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A slash of Blue-

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Gerald Moore Gallery is pleased to invite submissions to this year’s open call A Slash of Blue- the title is taken from the first line of a poem by Emily Dickinson:

A slash of Blue –

A sweep of Gray –

Some scarlet patches on the way,

Compose an Evening Sky –

A little purple – slipped between –

Some Ruby Trousers hurried on …

This Open call is focused on painting, and is for pre-existing works from artists based in London and the South East to be exhibited in March 2022.

Exhibition dates: 2nd -25th March 2022

Entry requirements:

Open to all artists in London and the South East.

Send an image (of no more than 2mb) with a short description of the work including the media and dimensions to info@geraldmooregallery.org subject: ‘A slash of Blue submission’.

Include your name, email, phone number and a link to your website.

Deadline for submissions: Monday 16th January

Selected artists will be contacted by 1st February and works will need to be delivered to the gallery by the 18th February.

The gallery is situated within the grounds of a school and the works will need to be appropriate for young ages.

If you have an idea for a workshop with schools, children or adults, please include this in your application, including a budget and artist fee.

Address of gallery: Gerald Moore Gallery, Mottingham Lane, London SE9 4RW.

 

Location: 
Gerald Moore Gallery, Mottingham Lane, london SE9 4RW
Deadline: 
16/January/2023

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CALL FOR ARTISTS: LONDON CONTEMPORARY 2022 – 5TH EDITION

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LONDON CONTEMPORARY ART FAIR 2022, organized by ITSLIQUID Group in collaboration with YMX Arts, will be held in London, at THE LINE Contemporary Art Space from November 10 to November 27, 2022.

LONDON CONTEMPORARY is an international art fair that presents collective and solo projects by leading and emerging international artists. The 5th edition will represent a forum for the direct exchange of ideas and contacts between collectors, artists, photographers, designers and art professionals. The art fair features paintings, sculptures, photography art, installations, video art and live performance.

Deadline: 
23/October/2022

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#OctopusStory Open Call for Proposals - Installation and Art Direction

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#OctopusStory Open Call for Proposals

Project Background

Portsmouth is a city surrounded by the sea. Changes to the health of the ocean have an impact on the city, from pollution to rising sea levels we are as affected as the creatures that live in the water.

A nine-month long project is working with people across the city to produce a large-scale immersive audio-visual installation and theatre performance inspired by the ‘Octopus Medicine’ poems by Becci Louise. This will encourage audiences to develop a connection with the ocean, both as an otherworld and an eco-system upon which our own, terrestrial lives, thoroughly rely.

In November 2022 the flagship event of the project will take place at Portsmouth Cathedral. Over 3 days immersive theatre, video projections, soundscapes and performance will take visitors on a journey to an undersea world full of magic and mystery.

Project Requirements

The project is issuing an open call for proposals to respond to one or more of the requirements for a giant octopus and three separate installations.

The work will be installed inside Portsmouth Cathedral.  Performances will last around 50 minutes.  During the three performances there will be around 200 people in the building. The work needs to be suitable for all 200 people to experience in the time available without noticeable queuing.

The Cathedral will be open for services and may be open to the general public during the day.  The proposals must be robust enough to deal with people touching it or be designed to avoid this.  If barriers are included to prevent people touching the artwork this cannot compromise the aesthetic of the proposed work.

Portsmouth Cathedral is a listed building and a place of worship.  Installations cannot affect the fabric of the building and must be respectful of its primary purpose.

The project has no specific requirement in relation to the materials used and welcomes creative ideas that take a broad interpretation of ‘installation’.

It is recommended that you read the short poem book ‘Octopus Medicine’ by Becci Louise to inform your proposal.  The book can be purchased from https://www.crowdfunder.co.uk/p/octopusstory/backers#start or borrowed from any of the libraries in Portsmouth.

The expected fees shown for each item are to help you produce appropriate proposals.  The project budget is exceedingly tight and the amount available is less than the total maximum fees.  The project considers cost as important as the creative idea. You can submit differently priced proposals for any requirement (e.g a lower cost and a more expensive option).

