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stARTup San Francisco Art Fair 2020: Call for Artists

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stARTup Art Fair San Francisco is a contemporary art fair for independent artists.

Our three-day fair is April 24-26, 2020 at the fun and retro Hotel del Sol, within walking distance to the nearby SF Art Market gallery fair. Exhibiting artists will have a unique opportunity to expose new work to a myriad of collectors, curators, gallerists, art consultants, and writers who will be coming to the city for a weekend of contemporary art.

The core mission of stARTup Art Fair is to provide a marketplace that gives artists the power to present and sell work on their own terms.

Deadline to apply is February 9, 2020. Those selected from the open application process will each take over a hotel room for the course of three days to present a solo show of their work. Applicants will have their work reviewed by an impressive Selection Committee of art world professionals:

Andrew Rafacz, Owner Director, Andrew Rafacz Gallery, Chicago

Michelle Nye, Director, SFMOMA Artists Gallery, San Francisco

René de Guzman, Senior Curator of Art, Oakland Museum of California

Danielle Fox, Owner/Director, Slate Contemporary Gallery, Oakland

At stARTup, you take control of your career and create your own success.

Install your artwork, make your own sales, speak directly to potential collectors and art world professionals and unlike most contemporary artist fairs, and keep 100% of your sales. Exhibitor fees include:

•           4 nights at the hotel

•           Complimentary fair passes your guests

•           A personal artist page on the stARTup website

•           Discounted valet parking

•           PR, advertising, and marketing through our newsletter, ad buys, and social media channels

•           Curatorial and professional development support in the weeks before and after the fair

•           Automatic acceptance to our leading online sales partner, Artfinder and newest art discovery platform, Wescover

Prizes: 

Best Artist Award: Automatic acceptance to next fair plus:

1st Place: $2000 off exhibitor fees

2nd Place: $500 off exhibitor fees

3rd Place: $250 off exhibitor fees

Deadline: 
02/09/2020

Entry Fee:

Contact & Links: 

FILE 2020 – Open Call

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Since 2000 FILE is a non-profit cultural organization that has been promoting exhibitions, workshops and gatherings that seek to investigate the appropriations of the technologic media in artistic accomplishments. With annual exhibitions in São, in addition to participations in national and international events, FILE is the biggest electronic art event in Latin America. For 2020, artists and researchers can submit their works in the main categories: Interactive Art, Digital Language, Electronic Sonority, Workshops, Symposium and Led Show*.

* FILE Led Show consists of a public art show in the large Led panel located on the Fiesp building’s façade, at Paulista Avenue, 1313. FILE Led Show gets interactive and non-interactive proposals to be presented at the Digital Art Gallery.

To participate, you need to fill out the entry forms (attached below), being in accordance to the General Regulations of FILE.

 

The submission is free of charge.

 

FILE 2020 | GENERAL REGULATIONS

In these regulations are included the terms and conditions that govern the participation in the exhibitions of FILE to be produced by FILE Electronic Language International Festival (from now on denominated “Organizer”). We recommend the reading, with maximum care, of each item of the terms and conditions below, and their full acceptance is essential for the participation in the exhibitions of FILE.

 

1 ON THE EXHIBITION

1.1 FILE is promoted by the cultural nonprofit organization FILE Festival Internacional de Linguagem Eletrônica, established in the city of São Paulo, state of São Paulo, at Rua Dona Veridiana 521/06, registered in the CNPJ under the no. 03659709/0001-91, endowed with an exclusively cultural character, devoid of any modality that might involve chance.

 

2 ON THE CATEGORIES

2.1 FILE includes the following specific categories:

Digital Language: As digital language are understood all the research and experiences in the wide scope of the multiple disciplines that uses digital media.
Electronic Sonority: As electronic sonority are understood all research and experiences in the wide scope of sounds, having therefore a wider comprehension than the ambit of music, and open to possible transversalities with other disciplines.
Interactive Arts: As interactive arts are understood all research and experiences in the ambit of art that uses interactive media and which take into account the relationship between the work and its viewer; works inserted in the intersecting fields of art and science, technology, among others …
Led Show: “In situ” installations, of public character, to be displayed in LED facade of the FIESP-SP building
Symposium: Talk proposals that have the aim to expand an international discussion on electronic digital culture in its interdisciplinary extension.
Workshop: Projects that has the main purpose of transferring knowledge and also the research on the use of computing – and other technological languages – for creative purposes

 

3 ON REGISTRATIONS

3.1 Only registrations made through the website file.org.br will be accepted.
3.2 To register, it is necessary to complete and send the online Registration Form (attached below).

