Music jobs | Art Jobs

Music

Experimental Composition & Performance with Eli Keszler

Share

Category:

Country:

City:

CAMP is a residential arts facility in the French Pyrenees. It's a place where great art is made, new movements are formed, new ideas are explored and groundbreaking people are nurtured. CAMP is located in Aulus les Bains, the last village before the France/Spain Pyrenean frontier chain. The location is spectacular - we are nestled at 750m above sea level, surrounded by snowcapped peaks over 3000m high, ancient forests and cascading waterfalls. There are eagles, lammergeiers, vultures, ibex and bears. Walk out of the residency, and within ten minutes you are completely alone in one of the most beautiful mountain landscapes in Europe. Aulus les Bains is also a spa village - there are hot water springs, and a thermal spa in the village to take advantage of the healing and relaxing properties of the water.
    
Workshop dates: 01/03/2021 - 03/05/2021
    
Eli Keszler is a New York based artist, composer and percussionist. His installations, music and visual work have appeared at Lincoln Center, MIT List Center, Victoria & Albert Museum, Sculpture Center, South London Gallery, Hessel Museum, Tectonics Festival Reykjavik, MoMa PS1 and many other locations, and he has collaborated with artists such as Tony Conrad, Oren Ambarchi, Keith Fullerton Whitman, Aki Onda and Rashad Becker. His recordings, most recently the acclaimed "Last Signs of Speed", have been released on Empty Editions, Esp-Disk, Pan and REL records, and he has received commissions from the Icelandic Symphony Orchestra, ICE Ensemble, Brooklyn String Orchestra and So Percussion. Eli's work is regularly featured in Frieze, The New York Times and Wire Magazine amongst other publications, and he has taught  at Brooklyn College, Columbia University, New England Conservatory, Dartmouth University, Washington University, Mass Art and UMass Boston.

The space between composition and performance has never been more blurred. Working directly with environments, their modifications, and the situations which these environments produce allows music to take open forms where spaces, both concrete and social, form experience. 

During this course, you'll work directly with the physical spaces where you are to consider ways of structuring and thinking about music, and various ways of producing. Working with site-specificity in both physical and cultural spaces, Eli will take music as a launching point for work that could take any form or medium. Work will be encouraged which takes into account nature and environments, and the way they interact with culture and technology.

Activities will include:

Exploration of compositional and performance ideas, examining texts, critical listening, and discussionExamining the role and effect of technology on musical processSite-specific work, taking advantage of your location to produce work informed by the environment

The course will focus on the development of a project into a fully formed on-site work, through a combination of discussion and presentation, working together as a group and individually.

Contact & Links: 

Environment & Synthesis with Mark Fell And Cm Von Hausswolff

Share

Category:

Country:

City:

CAMP is a residential arts facility in the French Pyrenees. It's a place where great art is made, new movements are formed, new ideas are explored and groundbreaking people are nurtured. CAMP is located in Aulus les Bains, the last village before the France/Spain Pyrenean frontier chain. The location is spectacular - we are nestled at 750m above sea level, surrounded by snowcapped peaks over 3000m high, ancient forests and cascading waterfalls. There are eagles, lammergeiers, vultures, ibex and bears. Walk out of the residency, and within ten minutes you are completely alone in one of the most beautiful mountain landscapes in Europe. Aulus les Bains is also a spa village - there are hot water springs, and a thermal spa in the village to take advantage of the healing and relaxing properties of the water.
    
Workshop dates: 15/02/2021 - 2021-02-24
    
Lead by two of the most influential figures working in electronic music and sound today, this workshop focuses on exploratory relationships between landscape and sound through a series of evolving performative, geometrical, time-based systems and structures. These will include location recording exercises, listening, sound synthesis, the placement of sound within the landscape, durational performances, discussion and analysis, as well as documentation of the workshop and its outcomes. Emphasis will be given to consideration of spatial audio techniques including multi-microphone and multi-speaker methodologies.

Mark Fell is a UK-based multidisciplinary artist. Recognised as being "one of the most compelling and influential electronic artists in the world" (South Bank Centre), his practice draws upon electronic music subcultures, experimental film, contemporary philosophy and radical politics, and typically explores issues such as time-perception, technology, cognition, and collaborative process. Over the past 30 years Fell's output has grown into a significant body of work: from early electronic sound works and recorded pieces, to installation, critical texts, curatorial projects, educational systems and choreographic performances.
                   
