and the hospital was renamed in honor of Maimonides.


To this day we serve one of the most ethnically, culturally and religiously diverse communities in the world.



· RFQ Published: November 13, 2020

· RFQ Deadline: January 31, 2021

· Finalists Notified: February 12, 2021

· Finalists Interviewed: February 15 – 26, 2021

· Artist Selected: March 5, 2021

· Project Deadline: June 30, 2021


Project Budget:

The Project Budget is $15,000.00 for all artist fees including design services, community engagement, site preparation, fabrication, travel, and installation. Maimonides Medical Center will provide any necessary supplies, permits, insurance, and documentation. Maimonides Medical Center will execute a deliverables-based contract valued at $15,000.00 with the artist. Artists will be paid 25% upon contract signing, 25% upon PASC-accepted artwork design, and 50% upon completion. Maimonides Medical Center will cover all costs related to art supplies and additional materials for workshops and community events, equipment for the installation, special insurance, permits for mural/artwork sites and other relevant costs relating to the production of the mural/artwork.


Who May Apply:

Professional visual artists or artist teams working in any media, legally authorized to work in the United States, and who are at least 18 years of age, are eligible to apply. Artists with ties to the neighborhood and community of Maimonides Medical Center are encouraged to apply, as well as artists with experience in community engagement practices. Maimonides Medical Center is committed to the values of inclusion and advancing diversity in the field of arts and health. We highly encourage applicants that are traditionally underrepresented* to submit to this RFQ.

*Including, but not limited to: Immigrant, Indigenous, LGBTQIA, Person of Color, Person with Disability, Socioeconomic Disadvantage)

The project period will occur from March 5, 2021 through June 30, 2021.  

How To Apply:

Submit your contact information, biography, CV, portfolio, and statement at:

Deadline for Submission of RFQ:

Sunday, January 31, 2021 at 11:59pm ET

**Late applications may be disqualified from considerations.**

Finalist Interviews will be held during the dates of February 15 and February 26, 2021.

Prize summary: 

Entry Fee:

Contact & Links: 

INTIMATE MONUMENTS: call for participants




Call for participants: for a digital, textual, participatory map-making initiative


We arrive at MONUMENT from the Latin monēre, "to remind," its roots indicating the centrality of the mind in projects of memorialization. A collaborative project of memory and its sites, material and mental, INTIMATE MONUMENTS is seeking to weave the intimate into a landscape of commemoration. 

How can intimacy––ever individual––speak collectively?

Participants will be asked to submit textual responses to a series of questions. All responses will be recorded anonymously, so as to center the collective voice.


Deadline to submit: 11/30


Entry Fee:

Contact & Links: 

A Vanished Sea (Without a Trace)




Climate Art and Bridgepoint Rye, in collaboration with Sussex Wildlife Trust, are delighted to announce a call for applications from artists, creative practitioners, and environmental researchers to work on a site-responsive project during a three-month residency at Bridgepoint Creative Centre in Rye, East Sussex.Participants are invited to respond to the residency’s theme of transience, outlined below. Each applicant should clearly indicate how, during the three months of the programme, they will engage with the local community and connect with the ecological landscape of Rye.

The opportunity is open to 3 UK-based practitioners, with one space reserved for a Sussex-based participant. The residents will be provided with subsidised accommodation and studio space for the duration of the residency. Each participant will receive a monthly stipend of £500 and a production budget of £2,000. The residency will take place in January – March 2021. The deadline for applications is 8 November 2020 at 23:59. The programme – A Vanished Sea (Without a Trace) –   has been generously supported by Bridgepoint Rye and the Kowitz Family Foundation.


We are committed to ensuring the safety of all residents, especially during the ongoing Covid-19 outbreak. We shall therefore be keeping the programme dates and format under constant review, in line with the latest governmental guidance. At the same time, we believe that now, as never before, the need for the exchange of ideas and community-focused projects is of paramount importance.



The picturesque ruin of Camber Castle lies peacefully amid stretches of marshland over 1.5 km from the coast. It seems hard to believe that the splashing of the sea was once a constant sound here, rather than the bleating of sheep. Built on a shingle spit during Henry VIII’s rule, Camber Castle used to be an elaborate artillery fortification designed to defend the harbour and the towns of Rye and Winchelsea. Less than a hundred years after its completion, however, it was decommissioned – the receding sea left the castle inland, stranded and useless. 