 

4 ON THE SHIPPING OF WORKS

4.1 All works should be available for consultation online through video documentation. In the specific case of video or/and audio works, it should be provided a link to download the file (.mp4 or .mp3 extension), as specified in the following item (4.2.). In the specific case of works made for internet, the work’s online address should be indicated.
4.2. Copies of the artworks (from now on denominated “works”) should be sent to the Organizer, in case of video and music works, through a link for download that must be indicated in the Registration Form, observing the following rules:
– Materials should be sent in the following formats: MOV, MPEG-4, mp4 or .mp3.
– In the specific case of animations and other video works, only the following file types are accepted: MOV or .mp4 (High resolution, HD / Full HD – codec H.264) .

 

In the specific case of works enrolled in FILE Led Show, the following conditions must be met:

 

FILE LED SHOW:

a) Interactive works:
– Any software that runs in MAC or PC is accepted, as long as they generate an image with a resolution of 1024 x 768 pixels and a working area of 214 x 168 pixels.
– The artist is responsible for the installation of the work and the provision of technical solutions to any special needs, such as the required licenses for the operation of the software used.

b) Non-interactive works (video or animations):
– The files must be MOV, Motion JPEG A codification.
– The image’s resolution must be of 1024 x 768 pixels, with a working area of 214 x 168 pixels.

c) In both cases:
– The LED platform is made up by a network of approximately 24,000 pixels embedded in three surfaces of the FIESP building / Digital Gallery of SESI-SP (Paulista Avenue, 1313, São Paulo).
– Textual elements won’t be allowed – Including general presentations and credits.
– The mov. file must follow the mask rules that are attached to the Led Show Technical Specifications.

 

Download the Technical Specifications of FILE Led Show.

 

4.3

– Each participant may send up to 3 proposals of works that have been accomplished in the last 3 years (2017, 2018, 2019) for FILE 2020.
– In the act of registration and in the respective field of the Registration Form, the work’s descriptive documentation must be included, as well as the biography of the participant and/or group and other components.
– In the case of Installations, Performances and Public Art Projects (such as in FILE Led Show), in the respective field of the Registration Form, an URL must be included, in which should be available for download a file (PDF) with the detailed description of the work, information on the necessary equipment, physical space requirements, form of interaction, a link to a demonstrative video of the work, the participants’ role in relation to the interface, illustrations or sketches, transportation needs and any details that may be important to the full understanding of the proposal.
– The participant must submit a PDF document which shall contain specifications for assembly and disassembly of the work, as well as the use of objects and equipment loaned by the participant to the festival.
The festival is responsible for: the assembly of the work along with its technical specifications sent in advance to the production team of the festival; the disassembly in the absence of the artist through detailed technical roadmap; and the return of objects and equipment loaned by the artist as long as it has the prior instructions and the detailed list of specific items. Such instructions are paramount and full responsibility of the artists; the festival disclaims any problems resulting from their absence.
– It should be informed, in the the Registration Form, a web address – URL, in which will be available for download at least one high-resolution image (21 cm x 29,7 cm, 300 dpi) of the registered work, in TIFF or PNG format. This image will be used in press releases on the work, and FILE does not assume the responsibility for its reproduction from the festival’s publications. If the images should be credited someone, such credits should be specified by the participant in the respective field of the Registration Form.
– In the case of exclusively sound works, a link should be sent in which there is an extract during up to 5 minutes. These edited extracts may serve as a compressed remix of different musical areas of several compositions, or the participant may simply choose a continuous representative piece.
– In the case of an interactive work, it should be available online an additional video exemplifying the interactive interface of the work.

 

4.4 ENTRY FORMS

– The participant, in the act of shipping the works, authorizes FILE to exhibit those works in its events.
– If the work was accomplished by more than one person, only one person will be responsible or the Registration Form. The other members and/or collaborators should be indicated in the respective field of the Registration Form, as well as the group’s name and corresponding biographies. FILE doesn’t assume the responsibility for including in its exhibition and/or publications data which have not been informed in the Registration Form by the responsible participant.

 

5 ON THE SELECTION

5.1 The works will be analyzed by an internal judging commission, which will select the works that will be part of FILE exhibition.
5.2 The notification about the selection will be made individually by the FILE team to each participant, through the e-mail address specified in the Registration Form, as well as any posterior contact.

 

6 ON THE PARTICIPANT’S RESPONSIBILITY

6.1 The participant will be the only person responsible for the authenticity of the supplied data, for the work’s authorship and/or content, being, therefore, the only liable person for such creations, answering before civil and criminal law for the practice of plagiarism or any other act which may hurt copyrights or the intellectual property of another person. It is of the participant’s total responsibility the use of images from third parties that may be part of the works’ content.

