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Art + Critique: Critical & Contextual Studies in Art Practice Online Course

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This course integrates practice and theory in a comprehensive programme that emphasises critical inquiry in art practice. The curriculum will help you develop your practice and research in a series of lectures, seminars, workshops, tutorials and off-site visits.

The course addresses our concepts of art, how they are being transformed and the problems of making art in the broader context of social conflict. The curriculum surveys the histories and discourses of contemporary art, demystifies the art world and provides multiple entry points into critical theory. The programme fosters collaborative study and provides practical tools in workshops and group feedback sessions.

By the end of the course participants will have a critical awareness of contemporary art, with a road map and toolbox of resources for their continuing practice and the confidence to pursue it independently. The course is open to everyone but it is particularly suited to those who have a background in art and wish to develop their practice.

Art + Critique: Critical and Contextual Studies in Art Practice Online course
14 Oct 2021 – 10 Mar 2022, Thursdays 18:30-20:30 GMT+1 (BST)
The course takes place over two terms with a 4-week winter break
Course fee £340 / Concessions £272 (student, unwaged, disability, senior). If the course fees are a barrier to your participation please visit the website to get in touch so that we can find a way to make it more accessible for you.

For detailed information please visit the website and download the course outline:
https://videomole.tv/artncritique/

Please visit the website to register. The course is delivered online, participants will receive a course pack with detailed information at least three days before the course begins. Please read the Learning Agreement before registering.

If you have any questions please visit the website and use the contact form to get in touch.

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Duration: 
14 Oct 2021 – 10 Mar 2022, Thursdays 18:30-20:30 GMT+1 (BST) The course takes place over two terms with a 4-week winter break
Price: 
£340 / Concessions £272 (student, unwaged, disability, senior).
Qualification: 
This is a non-accredited course.

Host & Provider:

Contact: 

https://videomole.tv/artncritique/

Moving With Grace – Online Feldenkrais Zoom Classes

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Where: Online – Zoom

When
– Every Tuesday at 19 CET.
– Every Thursday at 11 CET.

Costs for participants: Free or pay what you wish.

Improving the organization of the neck, shoulders and jaw.
Releasing tension, pain, blockages.

I am teaching online Feldenkrais lesson series focused on the head, neck, jaw, face, and eyes.
Movement patterns, tightness and unease in these parts are usually all linked together and are very common. They can be often experienced as pain, TMJ issues, headaches, stress, restricted breathing or bad posture.

You will learn how to improve the use of this area of the body and integrate it with the rest of yourself.

It can have an impact on your well being by:

– Reducing chronic muscle tension
– Improving flexibility and range of motion
– Completing tasks with less effort
– Improving sleep and breathing
– Reducing stress and anxiety
– Improving balance, coordination and posture
– Increasing athletic performance

 

How does it work?
Restructure your neuromuscular patterns to move without pain.

Classes are designed as movement inquiry. You will explore how you use and experience your body, and how you can improve it.
I will guide you verbally in slow, gentle movement sequences. This process intends to change deep unconscious movement habits, that are causing unnecessary tension in the body, and to create space for more efficient use of self.
During the class, you will be mainly moving in laying position or sitting on the floor and following my verbal guidance. There is no need to look at the screen, and your attention is free to focus on your own experience.
 

->> Free registration at https://nativestate.co/
 

 

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Free or pay what you wish.

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Solo - the devised Monologue

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Christine Schmalor
Online intensive-course: 26. September + 17. Oktober + 31. Oktober 2021
from 15-18:00 plus individual Coaching

The SOLO course consists of 3 joint meetings with 3 hours each and a one-hour personal coaching session the following week; dates by arrangement. Each meeting has a clearly outlined theme, so you can choose to attend all or just one. After each meeting you have the opportunity to deepen the topic and apply it to your own project in the personal coaching session with me.

SOLO 1 – Above All (26. September)
FINDING my theme – OPENING all dimensions of a theme – GIVING VOICE to my theme

SOLO 2 – The creative mind flow (17. Oktober)
Intertextuality – game and chaos – THINK BIG!

SOLO 3 – Composition (31. Oktober)
Building your fundament – your compass – your ARTISTIC LANGUAGE

This intensive workshop supports artists who are creating a monologue, monodrama, solo performance or their own devised theatre evening. Whatever you want to call it, you need a roadmap for your steps. Simple practical advice can be found everywhere. But then the journey into the unknown begins. How do I structure my own artistic path? What do I need to keep in mind? What tasks should I set myself so that I can really break new ground?

You might have already a vague subject or a collection of artistic material, but how to work with it? We will touch the following subjects:

- The artistic work with a theme and its practical implementation.
- Steps to unfold your creative mind-flow.
- The process of creation through intertextuality: discovering new patterns of speech and thought that, in particular, inspire playfulness.
- The art of composition as the basis and compass of designing a monoperformance.

This intensive course is aimed at theatre artists who are planning their own project or are already in the process and could use support.
After the first course in June 2021, which was enthusiastically received but proved far too short, I have decided to expand the programme and offer three meetings instead of one, each with more practical exercises to try out immediately together.

