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58th Annual Juried Competition

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58th Annual Juried Competition at the Masur Museum of Art

The Masur Museum of Art in Monroe, Louisiana invites contemporary artists working in any medium to enter the 58th Annual Juried Competition. Best in Show receives $1,000, and total awards are $3,200. Entry fee is $10/artwork (min 2/max 5 artworks). Online entry deadline: December 3, 2020 at 5pm CST. The exhibition will be on view in our historic building from February 25 – May 8, 2021 with an opening reception TBA. This year, work will be judged by Dr. Kelli Morgan: independent curator, historian, and culture critic!

Deadline is 5pm Central on December 3, 2020.

Open to any artist 18+ living in the United States. Work must have been completed after Dec 1, 2018. 

Prize summary: 
$3,200 total in cash prizes!
Prizes Details: 

$3,200 total in cash awards. Best in Show receives $1,000, with other awards determined by Juror. There is also a People's Choice Award ($200) determined by visitor voting, and a Best Packed ($100), picked by exhibitions staff!

Deadline: 
12/03/2020

Entry Fee:

Fee Detail: 
$10/artwork (minimum 2, maximum 5)
Contact & Links: 

90th Annual Juried Open Exhibition

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This call for submission is open to all artists 18 years of age or older living in the U.S. This is a juried online only exhibition for artists working in all traditional and non-traditional 2D and 3D media, including sculpture. All artwork must be original in concept, design and execution. Photography, film, video, computer art, reproductions (such as giclee, prints) are not acceptable unless used as part of a mixed media artwork or collage. Installation art or performance art is not accepted. No crafts (such as jewelry) or kit work. No size limitations. Artwork previously exhibited in a judged show at the NAL will not be accepted. Deadline for Submissions is September 12, 2020.

Juror & Judge - James LaMantia - Owner and Gallery Director at the LaMantia Gallery, NY

Exhibition will be featured and on view on the National Art League website from October 1 – October 31, 2020.

Prize summary: 
Over $2000 in awards
Prizes Details: 

First Prize $500
Second Prize $300
Third Prize $200
Bette Worthington Sullivan Memorial Award $250
Merit and Honorable Mention awards

 

Deadline: 
09/12/2020

Entry Fee:

Fee Detail: 
$25 one entry, $10 second entry
Contact & Links: 

ArtSpeaks

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✨To all beings existing within the wonderful world of art, lend us your ears so we can lend you ours.✨
Our newest project, ArtSpeaks, is now open for applications! Keep reading to learn more!
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Many new artists that are beginning to exhibit their works may be asked to give an artist talk at an opening they’re not quite prepared for. Well-seasoned makers that have made recent changes in the direction of their practice may like to solidify their new ideas into words. An up-and-coming curator may be looking to discuss their practice and what got them interested in such a behind-the-scenes position in the art world. And many professors who are practicing artists may have wanted to discuss their unique challenges in being able to balance two demanding careers. 
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If you feel as though you connect with any of the above, then boy oh boy do we have an opportunity for you! Nefarious Contemporary’s ArtSpeaks series offers all creative minds an opportunity to share their existence within the art world through a virtual artist talk opportunity. We will be using zoom to conduct these talks and all that would like to join will be required to email us ahead of time for the link. We can't wait to hear from you, stay nefarious. 

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Call for Creatives

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Born out of the desire to foster cultural curiosity, Castle of our Skins is a concert and educational series dedicated to celebrating Black artistry through music. From classrooms to concert halls, Castle of our Skins invites exploration into ​Black heritage and culture, spotlighting both unsung and celebrated ​figures of past and present. 

Goals

  • To foster community and collaboration with and among diverse creatives.
  • To provide a platform for creatives to share their artistic practice.
  • To strengthen, expand, and challenge COOS in a collaborative, creative environment.
  • To increase and diversify COOS’s culturally enriching projects to the general public and social media/online communities.

Responsibilities

  • Develop a work or works in conjunction with our 2020-2021 season, based on the season’s needs, and in collaboration with COOS’s Artistic and Associate Artistic Directors. 
  • Be part of the curation process of one or more projects during the 2020-2021 season, and, if applicable, provide curatorial input into the 2021-2022 season. 
  • Write three BIBA Blog entries related to the COOS mission.
  • Participate in an interview with COOS Associate Artistic Director for a feature on the BIBA Blog, to be disseminated through various social media platforms.

 

Eligibility

  • Castle of our Skins seeks one Creative-in-Residence* whose work and experience reflect our mission.
  • International Emerging and Established Creatives* who will be between the ages of 20 and 40 by Monday, July 1, 2020.
  • Creatives of all genders, ethnicities, national origins, sexual orientations/identities, religions/beliefs, education and physical abilities are encouraged to apply. Applicants who identify as Black or belonging to the African diaspora as strongly encouraged to apply.
  • Applicants who reside in the Greater Boston area are strongly encouraged to apply.

*NOTE: For this application “Creatives” are defined as artists of all practices, including by not limited to: composers/sound artists, musicians, video/film artists, dancers/choreographers, performance artists, visual artists, writers, spoken word, interdisciplinary artists, etc... 

