It focuses on colour displays on runways. It contains 20 designers' palette schema considering balance between mature and young. If one wants clearer comprehension about colours, this will be the best choice. COLORules comes out twice a year: early April featuring the A/W season, and early in November featuring the S/S edition.
VERY ELLE is published twice a year and features work by a slew of new artists and photographers as well as interviews with personalities and editorial surprises.
VERY ELLE was launched together with VERY ELLE.FR, an innovative and creative e-magazine and a natural extension of this new adventure.
WWD is the media record for senior-level executives in the global fashion, retail and beauty industries.
VISION is a leading art and fashion magazine showcasing the international visual art, fashion and culture to Chinese readers. With its unique visual expression, VISION has seen tremendous development of the Chinese creative industry since 2002, exerting
great influence on the new talents in fashion, art and design in China.
VISION cannot be interpreted as a traditional magazine, because it is so visually exuberant and sensational that only sedated value will be filtered after in readers’ mind. What is the spirit of fashion? What is lifestyle with international taste? What is the individuality among the trendy flock? What is the true beauty people look for? VISION never offers definite answers, but provoking these questions is what we always wish to do.
On top of a circulation of 286,000 per month, VISION actively appears in various public events, giving support to the growing industry in China of visual culture, while more importantly, inspiring a mentality toward a creative lifestyle to the Chinese readers.
So you may have seen or heard about the new CITY. Yes, it’s bigger. Yes, it has a new look and feel. Yes, it’s sexy as hell. And the new format is just the most visible of the changes. CITY has been a part of the cultural landscape since its birth in SoHo over a decade ago, but they are the first to acknowledge that there are a plethora of magazines on the newsstand that deal, in not-so-different ways, with the same “style” territory. They wanted CITY to break that mold, to stand out from the crowd, to be original and unique, and they decided to go about being revolutionary by going back to basics.
So the format: oversized, saddle-stitched, classic, reminiscent of magazines in publishing’s “golden age” — the Vanity Fair and Esquire of the ’60s, the Nova and Interview of the ’70s — and with a point of view to match. Every city needs a voice, and they want this city’s—New York City’s—to be theirs. There is a vibrant creative community here, probably the most fertile in the world. These individuals are the architects of influence, but it’s been a while since there was a publication that really personified and spoke to and for them. The new CITY is that book. CITY is the magazine for, by, and about New York City’s arbiters of excellence.
Glamour launched in Poland in 2003 and offers its readers fashion expertise and advice. It is the most interactive and engaging monthly magazine in the women's luxury sector.
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