Applicants will be selected based on the best overall combination of proposals that falls within the budget available.

There is an under investment in arts in Portsmouth.  The project has a preference to award the work to people based in this area subject to finding suitable creative ideas within budget.

The project will have riggers on site for the installation of artwork who can help with the set up of anything that needs specialist rigging. 

The project is working with a lighting company who will illuminate the Cathedral, octopus and installations. Any audio in your proposal needs to consider there may be an ambient soundscape in the Cathedral as part of the overall event.

 

Giant Octopus

The project needs to commission or hire a replica of a giant octopus at least 5 metres in size.  The octopus doesn’t need to be realistic but should avoid cartoon or comic book depictions of octopuses. It is not yet known how the octopus will be displayed but it may need to be suspended so a lightweight solution may be preferred. The octopus will be displayed within the Cathedral so does not need to be weatherproof. 

Expected budget: £600-£1600

Camouflage installation

The project requires an installation that responds to the following:

An octopus melds with its environment, blending with its surroundings, adapting quickly to new situations. It becomes a part of its world. I think we can learn, from the octopus, how to integrate ourselves back into the natural world without harming it or ourselves. An octopus lives in harmony with its habitat. We need to learn to do the same.

It is anticipated that the footprint of the installation would be around the size of a family car.

All essential elements of the installation must be provided e.g. the project is unable to provide plinths etc.

Expected budget: £500-£1000

Collaboration installation

The project requires an installation that responds to the following:

An octopus has whole body awareness; it has nine brains (one central brain, and one brain in each arm). There is so much neurological matter in each of their arms that scientists have speculated each arm might have its own personality. We can also learn to collaborate with others and work together as a team to solve the worlds environmental problems.

It is anticipated that the footprint of the installation would be around the size of a family car.

All essential elements of the installation must be provided e.g. the project is unable to provide plinths etc.

Expected budget: £500-£1000

Curiosity and play installation

The project requires an installation that responds to the following:

Octopuses love to learn. They are endlessly curious, they love to play, they solve problems and investigate the world, we can learn and research about nature so that we can live in harmony. I think we need to learn to be more curious and playful.

It is anticipated that the footprint of the installation would be around the size of a family car.

All essential elements of the installation must be provided e.g. the project is unable to provide plinths etc.

Expected budget: £500-£1000

Timeline

Responses should be submitted to octopusstoryportsmouth@gmail.com by 10am on Monday 22nd August

Applicants will be informed of the outcome by 9am on Thursday 1st September.

Completed work must be available for inspection by Friday 14th October.  Appointments will be made with the successful applicants.

Work must be delivered to Portsmouth Cathedral on Monday 14th November for installation.

Work must be collected from Portsmouth Cathedral on Monday 21st November.

 

Please send details of your proposal to octopusstoryportsmouth@gmail.com by 10am on Monday 22nd August

Your proposal be laid out in the following format in a single document (e.g. Word, Powerpoint, PDF etc).

SUBJECT: Which requirement you are responding to

DESCRIPTION: A description of your proposal which should be a maximum of one side of A4

SIZE: Approximate dimensions of your proposed solution

COST: Cost including VAT (if applicable) for the time and materials required for production and delivery/collection of the artwork.

LIGHTING: Whether you have any specific lighting requirements

PROPOSAL IMAGES: A minimum of one and maximum of four sketches or other representation so your proposal can be visualised

MATERIALS: Images of the materials proposed so your proposal can be visualised

PRIOR WORK: A maximum of six images of prior work relevant to this proposal, including approximate sizes and budget

LOCATION: Town/City where you are based

ECONOMIES OF SCALE: If your application covers more than one requirement you need to respond to each requirement separately.  If there are any economies of scale these must be listed in a single ‘economies of scale’ section at the end of your document and set out the discount to your costs if you are awarded more than one piece of work.  The project will review each response to each requirement independently and applicants proposing solutions to more than one requirement might be successful in fewer areas than they proposed.