In 2017 Mark curated a major exhibition of sound art for V-A-C foundation (Moscow) "The Geometry of Now", and led a British council research project to India to study Carnatic music composition and emergent electronic arts (with AC Projects Glasgow). Serralves Foundation (Porto) premiered "Intermetamorphosis" (2017), collection of works by fell which included new commissions as well as a retrospective pieces. In 2018 he completed two large scale multi-spatial sound works: "Protomusic#1" for Sage Gateshead, forming their flagship contribution to the Great Exhibition of the North; and "Frameworks" at Palazzo delle Zattere (Venice). 2019 saw two new performative pieces including "Hominin" (Rewire, Den Haag) and "Against Method" (Pirelli Hanger Bicocca, Milan), as well as the solo exhibition "The Concept of Time is Intrinsically Incoherent" (Focal Point Gallery, South End on Sea). Drawing from sacred geometries to programming structures, these works underlined Mark's particular interest in non-linear systems and structures, and our complex inter-relationships with them. 

The diversity and importance of Mark's practice is reflected in the range and scale of institutions that have presented his work, including: VAC Foundation Palazzo delle Zattere (Venice), Hong Kong National Film Archive, The Baltic (Gateshead), Museu d'Art Contemporani de Barcelona, La Casa Encendida (Madrid), Laboral (XIxon), The Institute of Contemporary Art (London), Royal Festival Hall (London), The Serpentine (London), Victoria and Albert Museum (London), Whitechapel Gallery (London), The Institute of Contemporary Art (London), Barbican (London), Raven Row (London), Seville Biennale, The Australian Centre For Moving Image (Melbourne), Artists Space (NYC), Moma (NYC), Issue Project Room (NYC), Corcoran (DC), Curtis R. Priem Experimental Media and Performing Arts Center (NY), Lampo/Graham Foundation for Advanced Studies in the Fine Arts (Chicago), Zentrum fur Kunst und Medientechnologie (Karlsruhe), Pirelli Hanger Biccoca (Milan) among others. Mark's work is in the collection of the Thyssen-Bornemisza Art Contemporary (Vienna) and has as been recognised by ARS Electronica (Linz). He has worked with a number of artists including: Yasunao Tone, Laurie Spiegel, Keith Fullerton Whitman, Okkyung Lee, Luke Fowler, Peter Gidal, Terre Thaemlitz, John Chowning, Ernest Edmonds, Peter Rehberg, Oren Ambarchi, Carl Michael Von Hausswolff and Mat Steel (as SND). Mark is currently guest professor of media art at Die Staatliche Hochschule fur Gestaltung Karlsruhe (HfG).

Carl Michael von Hausswolff lives and works in Stockholm. Since the end of the 70s, von Hausswolff has worked as a composer using recording technology as his main instrument and as a visual artist using light projections, film/video and still photography as well as other media. His interests spans from social environmental issues and political statements to abstract penetration and supra/sub-reality. He has exhibited at dOCUMENTA (Kassel), the biennials in Venice, Moscow, Liverpool, Istanbul, Sarajevo etc and in Copenhagen, Stockholm, Nicosia, Kaliningrad, Tokyo, London, New York, Philadelphia, etc. His music has been played in festivals such as Sonar (Barcelona), CTM (Berlin), L'audible (Paris), el niche Aural (Mexico City), MUTEK, (Montreal) etc. and released works on record by labels like RasterNoton (Berlin), Touch (London), Laton (Wien), iDeal (Goteborg) and MonoType (Warszaw).

His audio compositions from 1979 to 1992 consist essentially of complex macromal drones with a surface of aesthetic elegance and beauty. In the early 2000's, Carl Michael boiled away even more ornamental meat from the bones, producing pure, intuitive studies of electricity, frequency functions and tonal autism within the framework of a conceptual stringent cryption. Lately he has also developed a more conceptual form of audio art overlooking subjects such as architecture and urbanism, rats and maggots. He has created a series of social platforms, places where people can meet and consume. His "Thinner- and Low Frequency Bar" was used at the Momentum biennial in Moss, Norway, Prato, Italy and London and his "Glue- (Tobacco-) and High Frequency Lounge" was used in Geneva and in Prato. These works show Hausswolff's critical view on the society's hypocritical treatment of drugs and addiction. The audience could sniff the highly toxic substances thinner and contact glue while smoking cigarettes and getting penetrated by the either low or high sine wave tones.

Carl Michael recently curated the 12th part the sound-installation FREQ_OUT in Vienna and collaborates with artist Leif Elggren, film-maker Thomas Nordanstad, EVP re-searcher Michael Esposito and recently launched new projects with composer Hans-Joachim Roedelius, composer/artist Mark Fell, musician Jim O'Rourke, author/model Leslie Winer and as Dark Morph (with Jonsi of Sigur Ros). He has earlier collaborated with Pan sonic, The Hafler Trio, Organum and PHAUSS.

