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Contemporary Guides in the city of ROMA for alohaonboard.com

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Looking for local based in ROMA to perform contemporary art guide conference on art galleries, arts & crafts tours 

to join Alohaonboard.com guides crew starting to be build out.... Whatever your age or degree, be Local loving your city, having a good knowledge in the Roma contemporary art scene, arts and crafts, let's get in touch to meet soon and see if you can join the team. Important : The guide activity is based on donation. The content is built already to deploy the major guidelines, the follow up in the city and contribute on later developments.

More about us :alohaonboard.com

 

 

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Sculpture X, Form Finding in the 21st Century

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Sculpture X

Form Finding for the 21rst century

William Paterson University workshop and residency

June 3, 2021- June 17, 2021

 

THE WORKSHOP

Imagine being in a group of like-minded creatives working in proximity to create sculpture carved by robot but finished by your hand? We seek to bring together artists, sculptors, designers, architects, and curators to explore robot carving in wood. Working around other artists can inspire and motivate as you discover ideas in a speculative, constructive context.  It’s an opportunity to discover new ideas as well as work with new technologies. That's the spirit and tone that Sculpture X: Form Finding for the 21st Century seeks to provide. 

 

William Paterson University Center for New Art is now offering a 2 week workshop from June 3, 2021- June 17, 2021 for carving a sculpture (from a wooden block) by robot and then further working it by hand.

 

FOR DETAILS ABOUT COST AND APPLICATION:
https://michaelrees.org/sculpture-x-robot-carving-workshop

 

Contact information

Michael Rees reesm@wpunj.edu

Deadline: 
03/08/2021
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Body Mind Art (one-day workshop)

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The Body Mind Art experience will provide an opportunity to relax through a moment of guided meditation and express your feelings with watercolor. 

This 1.5-hour meeting held via Zoom, is provided by ARTiClass by Agora Gallery, a contemporary art gallery located in the heart of Chelsea NY, since 1984. 

This unique and professional workshop will enable you to find calmness and embody a sense of stillness from the very talented and experienced instructor, Carisa Bledsoe, while interacting & getting encouragement from other art lovers from all over the world! 

In addition to enjoying our easy-to-use website, graduates can join our online community, be awarded with the gallery's representation benefits and may be elected for the 2021 ARTiClass competition.

Deadline: 
03/06/2021
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Call to Artists: Social Justice Collage Workshop

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Social Justice Collage Workshop

A four-week, virtual/online workshop in March & April 2021 with Kolaj Institute

Deadline to apply: 13 March 2021

Collage artists with a passion for equal rights and equitable opportunities for all are invited to apply for Kolaj Institute’s Social Justice Collage Workshop, a four-week program designed to provide a foundation for the intersection of collage and social justice with the end result of creating a collage for an exhibition in May.

Early social justice advocates focused on issues such as the distribution of capital, property, and wealth because of the extreme disparity between the rich and the poor at the time. Since then, the term social justice has adapted to include the environment, race, gender, and other causes and manifestations of inequality with a focus on human rights and improving the lives of disadvantaged and marginalized groups.

The workshop is designed to explore the purpose, meaning, context, history and problems of social justice through collage making, discussion, examination of other artists’ work, and hearing from dynamic speakers who make and curate social justice collage. Participants will engage with each other via Slack and meet once a week on Zoom for four weeks. The workshop faculty is Elaine Tassy, Gerald Leavell, Rachel Monique Walker, and G.E. Vogt.

Elaine Tassy sees social justice collage-making “as a way to participate in the cry for justice for victims in some small way, and to process my feelings around their victimization at the same time.” During the workshop, she will speak about her experience making social justice collage and present, Say Their Names, an interactive art experience that documents and reimagines the police killings of Black people. She will invite participants to contribute to this project by creating context for one of the figures.

Gerald Leavell writes, “Social justice, to me, begins with self-reflection. Honest, brave, and compassionate self-reflection.” Gerald Leavell will speak about artists who are currently using collage to make an impact and lead a collage making session.

For Rachel Monique Walker, social justice is “a form of living justice, where action is taken to counter oppressions and restore rightful respect to people who are dehumanized by our systems.” Walker’s vision board exercise will give participants a chance to reflect on their previous engagement with the idea of social justice, consider where they are headed with social justice in the future, and make a collage in response to these insights.

G.E. Vogt will lead a presentation of their own voyage of learning about the history of political collage. They write, “Art is one of the most powerful forms of expressing, or bringing attention to the different forms of social inequality, thereby acting as a catalyst to motivate the necessary work for social justice.”

Artists in the workshop will work alongside each other to conceptualize, contextualize, and create social justice-themed collages. At the end of the workshop, everyone will be invited to have one of their collages included in the May 2021 exhibition at the Albuquerque Center for Peace and Justice along with Elaine Tassy’s piece, Say Their Names.

WHO IS THIS FOR?

The workshop is intended for self-motivated artists, at any stage in their career, who want to develop a practice of making artwork in response to social injustice. The workshop focuses on creating collage that addresses modern issues and current political concerns. The workshop is open to artists anywhere in the world.