 

7 AUTHORIZATIONS OF USE – INTELLECTUAL PROPERTY, COPYRIGHTS AND RELATED RIGHTS

7.1 The participants hence authorize the Organizer, in a free, definitive, universal and irrevocable way, to use the works produced by them for participation in FILE events, as well as their names, images and voice sound, in all and any type of advertising, transmitted through electronic, digital, and/or printed media, including magazines, posters, television, radio and internet broadcasts, and any other type of media and/or promotional pieces, in the way that the Organizer considers suitable, without the incidence of any liability for the Organizer, having all the copyrights of their respective authors reserved. The participants authorize the Organizer the use of image and sound display of their works in any and all activities connected to its events.

 

8 FINAL DISPOSITIONS

8.1 The Organizer, at any moment, may at its exclusive discernment, to complement and/or modify the present document partially or totally. All modifications or complements will be taken to the general knowledge through publication in the site file.org.br, and such changes or complements will only be valid 24 (twenty-four) hours after their publication in the site.
8.2 The judging commission’s decision is sovereign, not subject to any resource.
8.3 Upon filling the online Registration Form, the participants totally agree with the articles of this regulation, as well as with the use of their names, images, voices and photos for publicizing the selection’s result, besides their use in advertising, exhibitions, without any additional liability for the Organizer, or third parties indicated by it, during the legal period of copyright protection.
8.4 The participation in this selective process is FREE. Participants are not subject to any type of lottery or similar operation.
8.5 All doubts and/or questions derived from the present selective process will be solved by the Organizer, always considering the current norms of consumer protection. There will be no resource of any type to the Organizer’s decisions.

 

 

ENTRY FORMS:

DIGITAL LANGUAGE: https://file.org.br/inscricao/en/digital-language

ELECTRONIC SONORITY: https://file.org.br/inscricao/en/electronic-sonority

INTERACTIVE ART: https://file.org.br/inscricao/en/interactive-art

LED SHOW: https://file.org.br/inscricao/en/led-show

SYMPOSIUM: https://file.org.br/inscricao/en/symposium

WORKSHOP: https://file.org.br/inscricao/en/workshop

Deadline: 
01/14/2020

Entry Fee:

Contact & Links: 

Share Prize XIII Edition

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The XV edition of Share Festival, the Italian exhibition of contemporary tech art and science, lead by the Artistic Director Bruce Sterling, announces the opening of the call. The theme of this edition of Share Prize is:

 

RIOTS

HERE WE ARE

 

An atmosphere of blissful calm prevails over Share Festival, in the fifteenth consecutive year of our technology-art fair. The cruel word “Crisis” has become old-fashioned here in Italy, a nation whose government is  the most stable of all the G-7 major powers.
Our city has recently signed a ten-point Manifesto of Non-Hostile Communications, which recommends wise principles of civilized discourse online (and is highly suited for public announcements like this one).  The City of Turin has recently celebrated its first “Festival of Technology,” where our erudite populace responded with polite appreciation to the marvels of science. This huge, crowd-pleasing tech festival appeared back-to-back with Turin’s vast, legendary “Artissima” art fair, so that our city can now justly boast of its learned patronage of every form of modern art, and modern research, too!
Here at Share Festival of Piemonte, the radical, cutting-edge art forms that we have long championed: tactical media, net.art, device art, code art, interactive installations and augmented experiences — are being legitimized, refined and civilized.   All of our avant-garde artistic eccentricities are fast becoming twenty-first century mainstream lifestyles. Our Share Festival jury for the year 2020 is the wisest and best-briefed that we have ever assembled, for it includes the doyenne of the Piedmontese art scene, the globally-famed art collector and cultural activist, Patrizia Sandretto Re Rebaudengo. She is ShareFestival’s favorite Knight of Arts and Letters. We are really looking forward to a close discussion of your artistic entries this year. Frankly, our festival has never seen such a halcyon situation.  We are the picture of smart-urban civility.
La vita é bella!

*******************************************

 

However… here, below the dividing-line…. what about all those other cities, here at the turn of the decade?    Crowds waves angry banner, subways are flaming, airports are besieged, lasers flare in the tear-gas clouds under the drones — urban mayhem smolders over every horizon!   Leaderless crowds cry out their need to take back a control that seems entirely illusory; polarized parliaments howl abuse and demand impeachments, blockades and barricades abound to stop overcrowded caravans where all the wheels have fallen off….  Tech unicorns fall flaming in disgrace, and even the ultra-rich weep and tremble in public venues; social lynch-mobs abound, while enlightened scientists flee the trolls; upheavals are met with ominous silence as the Internet’s plug is pulled over vast, stricken provinces.  The tenuous fabric of civilization is shredded as law enforcement agents randomly batter the passers-by, and frenzied outbursts of reckless passion and raw discontent shatter the one-way mirror of the status quo. Surveillance is redoubled as the surveilled can’t be bothered to behave; to “befriend” is an act of covert emnity, while to
“like” is passe’. A riot is not a revolution or a reform, it’s a burst of frenzy that concludes in melancholy astonishment. And yet: here we are.  Such is the social condition.  It could be anywhere, it could be anybody. 