During the residency, participants are invited to explore the broad themes of transience, ephemerality and perishability. From species extinction and habitat destruction to the impermanence of our familiar way of life, the discussion of these subjects has already become a part of our everyday conversations as we reflect on the changes forced upon us by the Covid-19 pandemic. Is a more nuanced understanding of transience a cause for resignation or an invitation to transform the relationship between human beings and other species? 

The programme – A Vanished Sea (Without a Trace) – will see 3 UK-based practitioners (with one place reserved for a Sussex-based participant) develop their site-responsive projects during a three-month residency at Bridgepoint Creative Centre located in Rye, East Sussex. Residents will also have access to Sussex Wildlife Trust’s sites located in Rye and an opportunity to work with the organisation’s staff and volunteers. Climate Art is a space for resident groups, artists and scientists to come together. Our practice stems from the understanding of public art as a form of meaningful engagement with diverse publics. That is why, at the application stage, all entrants are required to demonstrate a commitment to engagement with the local community, the ecological landscape of the town and its harbour.  

Applications are invited from practitioners working in any creative discipline (including, but not limited to, visual arts, architecture, design, performance art, film, dance, music, creative writing and others), as well as environmental-change researchers. Proposals may vary from detailed projects to preliminary ideas. Successful applicants will be expected to demonstrate clearly how they intend to develop their creative or academic work in response to the residency’s theme. While hoping that the three residents will find it inspiring to work alongside each other, Climate Art does not require a collaborative project to be the outcome of the residency.

The residency will run from mid-January to mid-March 2021 (exact dates TBC). Residents will benefit from subsidised accommodation and individual studio space for the duration of the residency. Each artist will receive a monthly stipend of £500 and a production budget of £2,000.We want the participants to make the most of the residency opportunity. It is understood that they may need to continue with some work or study commitments during the programme. We are happy to consider flexible arrangements, hoping that the residents will be in Rye for much of the working week and will take part in open studios and other events as part of the programme.



Dzmitry Suslau, Founding Director & Curator, Climate Art

Jevgenija Ravcova, Managing Director, Climate Art

David Kowitz, Founder, Bridgepoint Rye

Gonzalo Herrero Delicado, Curator, Architecture Programme, The Royal Academy

Tim Redfern, Artist and Community Activist 



Climate Art is an interdisciplinary public art platform focused on climate change. Our site-responsive projects facilitate active cooperation between communities, artists, and scientists. 

At Climate Art, we encourage long-term, sustainable transformation through participatory public art that motivates us all to make positive adjustments to our daily lives. Our practice stems from the understanding of public art as a form of meaningful engagement with diverse groups of people rather than art located out-of-doors. Climate Art is a space for resident groups, creative practitioners and environmentalists to come together. 



Bridgepoint is a new arts complex located in Rye. It is set in the context of a regeneration project, being undertaken by Martello Developments, which aims to convert a disused industrial part of the historic town into a vibrant campus, including an arts complex as well as housing and commercial activity. It is intended that the 20,000-square-foot Bridgepoint arts building will encompass artists’ studios, a large performance and rehearsal space, a commercial gallery, as well as other internal and external exhibition spaces.

The primary mission of the project is to provide a well-equipped and safe space for artists in an array of disciplines to contemplate and create, hopefully drawing inspiration from the area’s exceptional history and natural beauty.



Sussex Wildlife Trust is a conservation charity for everyone who cares about nature in Sussex. We focus on protecting the wonderfully rich natural life that is found across our towns, countryside and coast.

By working alongside local people, we create opportunities for us all to connect with nature, and for nature to thrive in even the most unlikely places. Together we can make sure that future generations living in Sussex will be able to enjoy the sense of wonder and well-being that nature offers. Sussex Wildlife Trust manages 465-hectare Rye Harbour Nature Reserve, which includes Camber Castle and Castle Water. 

Prize summary: 
£500 monthly stipend; £2,000 production budget; contribution towards travel costs

Entry Fee:

Contact & Links: 


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