Level:

Duration: 
26 Sept + 17 Oct + 31 Oct 2021
Price: 
whole course 120 € (3 meetings + 3 coachings) single 50 € (1 meeting + 1 coaching)
Qualification: 
certificate
Awarded by: 
World Theatre Training Institute AKT-ZENT research centre of the International Theatre Institute
Contact: 

World Theatre Training Institute AKT-ZENT / ITI
+49 30 612 87274
https://theatreculture.org

My System of Stanislavsky - A Dialogue in nine Episodes

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The Online Theatre Academy, offers a unique one-year programme with Jurij Alschitz and Olga Lapina – teacher and master student: two generations of Stanislavsky’s disciples explore the legacy of Konstantin Sergeyevich Stanislavsky and its relevance for today’s theatre practice in a course of nine profound interactive meetings.

Dr. Jurij Alschitz was educated at Moscow State University in the class of Professor Yury Malkovsky, a direct student of Stanislavsky, and Dr. Olga Lapina graduated from the class of second-generation Stanislavsky’s student Professor  Oleg Kudryashov in Moscow University of Theatre Arts (GITIS). Therefore, they both share a deep practical and theoretical knowledge of the system from within the teacher-to-student lineage, and at the same time they both research the heritage of Stanislavsky from the point of view of its relevance to the modern theatrical reality and question the ways in which practical application of the system can be turned into useful and creative tools, rather than indisputable theatrical religion.

On one hand, familiarity with the basics of the Stanislavsky system is a necessary step in the training of all professional theatre artists – actors, directors, and theatre teachers. Stanislavsky’s discoveries in the field of theatrical pedagogy – formulating a system of elements of creativity, discovering the actor’s methods of self-preparation, the method of physical actions – lay the foundation of theatrical art and constitute the ABC of every theatre professional. On the other hand, Stanislavsky often repeated in his writings that actors and teachers must re-train every 5 years; the speed of transformation of modern times invites the artist to constantly update his art even in a shorter time frame. Every system has to be tested by the movement of time, and none of the previous knowledge, even the most conventional, should be taken without critical mind, artistic curiosity and creative investigation.

"We need new Stanislavskys – teachers who are able to combine artistic and methodological thinking while creating their own system – and who are ready to make radical changes at any moment to improve their art."

Jurij Alschitz and Olga Lapina believe, that their mission is to impart knowledge of the system to a new generation, but they relate past experience and contemporary theatrical thought critically, discovering unconventional and creative contemporary applications of what might be known as traditional elements of Stanislavsky system. With this course  they want to encourage theatre practicioners to develop their one system. 

They will speak about the most fundamental themes of K.Stanislavsky’s legacy, such as action, conflict, event, supertask, given circumstances, method of physical actions, improvisation, ethics, ensemble, as well as the phenomena of actor/role and artistic individuality,  hereby giving a notion of the system in general.

In each meeting they will investigate the topics both theoretically and practically, providing with a broad spectrum of knowledge and practical inspiration to use the system creatively in your own artistic everyday life.
1. Lecture: the classic definition and approach
2. Dialogue: how do we understand it today?
3. Practice: implementation and relevance for modern theatre

This course is an invitation to EVERYONE who wants to know more about the various facets of the great master Konstantin Sergeyevich Stanislavsky. Below you will find a thematic overview. Each session can be visited and booked individually. The artistic director reserves the right to intuitively mix topics in order to reveal the complexity of the system.

Dates and topics:

18 Oct 2021 (from 3 - 6 PM UTC+2) - 1. System and chaos. My life in art

15 Nov 2021 (from 3 - 6 PM UTC+1) - 2. Ethics

20 Dec 2021 (from 3 - 6 PM UTC+1) - 3. Action and affective memory

17 Jan 2022 (from 3 - 6 PM UTC+1) - 4. Conflict, action and supertask

21 Feb 2022 (from 3 - 6 PM UTC+1) - 5. Event

21 Mar 2022 (from 3 - 6 PM UTC+1) - 6. Ensemble and individuality

18 Apr 2022 (from 3 - 6 PM UTC+2) - 7. Actor/role, magic “if…”, given circumstances

16 Mai 2022 (from 3 - 6 PM UTC+2) - 8. Method of physical actions, active analysis and improvisation

20 Jun 2022 (from 3 - 6 PM UTC+2) - 9. The system as a living structure

Level:

Duration: 
18 October 2021 - 20 June 2022
Price: 
early bird until 15 Sept: 320 € / regular: 390 € / single: 50 €
Qualification: 
certificate
Awarded by: 
World Theatre Training Institute AKT-ZENT research centre of the International Theatre Institute
Contact: 

Christine Schmalor, programme director
+ 49 30 612 87 274
https://theatreculture.org/
https://online-theatre-academy.com

taller de fermentaciones, biomateriales e hidrocuerpxs con AOUCH.Lab

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TALLER Oh! Bacteria Oh!: FERMENTACIONES COMO UNA APROXIMACIÓN RADICAL A LA ECOLOGIA-DE-HIDROCUERPXS HUMANOS Y NO-HUMANOS

