woman&home magazine is a real success story. As the fastest-growing lifestyle title for women, it epitomises a 'brand new attitude' for women over 35. It was the first magazine to echo this new spirit and each month presents a stylish mix of content reflecting the way women live and work today. The magazine covers all areas of a woman's life – but in a fresh modern way.
Launching in the first quarter of 2011, FIASCO+ will bring you the very best in popular culture, art, photography, events, reviews, interviews and much more. Designed as a digital companion to FIASCO Magazine, FIASCO+ will also be made available for print via online purchase only. They will showcase the best in new talent from across pop cultures spectrum.
DV Mode is a special interest magazine dedicated solely to fashion and packed with features. It’s a little more youthful and goes a little deeper than its parent publication Damernas Värld.
DV Mode dares to go further, opting for a creative approach with more international imagery.
Vogue is the fashion authority. Setting the standard for over 100 years has made Vogue the best selling fashion magazine in the world. Each issue delivers the latest in beauty, style, health, fitness and celebrities and your subscription will include the must-have Spring and Fall Fashion editions. Before it's in fashion, it's in Vogue!
Vogue was founded as a weekly publication by Arthur Baldwin Turnure in 1892. When he died in 1909, Condé Nast picked it up and slowly began growing the publication. The first change Nast made was that Vogue appeared every two weeks instead of weekly. Nast also went overseas in the early 1910s. He first went to Britain, and started a Vogue there, and it went well. Then he went to Spain, however that was a failure. Lastly, Nast took Vogue to France, and that was a huge success. The magazines number of publications and profit increased dramatically under Nast. The magazine's number of subscriptions surged during the Depression, and again during World War II. In the 1960s, with Diana Vreeland as editor-in-chief and personality, the magazine began to appeal to the youth of the sexual revolution by focusing more on contemporary fashion and editorial features openly discussing sexuality. Vogue also continued making household names out of models, a practice that continued with Suzy Parker, Twiggy, Jean Shrimpton, Lauren Hutton, Veruschka, Marisa Berenson, Penelope Tree, and others.
In 1973, Vogue became a monthly publication. Under editor-in-chief Grace Mirabella, the magazine underwent extensive editorial and stylistic changes to respond to changes in the lifestyles of its target audience.
The current editor-in-chief of American Vogue is Anna Wintour, noted for her trademark bob and her practice of wearing sunglasses indoors. Since taking over in 1988, Wintour has worked to protect the magazine's high status and reputation among fashion publications. In order to do so, she has made the magazine focus on new and more accessible ideas of "fashion" for a wider audience. This allowed Wintour to keep a high circulation while discovering new trends that a broader audience could conceivably afford. For example, the inaugural cover of the magazine under Wintour's editorship featured a three-quarter-length photograph of Israeli super model Michaela Bercu wearing a bejeweled Christian Lacroix jacket and a pair of jeans, departing from her predecessors' tendency to portray a woman’s face alone, which, according to the Times', gave "greater importance to both her clothing and her body. This image also promoted a new form of chic by combining jeans with haute couture. Wintour’s debut cover brokered a class-mass rapprochement that informs modern fashion to this day." Wintour's Vogue also welcomes new and young talent.
Wintour's presence at fashion shows is often taken as an indicator of the designer's profile within the industry. In 2003, she joined the Council of Fashion Designers of America in creating a fund that provides money and guidance to at least two emerging designers each year. This has built loyalty among the emerging new star designers, and helped preserve the magazine's dominant position of influence through what Time called her own "considerable influence over American fashion. Runway shows don't start until she arrives. Designers succeed because she anoints them. Trends are created or crippled on her command."
Harper's Bazaar is a world-renowned arbiter of fashion and good taste. Since its inception in 1867 as America's first fashion magazine, Bazaar has been home to extraordinary talents of Man Ray and Richard Avedon, and continues that tradition today with photographers including Peter Lindbergh and Sølve Sundsbø.
Sophisticated, elegant and provocative, Harper’s Bazaar is the style resource for women who are the first to buy the best, from casual to couture. With style, authority and insider insight, Bazaar focuses strictly on fashion and beauty, and covers what’s new to what’s next.
Month after month, Harper’s Bazaar showcases the world’s most visionary stylists and talented designers to deliver readers a visually stunning portrayal of the world of fashion and beauty.
