Italy - International

Forgotten Places

FORGOTTEN PLACES

Free entry│Call for Exhibition

Photographers are invited to submit 1 up to 3 photos addressing the theme.

Group Exhibition in Rome. October 2023

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The Forgotten Places call will collect photographic works that will constitute an exhibition/exploration excursus of abandoned, forgotten and rediscovered places, which will lead to a reflection on environmental, historical/social aspects and individual memory.

With the advent of photography, a new documentary approach intervenes in giving a testimony of human kind, through the direct recording of behaviors, but also through the traces they leave.

CTAO next group exhibitions

CON-TEMPORARY Art Observatorium accepts artists submissions to participate in the next two group exhibitions "TransHumance" and "Escapism."

Open call for artists - Ecological exhibition

This exhibition, named  "Invisible"

is expanded by ’The Three Ecologies’ of Italian philosopher Felix Gattari. The word ecology comes from the Greek word ‘oikos’, which means home, representing that we cannot be without nature. This exhibition will focus on social, mental and environmental ecology. We put forward the questions about why these three can not be separated, how to balance them, and how nature changes Invisible . "We have already challenged the planet enough, and now we are on the ecological ecocide brink," Guattari said. Either global warming or water dwindling is the problem that can be touched, but the problems still extend.

Experimenta. The Other Photography

Free entry│Call for Exhibition

Photographers are invited to submit 1 up to 3 photos addressing the theme.

Group Exhibition in Rome or Milan city. October 2022

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Paradigm of modernity, since the first half of the 20th century, photography has become a means through which authors such as Florence Henri, Man Ray, László Moholy-Nagy, and many others, offer new visions of reality: all this is done by observing, analyzing and asking questions on several levels, such as a scientific, cultural, and social one, regarding objects / subjects, but also regarding the role and the deepest meaning of the photographic act.

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