FIBRAS MICROBIANAS – SIMBIOSIS Y LAS PROPRIEDADES DE LA MATERIA
En la Primavera de 2015, Joana Moher (AOUCH.Lab) empezó a explorar intuitivamente las fermentaciones, como un intento didáctico experimental de intersección entre ciencia y alquimia, botánica y soberanía alimentar, comprometida en la búsqueda de materiales biodegradables y biomiméticos, quizás kinestésicos hacia una nueva incisión textil. Lo que a la partida era solamente generar una materia prima, con el pasar del tiempo se transformó en preservar un jardín, lleno de relaciones simbióticas interespecie entre humanos y criaturas no-humanas, multidisciplinar y que ha coevolucionado hacia un taller. Donde y con las fermentaciones, en particular a través de la Kombucha, se puede acompañar procesos y practicas metabólicas, ecológicas y biomatéricas, complejas de pequeñas formas de vida donde los humanos al final son simples colaboradorxs. El objetivo de este experimento domestico, de este taller es compartir recíprocamente esas herramientas y explorar plásticamente la biomateria-viva y sus propiedades y intersecciones como prima-matter hacia una creación plástica, textil o performativa o transdisciplinar.

LAS PROPRIEDADES DE LA MATERIA
ECUACIÓN a través del TIEMPO

[Kombucha Tea + Azúcar+ FERMENTACIÓN] = Scoby Fungi- Hongo de Manchuria o Medysomyces Gisevil

[Scoby + Crecer/Preservar /Teñir+ Secar ] = Celulosis MICROBIAL /Cuero – Papel / Cuerpo Vegetal

Incisión Plástica = X

MENÚ Fermentación
Dado ser un taller totalmente experimental, de desarrollo de biomateriales y procesos propios existe una necesidad de una práctica presencial para iniciar un proceso de cultivo y transferencia de herramientas relativas a las propiedades de la materia e introducción a las técnicas de teñido, moldeado, secado, etc. Pasadas 3 semanas, es vital un acompañamiento presencial o en línea, para activar un nuevo ciclo de maduración y reforzar técnicas de preservación, teñido, moldeado, secado, etc hacia el desarrollo de la incisión plástica final transdisciplinar. Mediante los procesos y terminada las incisiones plásticas, quedaría abierta la propuesta de sincronizarnos en una fecha a coordinar con las necesidades creativas y de forma voluntaria, una exposición-performática de la materia e /o memoria gráfica final en formato Fanzine, en el Carbono Lab.

CONTENIDOS A EXPLORAR
+: fermentaciones, simbiosis y hidrocuerpxs
+: procesos de cultivo y preservación
+: propiedades de la biomateria
+: procesos de teñido y botánica digestiva
+: procesos de secado
+: herramientas hacia una incisión

INFO COMPLETA EN >>> http://www.materic.org/taller-de-fermentaciones-biomateriales-e-hidrocuerpxs-con-aouch-lab/

Level:

Duration: 
3:30 hours
Date: 
Friday, September 3, 2021 - 17:00
Price: 
45
Contact: 

espai@materic.org

Cycles training > dance like yourself

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Dance for All Movers, cycles practice, alignment principles, moving with expression, vocal freedom, self-creation, exchange/mentoring.

​Practice and deepen expression through awareness, alignment and coordination of simultaneous action, attending to breath, impulse and energy, mobility, strength, power with ease, using the CYCLES Practice approach.. CYCLES is relevant & designed for all bodies & all forms of movement allowing & guiding each person to work within personal needs, challenges & references. Discover, recover & build ease, strength, creative expression & pleasure whether doing highly stylized, technical and-or improvisational dance, with fitness & awareness training built in.

Online: Mondays 10am to start the week     Fridays 8am to greet the day

             live Toronto time​ (afternoon EU, evening EastAsia)  for all people

             Is another time better? Send a request. Can't make it live, Recording can be available by pre-arangement

Design of the Sessions: > 0:00 Flow infinite patterns (with drawing writing) > > 0:15 Breath, power > 0:25 Plasticity Fluidity Mobility (full body) > 0:50: dance like yourself​​ >  link lets you in directly so join what you can, you won't be disturbing

Email to register and for online link: info@acrossoceans.org

$15-20-25-30/class. Discount for pre-registration. Pkg cards & mentoring by arrangement

It’s all about the practice. Low on cash… PWYC if & when you can... we’ll figure it out.

​Sessions are structured for participants to work at their maximum capacity within their area of personal expertise, skill and age and can be experienced as both high and low impact depending on your interests and needs. Professionals and ALL movers.

Cross-genre. All Abilities. All Access.

Languages: English, French, translation available on request. 

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Duration: 
October-December 2021
Date: 
Friday, October 1, 2021 - 10:00 to Friday, December 31, 2021 - 12:30
Price: 
Upon Request

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Contact: 

Led by Maxine Heppner > Evolving since the 1970’s, through dance, theatre, traditional & arts, as well as neuroscience research, Maxine’s career in performance has led to her CYCLES approach that does not presume aesthetic preferences, but examines impulse, energy & the expressive natures of mobility’s many forms.

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