Deadline: 
02/08/2021
Contact & Links: 

Words, Non-words And Music with Julia Holter

Share

Category:

Country:

City:

CAMP is a residential arts facility in the French Pyrenees. It's a place where great art is made, new movements are formed, new ideas are explored and groundbreaking people are nurtured. CAMP is located in Aulus les Bains, the last village before the France/Spain Pyrenean frontier chain. The location is spectacular - we are nestled at 750m above sea level, surrounded by snowcapped peaks over 3000m high, ancient forests and cascading waterfalls. There are eagles, lammergeiers, vultures, ibex and bears. Walk out of the residency, and within ten minutes you are completely alone in one of the most beautiful mountain landscapes in Europe. Aulus les Bains is also a spa village - there are hot water springs, and a thermal spa in the village to take advantage of the healing and relaxing properties of the water.
    
Workshop dates: 01/02/2021 - 2021-02-15
    
How do we experience language in music, both as composers and listeners? What kind of meaning exists in words that are sung/uttered in music? Is it a different kind of meaning than the meaning found in words used for everyday communication? Is it possible that there is a better word for a word that is sung (for instance, "song-word")? We will explore these questions by listening to all kinds of vocal music that utilizes conventional words, made-up words, multi-lingual texts, mumbles, babbles, sighs, etc.

Julia Holter is a composer, performer, and recording artist based in Los Angeles. Her interest in sonic mysteries has led her to record in various settings - in her home, outside with a field recorder, and in recording studios - as well as to perform live, often with a focus on the voice and the space between language and babble. Holter's music is multi-layered and texturally rich. She has amassed a body of work that explores melody within free song structures, atmosphere, and the impulses of the voice. She has released five studio albums: Aviary (2018), Have You In My Wilderness (2015), Loud City Song (2013), Ekstasis (2012), and Tragedy (2011). Holter has performed her music at venues and festivals throughout the world with an ensemble of creative musicians. She has written music for the Los Angeles Philharmonic and other ensembles, as well as scores for the TV show "Pure" (2019) and the film "Bleed for This" (2016).

Deadline: 
01/25/2021
Contact & Links: 

Modern Composition with Gavin Bryars

Share

Category:

Country:

City:

Keywords:

CAMP is a residential arts facility in the French Pyrenees. It's a place where great art is made, new movements are formed, new ideas are explored and groundbreaking people are nurtured. CAMP is located in Aulus les Bains, the last village before the France/Spain Pyrenean frontier chain. The location is spectacular - we are nestled at 750m above sea level, surrounded by snowcapped peaks over 3000m high, ancient forests and cascading waterfalls. There are eagles, lammergeiers, vultures, ibex and bears. Walk out of the residency, and within ten minutes you are completely alone in one of the most beautiful mountain landscapes in Europe. Aulus les Bains is also a spa village - there are hot water springs, and a thermal spa in the village to take advantage of the healing and relaxing properties of the water.
    
Workshop dates: 20/09/2021 - 2021-09-28
    
"Not only is Gavin Bryars one of my favourite composers, but he's now also one of my favourite human beings. Thanks for a life changing experience." (Sunny Lazic, participant in Gavin's 2018 & 2019 workshops)  "This week has been such a nugget of gold. It's a privilege to spend a whole week talking about, thinking about, and writing music with really interesting creative people. Such an inspiring week." (Hayley Jenkins, participant in Gavin's 2018 workshop)  Check out the report on Gavin's 2018 session here. As the report shows, this workshop is for all types of people working with sound and music, from trained composers to self-taught producers and visual artists working with sound.  Gavin Bryars is without a doubt one of the world's most celebrated living composers. He emerged to the musical establishment in the early sixties, playing bass with improvisers Derek Bailey and Tony Oxley - his relationship with improvisation, although of some significance, was short lived, and by the late 60's he was working with John Cage, Cornelius Cardew and John White. His first major works - The Sinking of the Titanic (1969), originally released on Brian Eno's Obscure label in 1975, and Jesus' Blood Never Failed Me Yet (1971) - were released in new versions in the 1990s, selling over a quarter of a million copies.       Opera and ballet have formed important strands in Gavin's practice - he has written five full-length operas, working with the BBC Scottish Symphony Orchestra, Opera de Lyon, English National Opera, Mainz Opera, Long Beach Opera and the Opera de Paris, alongside such renowned directors as Robert Wilson, Atom Egoyan, Georges Delnon and Jean Lacornerie. He has worked with Opera North Projects and the Royal Shakespeare Company since 2006. He has done scores for over twenty ballets and his collaboration with Merce Cunningham, Biped, toured worldwide with the Cunningham Company and subsequently throughout France with CNDC Angers' recreation in Merce's centenary year 2019.  Elsewhere in Gavin's extensive catalogue of works can be found vocal works written for The Hilliard Ensemble, Latvian Radio Choir, Trio Mediaeval, The Crossing, Iarla O’Lionaird and commissions for Bournemouth Sinfonietta, BBC Symphony Orchestra, Primavera Chamber Orchestra Adelaide Symphony Orchestra and London Sinfonietta. His background in the visual arts has resulted in works for the opening of the Tate Gallery in Liverpool, an installation in the Chateau d'Oiron, commissioned by the French Ministry of Culture, a work for the Tate Gallery St Ives, and a project for the Valencia Architecture Biennale. This visual arts affinity has also led to highly successful collaborations with David Byrne, Bruce MacLean, Bill Culbert, Juan Munoz, Christian Boltanski, Will Alsop and others.  This course does not take a narrow dogmatic line, but rather will take Gavin's work as a starting point to examine compositional forms and strategies, working closely with the group members' existing practice and methods, and with the aim of each student developing a finished work. Participants from all musical backgrounds are welcome, whether classically trained, improvisors, sound artists, installation artists, conceptual artists or favouring any other approach. Bring works in progress to be developed; or start on something new whether alone or collectively.   Sessions will include:   Individual tuition sessions, examining and developing each student's existing work and practiceGroup sessions examining different types of musical material, including vocal music (both solo and ensemble), string music, opera, music for dance, composing in relation to music from the past, and arranging the music of othersAccess to a list of resources compiled by GavinDevelopment of each student's work towards performance and/or release post-workshop

