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Cosmopolitan is an international magazine for women. It was first published in 1886 in the United States as a family magazine, was later transformed into a literary magazine and eventually became a women's magazine in the late 1960s. Also known as Cosmo, its current content includes articles on relationships and sex, health, careers, self-improvement, celebrities, as well as fashion and beauty. Published by Hearst Magazines, Cosmopolitan has 58 international editions, is printed in 34 languages and is distributed in more than 100 countries.

Vogue Portugal was launched under licence by Cofina Media in October 2002 and is the fastest growing magazine in the market. The official website, Vogue.pt, launched in May 2011 and has already been nominated for an award by Fashion TV. Vogue magazine is published monthly.

Woman's Weekly, published by IPC Media and edited by Diane Kenwood, is the number-one-selling brand within the mature woman’s weekly magazine sector*. On sale every Wednesday, Woman’s Weekly sells over 360,000 copies per week.

Launched in 1911, Woman’s Weekly has been a successful magazine title for over 100 years. Woman's Weekly focuses on the home, family and lives of grown-up women, providing them with health advice and hints on how to feel good at any age. Featuring beauty and fashion advice which is age-relevant, it aims to give women the confidence to experiment by adapting the latest trends to suit them.

Woman's Weekly aims to inspire readers to be creative with cookery, home, gardening and craft ideas. Each week also features a fiction story and generally upbeat real-life stories. Woman’s Weekly says it is “the grown-up woman’s guide to modern living”.

On 4 November 2011 the magazine celebrated its 100th anniversary with a special exact facsimile re-publication of the very first edition. Discussing the longevity of the magazine, on the BBC Radio 4's Today programme, editor Diane Kenwood and social historian Dr Clare Rose explained that the magazine had been launched in 1911 to appeal to the growing class of office-employed women who sought a magazine for reading on their daily commute by train, tram and bus.

In five years Jack has gone from an idea talked about in the pub to a company that have put on live events, urban festivals, had a bi-monthly, A5 fanzine that grew into a monthly A4 glossy magazine and launched WJ online.

Today Who’s Jack is going from strength to strength, largely due to the attitude of its Editor, Louise Orcheston-Findlay and Dept Editor Laura Hills. Jack began because we wanted something more than what was already on offer, something attainable with aspirational visuals, something relatable and something lacking in arrogance. Something for the rest of us.