 

Prize summary: 
$1000 honorarium
Prizes Details: 

Compensation

  • Honorarium of $1,000.
  • Negotiated artist fee and project support per project completed in conjunction with COOS’s 2020-2021 season.
  • Title of Creative-in-Residence in COOS publicity material for the 2020-2021 season.
  • Realization and support of your creative work during the 2020-2021 season.
  • Publicity through COOS BIBA Blog and social media channels.
  • Writing opportunities through COOS.
  • Professional documentation of created work.
Deadline: 
05/04/2020

Entry Fee:

Fee Detail: 
$1,000 Honorarium
Contact & Links: 

ONASSIS AIR 2020/21: THE SCHOOL OF INFINITE REHEARSALS

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Onassis AiR Open Call 2020/21: The Infinite Rehearsal in Four Movements 
Application deadline: April 24, 2020, 5pm (GMT+3)

ONASSIS AiR, the (inter)national artistic research residency program in Athens, invites artists, curators, designers, activists, collectives, educators, lawyers, performance and film makers, economists, agitators, philosophers, and other practitioners to apply for 2020/21 Open Call: The Infinite Rehearsal in Four Movements, which runs between September 2020 and May 2021.

Fall 2020: Identities Annihilated
Movement I: September 14-October 25, 2020
Movement II: November 2-December 13, 2020

Spring 2021: Everything Equally Evolved
Movement III: February 17-March 31, 2021
Movement IV: April 7-May 19, 2021

Inspired by the title of a novel by Wilson Harris, The Infinite Rehearsal in Four Movements is conceived as a collective program focused on two research areas we find urgent to explore. Each Movement Group of five to six participants will engage in a collective “rehearsal,” bringing their own “instrument” in the form of their existing practice that clearly engages with one of the research topic areas in a radical way.

Fall 2020 & Spring 2021 Movement Groups will have one convener each—a practitioner in their own right, with an in-depth knowledge of the research topic explored, who will provide a framework for the two Movement Groups each will convene, in the form of possible readings, meetings with other practitioners, research trips, workshops, tools, etc.

Fall 2020: Identities Annihilated will be convened by performance theorist Hypatia Vourloumis. During Movement I & Il, we will, following Edouard Glissant, seek to attend to the ways in which identities cannot be reduced or made transparent. We will ask: ‘how are we all entangled, in the quantum physics’ sense, in a planetary "difference without separability" as Denise Ferreira da Silva writes? How are we always already “singular-plural” (Jean-Luc Nancy), in the elsewhere and otherwise? How can we destroy the fixed notions and categories of separation inherent to racial capitalism through the aesthetics of a transformative mode of history and time, through the aesthetic imagination and its materializations as transformative and abolitionist force?

Spring 2021: Everything Equally Evolved will be convened by writer and artist James Bridle in collaboration with Vessel. During Movement III & IV we will collectively explore some of these, and other questions: How can the tools we have at hand be reimagined to bring us down to Earth? How do we reassert the importance of community while building solidarity with the more-than-human world? What would it look like to take the intelligence of animals, plants, and ecosystems as seriously as we take the intelligence of smart machines? What is the relationship between distributed networks and distributed power? How do we practically engage with sensoriums other than our own? And what is vital about doing so here and now, on the edge of the Mediterranean and other, possible futures?

The working language of Fall 2020 & Spring 2021 research groups is English. All accepted participants will receive a research fee, housing & travel to/from Athens if from abroad, collective research budget, and other resources.

The House That Became a Home (2019/20)
Established by the Onassis Foundation in September 2019, Onassis AiR opened the doors of an empty building in the center of Athens to house a community of peers from Greece and abroad. Today, after six months of inhabiting this space, filling it with hours of thinking, talking, reading, testing, and making as well as eating together, Onassis AiR has become a home. This house now belongs to more than 30 artists, curators and art practitioners, who between September 2019 and June 2020, are supported through four existing modules: The Critical Practices Program, (Inter)national Artistic & Curatorial Research Program,  Exchange Residencies Program, and Emergency Fellowships Program. 

Onassis AiR team: Ash Bulayev, Georgia Giannakea, Myrto Katsimicha and Nefeli Myrodia.

Deadline: 
04/24/2020

Entry Fee:

Fee Detail: 
All fees, accommodation, airfare paid by Onassis AiR
Contact & Links: 

Artists Who Teach 2020

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Exhibition Description:  Artists Who Teach is an annual juried exhibition presenting the artwork of Hampton’s regional art educators.Artist and educator Clay McGlamory will be this year’s juror. McGlamory taught at Old Dominion University for 19 years and has been teaching at the Governor’s School for the Arts for 28 years. He runs his own press, Half Ass Press, based in Norfolk, and is current President of the Virginia Glass Guild.

Online submissions for the Artists Who Teach 2020 juried exhibition at the Charles H. Taylor Visual Arts Center in Hampton, VA are now being accepted at Entrythingy.com.

Submission deadline is Wednesday, February 26th.

The entry fee is $10.

Prizes Details: 

Awards will be given for the David J. Levinson Best in Show Award ($1000), First ($500), Second ($250) and Third ($100) Places. Additionally, the Best In Show winner is awarded a solo show in the CTVAC Annex Gallery the following year.

Deadline: 
02/26/2020

Entry Fee:

Fee Detail: 
$10
Contact & Links: 

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