If you do not receive a response confirming receipt of your proposal please contact Angela Parks

 

Location: 
Portsmouth Cathedral, Portsmouth, UK
Deadline: 
22/August/2022

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Open Call For Female Artists

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Kato Wong Gallery are giving female artists a space to discuss their feelings about recent upsetting events. There have been murders of young women in London, the Roe Vs Wade controversy amongst others.
You are invited to respond with artwork, either pre existing or new. Anger will be part of the discussion, but you are encouraged to educate both men and women about your experiences, your bodies, sexuality.
We invite female-identifying artists anywhere in the world to apply, regardless of experience.

Kato Wong Gallery is a London based online gallery. Run by artist, film director and curator Kato Wong, the gallery has hosted 5 exhibitions by emerging and unknown artists from around the world. The exhibition will be online for 4 weeks in October. 

Location: 
Kato Wong Gallery
Deadline: 
07/August/2022

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Sleeve Shock

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Sleeve Shock and Birth Sleeves? are two complementary exhibitions and talks events running in parallel from Monday 3rd until Sunday 16th October. (Frieze London 2022 runs from 12-16th October).

They are intended to provoke discussion around the human skin as a primary signifier of identity. The dialogue between the two shows will enable comparative views from different life phases, and evoke a trans-humanist perspective on identify conflict.

This is an open call for artists to take part in Sleeve Shock, which could provide an opportunity for artists from outside the capital to exhibit in the London art scene.

Birth Sleeves?

Taken from Richard Morgan’s Altered Carbon, sleeves are the term used for bodies that serve as a receptacle for the human consciousness. The body an individual is born with is called their Birth Sleeve. 

A recurring theme in trans-humanist thinking is that one day we will be able to upload our human consciousness into some form of device which can then be relocated into a new body (re-sleeved), whether naturally born, modified or artificially created, as required or desired.

This exhibition, Birth Sleeves?, is a celebration of the opened sleeves of 7 people from across the diversity spectrum, aged 50+, whose skins have witnessed and recorded their lives in a myriad of ways, some through their own choice, some resulting from bio-technological intervention but mostly from the abrasion of engaging with life as they progress through it.

Sleeve Shock.

When an individual is re-sleeved they often experience a degree of sleeve shock. The more foreign the sleeve is in comparison to the individual’s birth sleeve, in terms of age, race, gender etc, the more intense the shock. Whilst we in 2022 are not living in the year of Altered Carbon, I feel this gives us a different perspective on aspects of identity conflict felt by so many of us.

This exhibition facilitates a conversation with artists who perhaps are experiencing a degree of sleeve shock as if they have been re-sleeved into something not quite compatible with who they are.

As we progress through the years, we come to terms with, we learn to ignore, we amend, we conceal or simply lose interest in the issues with our sleeves.

However these early career Artists are at the beginning of that process. Their work is raw and fresh and uses current techniques and media to confront, evade and wrestle with the sleeves they find themselves in.

We are looking for artists who can relate to this idea - as if they have been re-sleeved into something not quite compatible with who they are.

Deadline: 
17/June/2022

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Exeter Contemporary Open

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Exeter Contemporary Open presents a significant annual showcase of emerging and established contemporary artists working in any media from across the UK. Established in 2006, the exhibition has come to be recognised as one of the UK’s most prominent contemporary art competitions, acting as a showcase, springboard and platform for some of the best new work from the most exciting artists working today.

Artists may submit up to four artworks, through the online submissions form, from which the exhibiting finalists will be selected by a panel of art-world professionals. The panel will particularly be looking for work that reflects current directions, themes and concerns in contemporary practice.  

This year's exhibition will be selected by a panel that includes internationally regarded artists Jonathan Baldock and Anne Ryan, who will join Phoenix Gallery Curator Matt Burrows.

Prize Summary: 
£1000, £500, £200 cash prizes
Prizes Details: 

Each of the artists selected for the exhibition will be eligible for one of several cash prizes: The £1000 Overall Award, £500 Additional Award and £200 Audience Choice Award – as voted for by visitors over the course of the exhibition.

Deadline: 
12/June/2022

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Fee Detail: 
£5 for up to four entries
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