Deadline: 
09/13/2021
Contact & Links: 

Rock Band with Deerhoof

Share

Category:

Country:

CAMP is a residential arts facility in the French Pyrenees. It's a place where great art is made, new movements are formed, new ideas are explored and groundbreaking people are nurtured. CAMP is located in Aulus les Bains, the last village before the France/Spain Pyrenean frontier chain. The location is spectacular - we are nestled at 750m above sea level, surrounded by snowcapped peaks over 3000m high, ancient forests and cascading waterfalls. There are eagles, lammergeiers, vultures, ibex and bears. Walk out of the residency, and within ten minutes you are completely alone in one of the most beautiful mountain landscapes in Europe. Aulus les Bains is also a spa village - there are hot water springs, and a thermal spa in the village to take advantage of the healing and relaxing properties of the water.
    
Workshop dates: 06/10/2021 - 2021-10-11
    
Labelled by Pitchfork as "the best band in the world" and the New York Times as "one of the most original rock bands to have come along in the last decade", Deerhoof is Greg Saunier, Satomi Matsuzaki, John Dieterich and Ed Rodriguez. Kicking off in San Francisco in the mid-90s, the band have evolved through lineups and styles, tirelessly probing the outer limits of rock, pop and noise. They've toured with Radiohead, Flaming Lips, Red Hot Chili Peppers and Beck, curated Sonic City festival in Belgium, headlined Big Ears Festival, and released over 20 albums. Like Pitchfork said, best band in the world. Meanwhile, the institutions of modern music academia have slowly but surely focused their gaze on the band - Deerhoof's genre irreverance, unbridled invention and unique approach to ensemble playing cannot be ignored as a valuable asset of the avant-garde.

This workshop is an opportunity to spend five days in the epic Pyrenean mountains with Deerhoof, learning, discussing, developing your playing, building new musical connections and opening your rock band mind. It's about playing technique, improvisation, collaboration, composition, space, interaction and listening - all the things that make an ensemble work. Over five days, a small group of adventurous players will split down into ensembles, develop playing techniques and musical interaction skills, building new work every day under the guidance of the four members of Deerhoof, ending each day with a performance and feedback session. In the downtime we'll hang out, listen to music, watch films, drink wine, swim in the river and hike in the forests and peaks of the Pyrenees.

The workshop is open to people of all musical abilities, and players of all instruments (including traditional rock band stuff but also computers, field recordings or anything else). Throughout the workshop our extensive recording facilities will be available for use, and we'll work towards gathering recordings for a final release on CAMP Editions.

Deadline: 
06/01/2021
Contact & Links: 

VSA International Young Soloists Competition

Share

Country:

Eligibility:

Calling all musicians with disabilities, ages 14-25! 

Each year outstanding young musicians with disabilities from around the world receive the VSA International Young Soloists Award, $2,000, and the opportunity to perform and participate in professional development and music coaching activities provided by the John F. Kennedy Center for the Performing Arts in Washington, D.C.  

This program is open to soloists and ensembles of any instrument or genre!

Prize summary: 
$2000 prizes
Deadline: 
03/02/2021

Entry Fee:

Contact & Links: 

Pages

Subscribe to Music