WORKSHOP LOGISTICS

Dates: March 18th to April 14th

Participants will engage via an online platform through group discussions. A two-hour virtual meeting will be held on each Saturday from 2-4PM EST.

COST

The cost of the Social Justice Collage Workshop is $350; however, no artist will be turned away for lack of funds and the organizers will work with artists to build a financial aid package. The Social Justice Collage Workshop is limited to 12 artists.

HOW TO APPLY

Submit your application HERE.

APPLICATION PROCESS

The submission process will ask you for: Contact information; Artist Bio (50-250 words); Artist Statement of Practice (50-300 words); 5-7 images of artwork; a statement of expectations; and ask you some questions about your work and financial needs. Applications are reviewed by the faculty. Space is extremely limited; however, the applications of qualified artists are kept on file and those artists will be invited to future workshops, if they wish.

CALENDAR

Deadline to apply: March 13, 2021
Notification to artists: March 15, 2021
Workshop dates: March 18-April 14, 2021

QUESTIONS

If you have questions, send an email to coordinator@kolajinstitute.org.

Deadline: 13 March 2021
Final Notification no later than 15 March 2021

Deadline: 
03/13/2021
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Sound, Language & Position with AGF

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Workshop dates: 17/05/2021 - 2021-08-31
    
Listening is a practice - it is a political act. Sound is a way of knowing the world; a way of orienting ourselves, of expressing, understanding and contextualising our position. We can use sound to make connections, to grow decentralized networks, to organise. The possibilities of language - political language, deconstructed language, poetic language - to organise these networks and connections is intensely powerful and nuanced. What is political sound? Or collective sound? Does it have a transformative quality? How can we make sound together, and decolonize our practice as an individualistic form of expression? What technology can we involve, develop or hack? 

And, as we explore these networks, there are important ethical considerations. What is the relationship between the recorder and recorded? Do I have consent? Is it my place to tell this story?

This workshop will focus on each participant working to develop their perspective on three elements: sound, language and position. Each session will develop from the presentation of new ideas through to a set of directions, and assignments for the next session. There will be face-to-face meetings and group listening, as we manouvre towards the production of a short-form audio work for presentation on recon (https://rec-on.org)

Antye Greie (aka AGF) is an East-German artist and producer living on Hailuoto Island, Finland. She assumes a multiplicity of facets and roles – sound sculptor, poet, composer, gender activist, sound and new media curator. Her experimental music, without completely leaving the dance floor, proves hard to label. Her sounds at times echo musique concrète, other times glitch or noise, alluding to icons like Björk or Laurie Anderson. In spite of her clear poetic tendencies, language requently disappears in her work, drawing the human voice into a game with pure tonalities, beyond worn out recognizable speech. Ambient sounds, synthesized voices, dissonant malfunction warnings drain into the atonal river of post-digital aesthetics.

Having participated in Documenta 14 and Transmediale and received an award at the Ars Electronica festival (2014), Antye Greie is a complex artist whose praxis, though socio-politically laden, goes beyond mere ideology. Her fluctuating, modulating identity composes and recomposes itself from samples, comments, likes, and photos on Facebook, Mixcloud tracks, bytes circulating at dizzying speeds, always one step ahead of the newest control tech.

Antye's installation "Mycelium" - in which mushrooms generate sound, composing music in real time - ties into a larger project entitled (sonic) Wild Code, in which AGF and a group of artists, anthropologists, and computer scientists construct music from the audio feedback caused by rocks, wind, plants, streams, and a metal reindeer fence. These experiences in hybrid ecology were commented on by the artist in a text which recently came out in Musical Instruments in the 21st Century (Springer, 2017), a volume with theoretical underpinnings, broadly, in Deleuze’s theory of assemblages, of hierarchy dissolution, and free, rhizomatic relations.

Antye is an active member of the female:pressure community, and has militated for Kurdish and Syrian women and for the visibility of female electronic music artists and producers, actions echoed in the recent tendencies of Romania’s art paradigm (see Bucharest’s party scene and collectives like Vagenta and Corp). Her discourse aims at promoting equality of opportunity and diversity on the electronic music scene, interweaving power, responsibility and aesthetics.

(Image of Antye by Inkeri Jantti)

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Body Mind Art Experience (one-day workshop)

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The Body Mind Art experience will provide an opportunity to relax through a moment of guided meditation and express your feelings with watercolor. 

This 1.5-hour meeting held via Zoom, is provided by ARTiClass by Agora Gallery, a contemporary art gallery located in the heart of Chelsea NY since 1984. 

This unique and professional workshop will enable you to find calmness and embody a sense of stillness from the very talented and experienced instructor, Carisa Bledsoe, while interacting & getting encouragement from other art lovers from all over the world! 

In addition to enjoying our professional standards and friendly easy-to-use website, our graduates can join our online community, be awarded with the gallery's representation benefits and may be elected for the 2021 ARTiClass competition.

Deadline: 
02/28/2021
Contact & Links: 

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