In Trend - Embroidery

Have you ever looked through the bottom of a glass and watched the world in distortion? It’s Tangent’s mission to take that glass and put it over the world of fashion for you.

Co-founded by fashion photographer Emmanuel Giraud, and fashion stylist Heather Cairns, the magazine was born from their mutual desire to put fashion into a creative context.

Tangent is a playground for people who appreciate fashion as art. It targets people who indulge in their identity and want to discover every secret corner of fashion first.

Tangent entertains with the most unconventional editorials, exclusive content, fashion videos and live stream interviews.

Tangent magazine fuses the hottest international labels with the edgy Australian fashion, to give our readers a potent mix of style to inspire their wardrobes.

Fasten your seat belts and get ready to experience a new direction in fashion.

Rêver is a quarterly fashion and art magazine that embodies a community from all over the world. With editors and contributors in the United States and Europe, Rêver Magazine offers a unique platform for both seasoned and up-and-coming creatives to share their voice. Their vision is to present an international, diverse perspective on fashion, utilizing both print and digital media.

SHAPE is the unique fitness and lifestyle magazine for women, with the aim to help them get in SHAPE while having fun. SHAPE is a personal trainer for body, mind and soul and motivates, spreads a love for life and combines fitness & food with the lifestyle topics beauty, fashion, travel & psychology. The inspirational concept addresses all areas of an active woman's life.

SHAPE is a way of life and a must-have for all women who want to be stylish, sexy and fit.

SHAPE is published in 30 countries and is the biggest fitness magazine for women.

TWILL: is a magazine that does not have an obvious readership, because it lacks an homogeneity of content, views, ideology or even language. For the publishing business. Twill is an impossible magazine. But, sometimes, boundaries can be crossed simply turning upside down the fundamental tenets, especially if you are not afraid of the associated risks. They, at Twill, have thus decided to reverse the golden rule of publishing; instead of identifying a class of potential customers on whom to foist a magazine, they have created a publication that defines ourselves. And they have shifted onto the market, or rather on a small fraction of it, the task of identifying with them. To challenge the market rules has not been a difficult choice, because they are not merchants. They hope that, amidst the exuberant cacophony of their contents, our readers will recognize the only rigorous coherence that they have struggled to obtain: that of reason, heart and beauty.