In addition to publishing in the United States, Bazaar prints 27 editions around the world.
Launched in 2014, L'Officiel Switzerland is one of the latest additions to Les Editions Jalou's set of high-class magazines. Positioned as a national magazine, it associates outstanding international editorial work and photographic artworks with a touch of style pioneering.
The extraordinary concept of combining and introducing local design heroes along the big names of the industry, turned L'Officiel Switzerland into a popular springboard in Switzerland.
Another rare fact about this magazine is that it will be issued in two separate publications, a German issue (L’Officiel Schweiz) and a French one (L’Officiel Suisse).
This is an informational page that doesn't represent the magazine in any way.
Blacklisted for all inclusions until further notice. (AR)
Leader both in circulation and readership, in the women's well-being segment, Starbene combines competence, authoritativeness and prestige with a straightforward, accessible and appealing approach. Placing an emphasis on overall well-being, the title sees mind and body as a whole and the main features of the magazine are found in the sections "Corpo e Mente", "Cibo e Diete", "Salute e Cure Dolci", "Beauty e Moda" and "Forma e Fitness", which together make it the most complete editorial offer in the segment in Italy. Now in its 30th year, a demonstration of a highly successful editorial formula that has been able to constantly renew itself. Alongside Starbene is the quarterly monographic special, Starbene Collezione.
ANOKHI Magazine was initially launched the winter of 2002. Since then, ANOKHI has become North America's longest running South Asian Fashion, Lifestyle & Entertainment magazine for affluent, brand savvy and fashionable 18 to 44 year old South Asian mainstream women. It is dedicated to becoming the pre-eminent, unifying and leading voice for and of, the South Asian culture in Western society
ANOKHI, is the Hindi word meaning 'different' or 'unique'. ANOKHI Magazine is both!
DIFFERENT, because it recognizes that society is a blend of many cultures and types of people who make up the South Asian and Mainstream markets. We know that ANOKHI readers desire an editorially rich, informative and entertaining crossover publication... AND... ANOKHI delivers!
UNIQUE, because ANOKHI appreciates and feeds the needs of contemporary South Asian women. It is a publication that truly understands, reflects and promotes the merger between rich Eastern philosophies and progressive Western ideologies. ANOKHI Magazine defines itself not simply as a South Asian publication, but a fusion magazine - a perfect blend of East and West.
ANOKHI Magazine and www.AnokhiMagazine.com are the perfect media venues for all things pertaining to, and relating to, mainstream South Asian women, because we know our readers are proud of their cultural heritage and comfortable with their cultural duality.
Accordingly, it is the only quality, high gloss South Asian magazine of its kind in the world that also holds great appeal for females regardless of cultural background.
Jalouse is French style, celeb and glam with cutesy grunge and gritty photography. Be it the most beautiful celebs in black and white spreads or upcoming artists and journos, an electic and ever-changing bunch get page space to show off their avant gard wares. Informing as well as entertaining, Jalouse is a sexy style/life guide/fashion/gem of a publication. For uber chic-ettes and designers who need their inspiration fix.
MANN is a magazine for the modern, aware, active man. Its mixture of articles and type of journalism cover a wide range and depth. Its editorial tone is humorous, attractive, practical and intelligent. It aims to be both entertaining and provide new information. It contains in-depth articles, relevant interviews, action-filled reports and new ideas in the fields of design/trends, travel, cars and electronics. MANN is currently more or less the only lifestyle magazine for men on the Norwegian market. Target Group: The magazine targets men between the ages of 20 and 40 that have an above-average income and education and who spend more than the average consumer.
New Zealand Woman's Weekly brings a wide variety of news, stories, recipes and helpful hints to the home every week.
For some, photography is intuitive and meditative. Something that feeds a need to create, fills a nullity, breathes life into an idea – when catharsis meets creativity. For others, it’s just about capturing moments, telling stories, seizing beauty and contextualizing the opposite. Curated by Think CONTRA, photographerandmuse.com is a site dedicated to photo editorials. It’s a collaborative and creative platform for inspiration, and a network that connects like-minded artists, exploring various outlets of invention. The muse could be a model, a friend, a landscape, a product, the foam of a wave. The equipment could be the latest in technology, or a film camera as disposable as the memory itself. Of the many possible combination’s, it matters not about the image, or the tools that captured it, but rather the connection between photographer and muse.
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