What can we make of this? What’s to become of us?

 

Bruce Sterling, Share Festival Art Director
Jasmina Tesanovic, Share Prize Curator

 

The works nominated for the prize must comply with the theme. An International Jury will select 6 candidates for the award, who will be invited to take part in the exhibition, which will take place in Turin in May 2020. By the end of February 2020 the finalists will be announced.

 

OPEN REGISTRATIONS UNTIL 28TH JANUARY 2020 – 12.00 am

Deadline: 
01/28/2020

Entry Fee:

Contact & Links: 

Global Nonviolent Film Festival

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Global Nonviolent Film Festival is the most important and renowned nonviolent film festival in the world and it takes place on-line.

The 2020 and 9th edition of the Festival takes place September 24 - October 4. 

This is an on-line film Festival. All the nonviolent feature films, documentaries, shorts and music videos selected to participate in the Festival will be screened during the above-mentioned dates on the Festival's TV Channel on Vimeo exclusively: 

www.vimeo.com/ondemand/globalfilmfestival

All films submitted MUST BE NONVIOLENT: the Festival does not accept films that showcase explicit or graphic violence; implied acts of violence may be accepted if they are justified by the message of the film. 

Prizes: 

The Festival accepts submissions and awards films in the following categories: 

Feature Live Action Film (over 40 minutes) 
Feature Animation Film (over 40 minutes) 
Feature Documentary (over 40 minutes) 
Feature Docudrama (over 40 minutes) 
Short Live Action Film (min. 10 minutes - max. 40 minutes) 
Short Documentary (min. 10 minutes - max. 40 minutes) 
Short Animation Film (min. 10 minutes - max. 40 minutes) 
Short Docudrama (min. 10 minutes - max. 40 minutes) 
Video Music

Deadline: 
08/22/2020

Entry Fee:

Contact & Links: 

Strangelove A Queer Festival

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Are you a filmmaker, visual artist, musician, writer or performer experimenting queer art in unexpected and gorgeous ways? Then send us your work! ​

Strangelove Festival is an annual festival that focusses on celebrating queerness, breaking binaries and providing a safe place for expressing yourself in any kinda way.

Strangelove Festival is celebrating its tenth anniversary with this edition.

Let’s make it a party to never forget!

Our call is open between 15 November - 31 December 2019.

Deadline: 
12/31/2019

Entry Fee:

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Illumination

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Illumination

July 24 to 26 2020

 

Hosted By The Dreamweaver Artist Ranch

Presented By

The Art Of Monteque Uncle Earl Enterprises Movie Reviews and More

Illumination is a three day event celebrating the arts, life and community with music, visual arts, dance, poetry, and performances bringing together the community and the arts in celebration of life, unity and equality.

July 24, 2020: Appreciation Day

Is the recognition and full appreciation of the community, independent entrepreneurs of good quality and environmentally sustainable work and the arts. With experiences of, culinary delights, the arts, inventive showcases and a farmers market in a visually stunning

landscape of beauty and old world charm. This is the perfect excursion for any lover of extraordinary experiences.

July 25, 2020: Illumination Event and Awards Dinner

An illuminating celebration of music, visual arts, dance, poetry, and performances. An awards dinner will be the capstone to an artistically festive day. Three awards will be presented to individuals which encompass the full spirit of life, art, unity and community.
There will be a raffle along with a silent and live art auction

July 26, 2020 Thank You Brunch

A simple brunch with music and performances to thank supporters, artists and entrepreneurs.

 

For artist who would like to participate there are still openings for visual artists, poets and photographers. artists who would like to participate there is a $40.00 submission fee and we ask artists who have been selected to participate to donate a piece of artwork to help support The Dreamweaver Artist Ranch.

If interested please contact Brian Sebastian at (424) 278-8875 moviereviewsnmore@gmail.com or The Art Of Monteque at info@theartofmonteque.com

Prizes: 

Artists who are selected been apart and featured in the illumination event.

Deadline: 
05/11/2020

Entry Fee:

Fee Detail: 
$40.00 submission fee and we ask artists who have been selected to participate to donate a piece of artwork to help ra support The Dreamweaver Artist Ranch.
Contact & Links: 

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